{"id":1877,"date":"2010-04-27T00:15:44","date_gmt":"2010-04-26T22:15:44","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=490"},"modified":"2016-11-13T20:32:45","modified_gmt":"2016-11-13T19:32:45","slug":"tomajazz-recomienda-un-tema-sing-its-good-for-you-de-nat-gonella","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-sing-its-good-for-you-de-nat-gonella\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cSing (It\u2019s Good For You)\u201d de Nat Gonella"},"content":{"rendered":"<p style=\"text-align: justify\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/04\/Nat-Gonella-Sing.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-491\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/04\/Nat-Gonella-Sing-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" title=\"\"><\/a>El 3 de marzo de 1933, un a\u00f1o despu\u00e9s de obtener la fama gracias a \u00abOh! Mo&#8217;nah\u00bb y \u00abGeorgia On My Mind\u00bb con la orquesta de Roy Fox y apenas seis meses despu\u00e9s de su debut como l\u00edder, el trompetista y vocalista Nat Gonella grab\u00f3 dos temas para Decca: \u00abSing (It&#8217;s Good For You)\u00bb y \u00abThat&#8217;s My Home\u00bb. En la parte vocal de \u00abSing\u00bb, el popular m\u00fasico brit\u00e1nico sigue mostrando la fuerte influencia de Louis Armstrong, \u00eddolo y modelo durante toda su carrera. No obstante, en los pasajes de trompeta, Gonella se aleja moment\u00e1neamente del aura de Satchmo para caer bajo las redes de Henry Red Allen, del que toma prestado su fraseo asim\u00e9trico y su variedad de recursos expresivos para completar un tema redondo y, como su propio t\u00edtulo, divertido.<\/p>\n<p style=\"text-align: justify\">Disponible en<br \/>\nNat Gonella: <em>The Young Nat Gonella 1930-1936 <\/em>(Retrieval RTR 79022)<\/p>\n<p>Esc\u00fachalo en:<br \/>\n* <span style=\"color: #ff0000\"><strong><a href=\"http:\/\/music.myspace.com\/index.cfm?fuseaction=music.artistalbums&amp;artistid=18958902&amp;albumid=12290754#\" target=\"_blank\" rel=\"noopener\">MySpace<\/a><\/strong><\/span><br \/>\n* <strong><span style=\"color: #00ff00\"><a href=\"http:\/\/open.spotify.com\/track\/779Hh6Rv9i4jXgAHL72Kc8\" target=\"_blank\" rel=\"noopener\">Spotify<\/a><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El 3 de marzo de 1933, un a\u00f1o despu\u00e9s de obtener la fama gracias a \u00abOh! Mo&#8217;nah\u00bb y \u00abGeorgia On My Mind\u00bb con la orquesta de Roy Fox y apenas seis meses despu\u00e9s de su debut como l\u00edder, el trompetista y vocalista Nat Gonella grab\u00f3 dos temas para Decca: \u00abSing<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-sing-its-good-for-you-de-nat-gonella\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[2042,2129],"class_list":["entry","author-adolphus-van-tenzing","post-1877","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-nat-gonella","tag-retrieval"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1900,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-stardust-por-irving-mills-and-the-hotsy-totsy-gang\/","url_meta":{"origin":1877,"position":0},"title":"Tomajazz recomienda&#8230; un tema: \u00abStardust\u00bb por Irving Mills and the Hotsy-Totsy Gang","author":"Adolphus van Tenzing","date":"4 octubre, 2010","format":false,"excerpt":"Con el paso del tiempo y el aluvi\u00f3n de grabaciones al alcance de cualquiera, es inevitable que al oyente com\u00fan se le pasen por alto peque\u00f1as joyas del pasado. Pero para eso est\u00e1 el t\u00edo Adolphus, un oyente nada com\u00fan. \"Stardust\" es una de las baladas m\u00e1s populares del cancionero\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/images.amazon.com\/images\/P\/B0026MEM1S.01_SL75_.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":61464,"url":"https:\/\/tomajazz.com\/web\/benny-goodman-sing-sing-sing-1937-por-pachi-tapiz-jazzx5437-minipodcast-de-jazz\/","url_meta":{"origin":1877,"position":1},"title":"Benny Goodman: \u00abSing, Sing, Sing\u00bb (1937) Por Pachi Tapiz. JazzX5#437 [Minipodcast de jazz]","author":"Tomajazz","date":"27 febrero, 2022","format":false,"excerpt":"En JazzX5 suena la versi\u00f3n de \"Sing, Sing, Sing\" que en 1937 grab\u00f3 Benny Goodman. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"Benny Goodman: \"Sing, Sing, Sing\" (1937) Por Pachi Tapiz. JazzX5#437 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_0437.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_0437.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_0437.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_0437.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10485,"url":"https:\/\/tomajazz.com\/web\/tomajazz-interviews-anthony-braxton-i\/","url_meta":{"origin":1877,"position":2},"title":"Tomajazz interviews Anthony Braxton (I)","author":"Sergio Cabanillas","date":"1 diciembre, 2007","format":false,"excerpt":"After an intense concert last October at \"el Johnny\" \u2013 the almost mythical jazz club at the San Juan Evangelista students' halls of residence in Madrid \u2013 Anthony Braxton was kind enough to meet Diego S\u00e1nchez Cascado, Pachi Tapiz and Fernando Ortiz de Urbina for a (very) early chat the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"From right to left: Anthony Braxton, Fernando Ortiz de Urbina, Pachi Tapiz, Diego S\u00e1nchez Cascado, Arturo Mora and Lalo Lofoco \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/ENTREVISTA_7608_ENG.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":12233,"url":"https:\/\/tomajazz.com\/web\/kurt-elling-portrait-of-the-artist-as-a-jazz-man-by-arturo-mora-and-pablo-sanz\/","url_meta":{"origin":1877,"position":3},"title":"Kurt Elling: portrait of the artist as a jazz man, by Arturo Mora and Pablo Sanz","author":"Sergio Cabanillas","date":"21 septiembre, 2007","format":false,"excerpt":"Singer and songwriter Kurt Elling has become a cultural icon in the U.S.A. The release of his latest record Nightmoves has taken him on a world tour which included a date in Madrid (July 13th 2007). Just a few hours before the concert Arturo Mora and Pablo Sanz had the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Kurt Elling \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29161,"url":"https:\/\/tomajazz.com\/web\/louis-prima-ii-teddy-wilson-i-la-odisea-de-la-musica-afroamericana-084-podcast\/","url_meta":{"origin":1877,"position":4},"title":"Louis Prima (II) &#8211; Teddy Wilson (I). La Odisea de la M\u00fasica Afroamericana (084) [Podcast]","author":"Tomajazz","date":"6 febrero, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Louis Prima y el pianista Teddy Wilson son los protagonistas de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Louis_Prima_1947_por_William_P._Gottlieb-e1486329173641.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Louis_Prima_1947_por_William_P._Gottlieb-e1486329173641.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Louis_Prima_1947_por_William_P._Gottlieb-e1486329173641.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":12195,"url":"https:\/\/tomajazz.com\/web\/chris-potter-the-challenge-seeker-by-arturo-mora\/","url_meta":{"origin":1877,"position":5},"title":"Chris Potter: the challenge seeker, by Arturo Mora","author":"Sergio Cabanillas","date":"20 octubre, 2007","format":false,"excerpt":"Chris Potter is one of the most talented young saxophonists in the current jazz scene. He met Arturo Mora in the hotel hall the morning before his appearance at Vitoria Jazz Festival with the Dave Holland Quintet and they talked about composing, soloing, the Dave Holland band and other topics.\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Chris Potter, Arturo Mora \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/potter_arturo.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1877"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1877\/revisions"}],"predecessor-version":[{"id":3920,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1877\/revisions\/3920"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}