{"id":18804,"date":"2015-06-23T11:00:56","date_gmt":"2015-06-23T09:00:56","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=18804"},"modified":"2018-05-05T20:49:27","modified_gmt":"2018-05-05T18:49:27","slug":"la-odisea-de-la-musica-afroamericana-capitulo-008-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-008-podcast\/","title":{"rendered":"Gospel. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 008) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em>. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">Si el blues (en el que estuvieron centrados los programas <a href=\"http:\/\/www.tomajazz.com\/web\/?p=18682\" target=\"_blank\">sexto<\/a> y <a href=\"http:\/\/www.tomajazz.com\/web\/?p=18682\" target=\"_blank\">s\u00e9ptimo<\/a>) mira hacia lo terrenal, en el octavo cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana, Luis Escalante dedica el programa al <em>gospel<\/em>, que es una m\u00fasica que mira hacia el cielo. A lo largo de una hora realiza un recorrido por sus or\u00edgenes y desarrollo, realiza paradas en algunos de los hitos que han tenido lugar a lo largo de su desarrollo y, \u00a1c\u00f3mo no!, acompa\u00f1a todo ello por diversos ejemplos musicales.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_4669577\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_4669577_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<br \/>\n<center><br \/>\n<figure id=\"attachment_18805\" aria-describedby=\"caption-attachment-18805\" style=\"width: 383px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-18805\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Richard_Allen-383x600.jpg\" alt=\"Richard Allen\" width=\"383\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Richard_Allen-383x600.jpg 383w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Richard_Allen-96x150.jpg 96w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Richard_Allen-192x300.jpg 192w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Richard_Allen-35x55.jpg 35w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Richard_Allen.jpg 391w\" sizes=\"auto, (max-width: 383px) 100vw, 383px\" \/><figcaption id=\"caption-attachment-18805\" class=\"wp-caption-text\">Richard Allen<\/figcaption><\/figure><br \/>\n<\/center><\/p>\n<p style=\"text-align: left;\">En el cap\u00edtulo 8\u00a0suena:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: left;\">\u201cCry Me A River\u201d Diana Krall<\/li>\n<li style=\"text-align: left;\">\u201cJoshua Fit The Battle Of Jericho\u201d Gaither Gospel Group<\/li>\n<li style=\"text-align: left;\">\u201cNobody Knows The Trouble I\u00b4Ve Seen\u201d Golden Gate Quartet<\/li>\n<li style=\"text-align: left;\">\u201cGlory Hallelujah \u2013 The Golden Gate Quartet<\/li>\n<li style=\"text-align: left;\">\u201cBuilding On The Good Place\u201d Evangelist Sister Rosetta Winn<\/li>\n<li style=\"text-align: left;\">\u201cEzekiel Saw The Wheel\u201d Golden Gate Quartet<\/li>\n<li style=\"text-align: left;\">\u201cDown South Camp Meeting\u201d Manhattan Transfer<\/li>\n<li style=\"text-align: left;\">\u201cSteal Away, Rise Shine For My The Light Is Coming, Every Time I Feel The Spirit, \u201cRide The Chariot\u201d The Fisk Jubilee Singers<\/li>\n<li style=\"text-align: left;\">\u201cSwing Low Sweet Chariot\u201d Ray Brown &amp; Milt Jackson<\/li>\n<li style=\"text-align: left;\">\u201cGo Down Moses\u201d Happy Day Singers<\/li>\n<li style=\"text-align: left;\">\u201cThe Lord Is My Shepherd\u201d Whitney Houston<\/li>\n<li style=\"text-align: left;\">\u201cBig Rub\u201d Kevin Mahogany<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\">\n<p style=\"text-align: center;\">\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n<p style=\"text-align: center;\">\n<p style=\"text-align: center;\">\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Si el blues (en el que estuvieron centrados los programas sexto y s\u00e9ptimo) mira hacia lo terrenal, en el octavo cap\u00edtulo de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-008-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":18805,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[13112,13115,13113,13118,13120,12817,12905,12816,12858,13111,12818,13117,13121,13116,13114,16099,16100,13119],"class_list":["entry","author-pachi","post-18804","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-diana-krall","tag-evangelist-sister-rosetta-winn","tag-gaither-gospel-group","tag-happy-day-singers","tag-kevin-mahogany","tag-la-odisea-de-la-musica-afroamericana","tag-luis-escalante","tag-luis-escalante-ozalla","tag-manhattan-transfer","tag-mis-podcast-favoritos","tag-podcast","tag-ray-brown-milt-jackson","tag-richard-allen","tag-the-fisk-jubilee-singers","tag-the-golden-gate-quartet","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-whitney-houston"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Richard_Allen.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":44182,"url":"https:\/\/tomajazz.com\/web\/oscar-peterson-iii-la-odisea-de-la-musica-afroamericana-199-podcast\/","url_meta":{"origin":18804,"position":0},"title":"Oscar Peterson (III). La Odisea de la M\u00fasica Afroamericana (199) [Podcast]","author":"Tomajazz","date":"8 julio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 199 de La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Oscar-Peterson-Dizzy-Gillespie.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24835,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-ii-la-odisea-de-la-musica-afroamericana-053-podcast\/","url_meta":{"origin":18804,"position":1},"title":"Ella Fitzgerald (II). La Odisea de la M\u00fasica Afroamericana (053) [Podcast]","author":"Tomajazz","date":"6 junio, 2016","format":false,"excerpt":"En la entrega n\u00famero 53 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla sigue con el repaso a la carrera de Ella Fitzgerald, que comenz\u00f3 en el cap\u00edtulo anterior. Esta fase de la carrera de la Fitzgerald sirve para escuchar m\u00fasica y para conocer a figuras importantes como\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":50665,"url":"https:\/\/tomajazz.com\/web\/cannonball-adderley-y-iii-blossom-dearie-la-odisea-de-la-musica-afroamericana-239-podcast\/","url_meta":{"origin":18804,"position":2},"title":"Cannonball Adderley (y III) &#8211; Blossom Dearie (I). La Odisea de la M\u00fasica Afroamericana (239) [Podcast]","author":"Tomajazz","date":"25 mayo, 2020","format":false,"excerpt":"Cannonball Adderley y la cantante Blossom Dearie son las figuras centrales del cap\u00edtulo 239 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":51478,"url":"https:\/\/tomajazz.com\/web\/modern-jazz-quartet-la-odisea-de-la-musica-afroamericana-250-podcast-de-jazz\/","url_meta":{"origin":18804,"position":3},"title":"Modern Jazz Quartet. La Odisea de la M\u00fasica Afroamericana (250) [Podcast de Jazz]","author":"Tomajazz","date":"10 agosto, 2020","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana lleva \u00a1al programa 250! En esta entrega se contin\u00faa revisando la carrera de The Modern Jazz Quartet, un grupo longevo, esencial en lo que se conoce como Cool Jazz. En el programa, adem\u00e1s de algunos de sus temas m\u00e1s conocidos, suenan acompa\u00f1ando a algunos\u2026","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/The-Modern-Jazz-Quartet_Django.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":51994,"url":"https:\/\/tomajazz.com\/web\/john-coltrane-ii-la-odisea-de-la-musica-afroamericana-254-podcast-de-jazz\/","url_meta":{"origin":18804,"position":4},"title":"John Coltrane (II). La Odisea de la M\u00fasica Afroamericana (254) [Podcast de Jazz]","author":"Tomajazz","date":"7 septiembre, 2020","format":false,"excerpt":"John Coltrane es el protagonista del cap\u00edtulo 254 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abLa odisea de la m\u00fasica afroamericana\u00bb","block_context":{"text":"La odisea de la m\u00fasica afroamericana","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/la-odisea-de-la-musica-afroamericana\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":18422,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-003-podcast\/","url_meta":{"origin":18804,"position":5},"title":"Un camino de ida y vuelta. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 003) [Podcast]","author":"Tomajazz","date":"18 mayo, 2015","format":false,"excerpt":"El tercer cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana presenta un camino de ida y vuelta musical. En el programa se escuchan algunas de las m\u00fasicas que influyeron a los esclavos norteamericanos: la m\u00fasica tradicional europea, las m\u00fasicas militares, o la m\u00fasica tradicional norteamericana \u2013fuertemente influenciada a su vez\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/486px-Civil-War-US-Army-band.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=18804"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18804\/revisions"}],"predecessor-version":[{"id":19432,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18804\/revisions\/19432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/18805"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=18804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=18804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=18804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}