{"id":1875,"date":"2010-04-12T00:00:54","date_gmt":"2010-04-11T22:00:54","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=467"},"modified":"2016-11-13T20:32:45","modified_gmt":"2016-11-13T19:32:45","slug":"tomajazz-recomienda-un-solo-bireli-lagrene-en-the-days-of-wine-and-roses","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-bireli-lagrene-en-the-days-of-wine-and-roses\/","title":{"rendered":"Tomajazz recomienda&#8230; un solo: Bireli Lagrene en \u00abThe Days Of Wine And Roses\u00bb"},"content":{"rendered":"<figure style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"null\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/userserve-ak.last.fm\/serve\/252\/364096.jpg\" alt=\"\" width=\"150\" height=\"150\" title=\"\"><\/a><figcaption class=\"wp-caption-text\">Jaco Pastorius &amp; Bireli Lagrene: Stuttgart Aria (Jazzpoint)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Como cualquier escalaf\u00f3n art\u00edstico, el canon del jazz es una jerarqu\u00eda cruel, injusta, imprecisa (todo eso especialmente para el oyente) y, por suerte, variable con el paso del tiempo. Para eso est\u00e1 el t\u00edo Adolphus, para se\u00f1alar joyitas que quedan fuera del canon.<\/p>\n<p style=\"text-align: justify\">En 1986, con apenas 35 a\u00f1os, Jaco Pastorius hab\u00eda dejado atr\u00e1s sus d\u00edas de magia con el bajo el\u00e9ctrico, instrumento desde\u00f1ado por muchos que s\u00f3lo lo toleran cuando lo toca el de Florida.<\/p>\n<p style=\"text-align: justify\">En ese mismo a\u00f1o, a uno de la muerte del bajista, \u00e9ste formaba t\u00e1ndem con el guitarrista gitano Bireli Lagrene que, a sus veinte a\u00f1os, hab\u00eda aparcado la tradici\u00f3n <em>tzigane<\/em> para adentrarse en los caminos bastardos del jazz el\u00e9ctrico. Al alim\u00f3n, Pastorius y Lagrene grabaron <em>Stuttgart Aria<\/em> un disco irregular a causa de la baja forma del primero y a pesar de la brillantez del segundo.<\/p>\n<p style=\"text-align: justify\">Esto queda patente en el tema que cierra el disco. \u00abThe Days Of Wine And Roses\u00bb, un t\u00edtulo que\u00a0apunta dolorosamente a la trayectoria vital de Pastorius, empieza con el sonido inconfundible de su bajo el\u00e9ctrico marcando la melod\u00eda (\u00a1qu\u00e9 buen melodista era este hombre!) acompa\u00f1ado por teclados, m\u00e1s teclados (haciendo las veces de bajo) y bater\u00eda de escobillas. Tras la exposici\u00f3n del tema Jaco toca un solo poco memorable, como si estuviera apurando las \u00faltimas gotas de su magia.<\/p>\n<p style=\"text-align: justify\">Y en esto entra Lagrene, insuflando vitalidad al grupo (la r\u00edtmica se acelera notablemente) a base de <em>blues<\/em>, de doble velocidad y de pasi\u00f3n, como si se estuviera dejando los dedos para redimir a Jaco de sus d\u00edas de vino y rosas.<\/p>\n<p style=\"text-align: justify\">Disponible en Jaco Pastorius\u00a0&amp; Bireli Lagrene: <em>Stuttgart Aria <\/em>(Jazzpoint JP-1019)<\/p>\n<p style=\"text-align: justify\">Escucha \u00abThe Days Of Wine And Roses\u00bb:<br \/>\n&#8211; En <span style=\"color: #339966\"><a href=\"http:\/\/open.spotify.com\/track\/02PRchRBlqH39rPXwtiIiw\" target=\"_blank\" rel=\"noopener\">Spotify<\/a><\/span><br \/>\n&#8211; En <span style=\"color: #3366ff\"><a href=\"http:\/\/www.myspace.com\/jacopastorius\/albums\/stuttgart-aria-10647683\" target=\"_blank\" rel=\"noopener\">MySpace<\/a><\/span><br \/>\n&#8211; En <span style=\"color: #339966\"><a href=\"http:\/\/www.youtube.com\/watch?v=HxZYqC1fcOU\" target=\"_blank\" rel=\"noopener\">YouTube<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Como cualquier escalaf\u00f3n art\u00edstico, el canon del jazz es una jerarqu\u00eda cruel, injusta, imprecisa (todo eso especialmente para el oyente) y, por suerte, variable con el paso del tiempo. Para eso est\u00e1 el t\u00edo Adolphus, para se\u00f1alar joyitas que quedan fuera del canon. En 1986, con apenas 35 a\u00f1os, Jaco<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-bireli-lagrene-en-the-days-of-wine-and-roses\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1295,1273],"tags":[1347,1763,1856,1916,2079],"class_list":["entry","author-adolphus-van-tenzing","post-1875","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-solo","category-tomajazz-recomienda","tag-1347","tag-guitarra","tag-jazzpoint","tag-lagrene-bireli","tag-pastorius-jaco"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":80248,"url":"https:\/\/tomajazz.com\/web\/bireli-lagrene-trio-madrid-2023\/","url_meta":{"origin":1875,"position":0},"title":"Bir\u00e9li Lagr\u00e8ne Trio (10 Festival Internacional JazzMadrid 2023, Teatro Pav\u00f3n, Madrid. 2023-10-30) Por Carlos Lara y Enrique Farelo [Concierto de jazz]","author":"Tomajazz","date":"7 noviembre, 2023","format":false,"excerpt":"Bir\u00e9li Lagr\u00e8ne Tr\u00edo actu\u00f3 en el 10 Festival Internacional JazzMadrid 2023, en el Teatro Pav\u00f3n, el 30 de octubre de 2023. Carlos Lara y Enrique Farelo relatan y retratan la actuaci\u00f3n del genial guitarrista franc\u00e9s.","rel":"","context":"En \u00ab10 Festival Internacional JazzMadrid 2023\u00bb","block_context":{"text":"10 Festival Internacional JazzMadrid 2023","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/10-festival-internacional-jazzmadrid-2023\/"},"img":{"alt_text":"Bir\u00e9li Lagr\u00e8ne Trio (10 Festival Internacional JazzMadrid 2023, Teatro Pav\u00f3n, Madrid. 2023-10-30) Por Carlos Lara y Enrique Farelo [Concierto de jazz] - Tomajazz 9.0 - Bir\u00e9li Lagr\u00e8ne Tr\u00edo actu\u00f3 en el 10 Festival Internacional JazzMadrid 2023, en el Teatro Pav\u00f3n, el 30 de octubre de 2023. Carlos Lara y Enrique Farelo relatan y retratan la actuaci\u00f3n del genial guitarrista franc\u00e9s.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/11\/B-L-3-Bireli-Lagrene-Trio-10-Festival-Internacional-JazzMadrid-2023-Teatro-Pavon-Madrid-2023-10-30-Por-Carlos-Lara-y-Enrique-Farelo-INSTANTZZ-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/11\/B-L-3-Bireli-Lagrene-Trio-10-Festival-Internacional-JazzMadrid-2023-Teatro-Pavon-Madrid-2023-10-30-Por-Carlos-Lara-y-Enrique-Farelo-INSTANTZZ-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/11\/B-L-3-Bireli-Lagrene-Trio-10-Festival-Internacional-JazzMadrid-2023-Teatro-Pavon-Madrid-2023-10-30-Por-Carlos-Lara-y-Enrique-Farelo-INSTANTZZ-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2390,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxxii-minor-swing-bireli-lagrene-2002\/","url_meta":{"origin":1875,"position":1},"title":"En &quot;La casa del Mundo&quot; (XXXII): &quot;Minor Swing&quot; (Bir\u00e9li Lagr\u00e8ne, 2002)","author":"Tomajazz","date":"8 marzo, 2012","format":false,"excerpt":"Un cl\u00e1sico del gipsy jazz grabado en directo por una formaci\u00f3n de doce guitarristas \"solo va, solo viene\" (Bir\u00e9li Lagr\u00e8ne, Stochelo Rosenberg, Thomas Dutronc, Hono Winterstein, Dorado Schmitt, Samson Schmitt, Sylvain Luc, David Reinhardt, Tchavolo Schmitt, Angelo Debarre, Serge Krief, Richard Chiche), dos violinistas (Florin Nicolescu, Martin Weiss), un contrabajista\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-g6qUC8Ltg2c\/T1eCmshZywI\/AAAAAAAAENI\/tNZUrQvobK4\/s320\/lagrene%2Bjazz%2Ba%2Bvienne.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":38041,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-musico-jaco-pastorius-452\/","url_meta":{"origin":1875,"position":2},"title":"Razones para el jazz. 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Fotograf\u00eda por\u00a0\u00a9 Pino Alpino","rel":"","context":"En \u00ab*_Mariche Huertas de la C\u00e1mara\u00bb","block_context":{"text":"*_Mariche Huertas de la C\u00e1mara","link":"https:\/\/tomajazz.com\/web\/category\/mariche-huertas-de-la-camara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1866,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-continuum-jaco-pastorius-1976\/","url_meta":{"origin":1875,"position":3},"title":"Tomajazz recomienda\u2026 un tema: \u201cContinuum\u201d (Jaco Pastorius, 1976)","author":"Adolphus van Tenzing","date":"21 diciembre, 2009","format":false,"excerpt":"Cuando uno se plantea el bajo el\u00e9ctrico como instrumento solista, el primer m\u00fasico en mente suele ser Jaco Pastorius (basta con pensar en el mero instrumento para que sea Pastorius quien, tambi\u00e9n, se aparezca cual criatura celestial).","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Jaco Pastorius - Jaco Pastorius","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2009\/12\/jaco.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6487,"url":"https:\/\/tomajazz.com\/web\/top-ten-numero-veintitres-videos-de-la-conferencia-tras-la-pista-del-jazz-guitarristas-en-el-mundo-del-jazz\/","url_meta":{"origin":1875,"position":4},"title":"Top Ten n\u00famero veintitr\u00e9s: v\u00eddeos de la conferencia Tras la pista del jazz: guitarristas en el mundo del jazz","author":"Tomajazz","date":"21 mayo, 2013","format":false,"excerpt":"\u00a0 Sonny Rollins, Jim Hall. \"God Bless The Child\" Wes Montgomery. \"Impressions\" Joe Lovano, John Scofield. \"Cissy Strut\" Al di Meloa, Larry Coryell, Bir\u00e9li Lagrene. \"Mediterranean Sundance\" Stanley Jordan. \"Autumn Leaves\" Pat Metheny Orchestrion. \"Stranger In Town\" Lista de v\u00eddeos que acompa\u00f1aron al repaso en 65 minutos de Pachi Tapiz\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"jazz-en-la-calle-2013","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/jazz-en-la-calle-2013.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1724,"url":"https:\/\/tomajazz.com\/web\/jaco-pastorius-big-band-donna-lee-live-at-budokan-82-altus-2012\/","url_meta":{"origin":1875,"position":5},"title":"Jaco Pastorius Big Band &#8211; Donna Lee Live at Budokan &#8217;82 (Altus, 2012)","author":"Tomajazz","date":"20 diciembre, 2012","format":false,"excerpt":"Comentario:\u00a0Sentimientos encontrados se agolpan ante la aparici\u00f3n de un nuevo directo de Jaco Pastorius editado veinte a\u00f1os despu\u00e9s. Por un lado da gusto escuchar cada una de las interpretaciones que nos dej\u00f3 el maestro del bajo el\u00e9ctrico. Por otro se reabre el debate sobre las producciones musicales de bajo coste,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"jpbb_dllab82","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/12\/jpbb_dllab82.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1875"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1875\/revisions"}],"predecessor-version":[{"id":3921,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1875\/revisions\/3921"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}