{"id":1884,"date":"2010-06-21T01:58:53","date_gmt":"2010-06-20T23:58:53","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=545"},"modified":"2016-11-13T20:32:44","modified_gmt":"2016-11-13T19:32:44","slug":"tomajazz-recomienda-un-tema-nobodys-sweetheart-por-mckenzies-condons-chicagoans","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-nobodys-sweetheart-por-mckenzies-condons-chicagoans\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abNobody&#8217;s Sweetheart\u00bb por McKenzie &#038; Condon&#8217;s Chicagoans"},"content":{"rendered":"<p style=\"text-align: justify\">Uno de los hervideros importantes del jazz temprano fue la pandilla del Instituto Austin de Chicago, la <em>Austin High Gang<\/em>. Estos mozalbetes locos por el jazz se reun\u00edan a tocar su m\u00fasica favorita, entonces dominada por King Oliver y los New Orleans Rhythm Kings, y escandalizar, de esa manera, a vecinos y familiares.<\/p>\n<figure style=\"width: 150px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ecx.images-amazon.com\/images\/I\/61UdS53CDGL._SL500_AA280_.jpg\" alt=\"\" width=\"150\" height=\"150\" title=\"\"><figcaption class=\"wp-caption-text\">VA - Jazz from the Windy City: 1927-1930<\/figcaption><\/figure>\n<p style=\"text-align: justify\">En los tiempos en los que s\u00ed era verdaderamente novedoso ver a m\u00fasicos tocando en grupo sin partituras, o ver a blanquitos tocando en tugurios de los barrios negros de Chicago, Bud Freeman (saxo tenor o mel\u00f3dico en do), Gene Krupa (bater\u00eda), Jimmy McPartland (corneta) y Frank Teschemacher (clarinete)\u00a0 entre otros se lanzaron a los brazos de la pasi\u00f3n por el jazz echando por la borda futuros profesionales tan prometedores como anodinos (aunque Tesch falleci\u00f3 en 1932 a los 26 a\u00f1os), y se dedicaron a hacer una m\u00fasica que a\u00fan hoy mantiene su encanto.<\/p>\n<p style=\"text-align: justify\">\u00abNobody&#8217;s Sweetheart\u00bb es una joyita de 1927, el mismo de a\u00f1o del \u00abSingin&#8217; The Blues\u00bb de Trumbauer &amp; Beiderbecke, en la que coinciden Freeman, Krupa, McPartland y \u00abTesch\u00bb \u2013fue la primera o segunda grabaci\u00f3n de Krupa, a sus 18 a\u00f1itos\u2013 junto con Eddie Condon, Joe Sullivan al piano y Jim Lannigan al bajo. Aunque se grab\u00f3 a nombre de McKenzie &amp; Condon&#8217;s Chicagoans, lo cierto es que Red McKenzie no toca en la grabaci\u00f3n, de lo que cabe deducir que actu\u00f3 como productor junto con Condon, que s\u00ed toca.<\/p>\n<p style=\"text-align: justify\">La m\u00fasica en s\u00ed constituye una de las mejores versiones de este tema. Lannigan no deja de <em>slappear<\/em> su contrabajo, y el resto de m\u00fasicos, que llevaban dos o tres a\u00f1os sin tocar juntos regularmente, suenan encantados de volver a encontrarse. Dicen que Bix Beiderbecke, referencia para los m\u00fasicos blancos de jazz de la \u00e9poca, escuch\u00f3 el disco al poco de publicarse y le pareci\u00f3 excelente.<\/p>\n<p style=\"text-align: justify\">Y no ser\u00e1 el t\u00edo Adolphus quien contradiga a don Bix.<\/p>\n<p style=\"text-align: justify\">Disponible en numerosas reediciones, la del CD <em>Jazz at the Windy City<\/em> (Timeless, CBC 1-021) est\u00e1 remasterizada por J. R. T. Davies, detalle a tener en cuenta en material tan antiguo. \u00abNobody&#8217;s Sweetheart\u00bb tambi\u00e9n se puede escuchar en:<\/p>\n<p style=\"text-align: justify\">* <a href=\"http:\/\/open.spotify.com\/track\/32Ya4uL9oIXFnkmKL9uWjK\" target=\"_blank\" rel=\"noopener\">Spotify<\/a><br \/>\n* <a href=\"http:\/\/www.youtube.com\/watch?v=_OSskDH5jKk\" target=\"_blank\" rel=\"noopener\">YouTube<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uno de los hervideros importantes del jazz temprano fue la pandilla del Instituto Austin de Chicago, la Austin High Gang. Estos mozalbetes locos por el jazz se reun\u00edan a tocar su m\u00fasica favorita, entonces dominada por King Oliver y los New Orleans Rhythm Kings, y escandalizar, de esa manera, a<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-nobodys-sweetheart-por-mckenzies-condons-chicagoans\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[17860,1296,1273],"tags":[1429,1562,1591,1714,1910,1986,1987,2253,2274],"class_list":["entry","author-adolphus-van-tenzing","post-1884","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-austin-high-gang","tag-chicago","tag-condon-eddie","tag-freeman-bud","tag-krupa-gene","tag-mckenzie-red","tag-mcpartland-jimmy","tag-sullivan-joe","tag-teschemacher-frank"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":60878,"url":"https:\/\/tomajazz.com\/web\/jazzx5410-von-freeman-blues-for-sunnyland-live-at-the-dakota-premonition-records-2001-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":1884,"position":0},"title":"Von Freeman: \u00abBlues for Sunnyland\u00bb [Live At The Dakota (Premonition Records, 2001)] Por Pachi Tapiz. JazzX5#410 [Minipodcast de jazz]","author":"Tomajazz","date":"5 febrero, 2022","format":false,"excerpt":"En JazzX5 suena el tema \"Blues for Sunnyland\" de Chico Freeman, que aparec\u00eda en la grabaci\u00f3n Live At The Dakota (Premonition Records, 2001). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#410. 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Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. Participaron Pere Navarro, Franco Botto, Antonio Blakstad, Antoni Mar\u00ed, Antonio Prosper, Arturo Garc\u00eda, Katana McKenzie, Nathan Haines","rel":"","context":"En \u00ab38 Eivissa Jazz 2026\u00bb","block_context":{"text":"38 Eivissa Jazz 2026","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/38-eivissa-jazz-2026\/"},"img":{"alt_text":"The Illusions & Nathan Haines (38 Eivissa Jazz Festival. 2026-09-03) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - The Illusions & Nathan Haines actuaron en el 38 Eivissa Jazz Festival. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. Participaron Pere Navarro, Franco Botto, Antonio Blakstad, Antoni Mar\u00ed, Antonio Prosper, Arturo Garc\u00eda, Katana McKenzie, Nathan Haines","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/10\/Portada-5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/10\/Portada-5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/10\/Portada-5.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/10\/Portada-5.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11977,"url":"https:\/\/tomajazz.com\/web\/eric-alexander-chicago-fire-highnote-2014-aka-rudy-van-gelder-veteranos-en-la-brecha-lix-aka-en-la-casa-del-mundo-lxxxi-just-one-of-those-things\/","url_meta":{"origin":1884,"position":2},"title":"Eric Alexander: Chicago Fire (HighNote, 2014) aka Rudy van Gelder [Veteranos en la brecha LIX] aka En La casa del Mundo LXXXI \u00abJust One Of Those Things\u00bb","author":"Tomajazz","date":"8 mayo, 2014","format":false,"excerpt":"En Chicago Fire, la nueva grabaci\u00f3n de Eric Alexander en High Note, el saxofonista rinde homenaje a\u00a0la ciudad de Chicago, y en concreto a algunos de los saxofonistas de Windy\u00a0City. Conociendo las inclinaciones estil\u00edsticas de este m\u00fasico, est\u00e1 claro que entre los homenajeados no est\u00e1n ni algunos de los potentes\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Eric-Alexander_Chicago-Fire_HighNote.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":12725,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-i-know-that-you-know-bud-powell-trio-1958\/","url_meta":{"origin":1884,"position":3},"title":"Tomajazz recomienda&#8230; un tema: \u00abI Know That You Know\u00bb (Bud Powell Trio, 1958)","author":"Adolphus van Tenzing","date":"23 junio, 2014","format":false,"excerpt":"M\u00e1s all\u00e1 de la jerga italiana utilizada para indicar el tempo de una pieza en m\u00fasica cl\u00e1sica, la terminolog\u00eda jazz\u00edstica\u00a0se basa en los bpm (beats per minute), o n\u00famero de notas negras (las que toca el contrabajo cuando camina en\u00a0walking bass)\u00a0por minuto. El segundero de un reloj se mueve a\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Bud Powell Trio - Blues In The Closet","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/recomienda1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2292,"url":"https:\/\/tomajazz.com\/web\/ingebrigt-haker-flaten-chicago-sextet-live-at-jazz-festival-saalfelden-2011-tektite-records-2012\/","url_meta":{"origin":1884,"position":4},"title":"Ingebrigt H\u00e5ker Flaten Chicago Sextet: Live at Jazz Festival Saalfelden 2011 (Tektite Records, 2012)","author":"Tomajazz","date":"29 junio, 2012","format":false,"excerpt":"Pachi Tapiz repasa Live at Jazz Festival Saalfelden 2011 (Tektite Records, 2012) de Ingebrigt H\u00e5ker Flaten Chicago Sextet.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/06\/Ingebrigt-Haker-Flaten-Chicago-Sextet_Live-at-Jazz-Festival-Saalfeden-2011.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/06\/Ingebrigt-Haker-Flaten-Chicago-Sextet_Live-at-Jazz-Festival-Saalfeden-2011.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/06\/Ingebrigt-Haker-Flaten-Chicago-Sextet_Live-at-Jazz-Festival-Saalfeden-2011.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/06\/Ingebrigt-Haker-Flaten-Chicago-Sextet_Live-at-Jazz-Festival-Saalfeden-2011.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2167,"url":"https:\/\/tomajazz.com\/web\/en-bloque-jazz-from-chicago-y-cine-negro-ruta-66\/","url_meta":{"origin":1884,"position":5},"title":"En bloque: Jazz from Chicago y cine negro (Ruta 66)","author":"Tomajazz","date":"30 noviembre, 2012","format":false,"excerpt":"Adem\u00e1s de Nueva York como ciudad por antonomasia del jazz a nivel mundial, en los USA hay otras ciudades con una escena de primer nivel como Chicago. Fuente del free pol\u00edticamente reivindicativo y del blues, en la actualidad acoge unas propuestas con unos cuantos nombres imprescindibles. Junto a la ortodoxia\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"ruta 66 296","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/ruta-66-296.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1884"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1884\/revisions"}],"predecessor-version":[{"id":3913,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1884\/revisions\/3913"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}