{"id":1891,"date":"2010-08-17T23:27:05","date_gmt":"2010-08-17T21:27:05","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=619"},"modified":"2021-12-19T14:08:57","modified_gmt":"2021-12-19T13:08:57","slug":"tomajazz-recomienda-un-disco-we-insist-freedom-now-suite-max-roach-1960","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-we-insist-freedom-now-suite-max-roach-1960\/","title":{"rendered":"Tomajazz recomienda… un disco: We Insist! Freedom Now Suite (Max Roach, 1960)"},"content":{"rendered":"
\n

\"\"Los pr\u00f3ximos 31 de agosto y 6 de septiembre se cumplir\u00e1 el 50\u00ba aniversario de las dos sesiones de grabaci\u00f3n de We Insist! Freedom Now Suite<\/em> del bater\u00eda Max Roach. Una obra creada en colaboraci\u00f3n con el letrista Oscar Brown, cuyo motivo fue la conmemoraci\u00f3n del primer centenario de la Proclamaci\u00f3n de Emancipaci\u00f3n que en 1863 decret\u00f3 el presidente estadounidense Abraham Lincoln en plena guerra civil americana. Por ella se declaraba la libertad para todos los esclavos de los Estados Confederados de Am\u00e9rica.<\/p>\n

Acompa\u00f1ado entre otros por la cantante Abbey Lincoln, su compa\u00f1era en esos momentos, el trompetista Booker Little, el trombonista Julian Priester y su antiguo jefe, el saxofonista Coleman Hawkins, el disco es un canto a la libertad de principio a fin.<\/p>\n

\u00abDriva’Man\u00bb, con su letra ir\u00f3nica y sarc\u00e1stica que habla de los tiempos de la esclavitud, incluye un magn\u00edfico solo de Coleman Hawkins. La directa \u00abFreedom Day\u00bb, un tema repleto de swing<\/em>, muestra un vibrante solo de Booker Little. \u00abTryptich: Prayer \/ Protest \/ Peace\u00bb vuelve a ser toda una declaraci\u00f3n de intenciones, que muestra el trabajo de Roach y Lincoln. \u00abAll Africa\u00bb es un reconocimiento a los ancestros y recoge las tradiciones percusivas africana, afro-cubana y afro-americana. \u00abTears of Johannesburg\u00bb, el tema que cierra el disco, representa la reivindicaci\u00f3n de los m\u00fasicos pero llevada a Sud\u00e1frica y la crueldad del apartheid de la \u00e9poca.<\/p>\n

En 2010, transcurridos ya 50 a\u00f1os, esa m\u00fasica se sigue mostrando igual de viva que entonces.<\/p>\n

\u00a9 Adolphus Van Tenzing, 2010<\/p>\n

Max Roach. We Insist! Freedom Now Suite<\/em> (Candid Records, 1960)<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

El 31 de agosto y 6 de septiembre de 2010 se cumpli\u00f3 el 50\u00ba aniversario de las dos sesiones de grabaci\u00f3n de We Insist! Freedom Now Suite del bater\u00eda Max Roach. Adolphus van Tenzing realiz\u00f3 un repaso a esta obra imprescindible en la historia del jazz, un fabuloso canto a la libertad. Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":18238,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,15517,1038,1273],"tags":[1324,5366,1533,12854,1790,1938,1942,2140],"class_list":["entry","author-adolphus-van-tenzing","has-excerpt","post-1891","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-textos","category-contenidos","category-tomajazz-recomienda","tag-1324","tag-adolphus-van-tenzing","tag-candid","tag-candid-records","tag-hawkins-coleman","tag-lincoln-abbey","tag-little-booker","tag-roach-max"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":59603,"url":"https:\/\/tomajazz.com\/web\/jazzx5368-abbey-lincoln-max-roach-coleman-hawkins-driva-man-we-insist-freedom-now-suite-candid-1960-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":1891,"position":0},"title":"JazzX5#368. Abbey Lincoln, Max Roach, Coleman Hawkins…: \u00abDriva’ Man\u00bb [We Insist! Freedom Now Suite (Candid, 1960)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"19 diciembre, 2021","format":false,"excerpt":"El tema \"Driva' Man\" que abre la grabaci\u00f3n Freedom Now Suite (Candid, 1960) de Max Roach, es el tema que suena en la edici\u00f3n dominical de JazzX5. La voz de Abbey Lincoln o el saxo de Coleman Hawkins son algunos de los componentes de esta obra maestra. JazzX5 es un\u2026","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#368. Abbey Lincoln, Max Roach, Coleman Hawkins...: \"Driva' Man\" [We Insist! 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Freedom Now Suite), obra de un maestro de la bater\u00eda (Max Roach), y en el que tambi\u00e9n colaboraban la maravillosa cantante Abbey Lincoln, Coleman\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-nejyYbLuYOg\/TvI0ICo9OzI\/AAAAAAAAD0c\/zpeXIuEZSnI\/s200\/Max_Roach-We_Insist%2521_Max_Roach%2527s_Freedom_Now_Suite_%2528album_cover%2529.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":63133,"url":"https:\/\/tomajazz.com\/web\/mingus-roach-a-lincoln-l-hopnis-o-spann-candid-records-reediciones-2022-por-pachi-tapiz-hdo-545-podcast-de-jazz\/","url_meta":{"origin":1891,"position":2},"title":"Mingus, Roach, A.Lincoln, L.Hopkins, O.Spann… Candid Records. Reediciones 2022. Por Pachi Tapiz. HDO 545 [Podcast de jazz]","author":"Tomajazz","date":"27 abril, 2022","format":false,"excerpt":"En 2022 el sello Candid Records ha comenzado a reeditar, remasterizadas, algunas de las perlas de su sello por pesos pesados del jazz y el blues como Charles Mingus, Max Roach, Abbey Lincoln, Otis Spann y Lightnin' Hopkins. En HDO 545 repasamos la historia del sello y escuchamos temas de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Mingus, Roach, A.Lincoln, L.Hopnis, O.Spann... Candid Records. Reediciones 2022. Por Pachi Tapiz. 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Por Jes\u00fas Gonzalo","author":"Jes\u00fas Gonzalo","date":"12 mayo, 2015","format":"imagen","excerpt":"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A\u00f1o 0 \u00a0abriendo la d\u00e9cada de 1960 Los acontecimientos recientes de violencia racial en Baltimore nos llevan a recuperar dos obras que a principios de\u00a0los convulsos a\u00f1os 60 del pasado siglo tambi\u00e9n eran noticia. \u201cUn artista es un secretario\u2026 tomo nota de lo que\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Gonzalo\u00bb","block_context":{"text":"*_Jes\u00fas Gonzalo","link":"https:\/\/tomajazz.com\/web\/category\/jesus-gonzalo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31767,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-we-insist-max-roach-226\/","url_meta":{"origin":1891,"position":4},"title":"365 razones para amar el jazz: una portada. We Insist! (Max Roach) [226]","author":"Tomajazz","date":"14 agosto, 2017","format":false,"excerpt":"Una portada.\u00a0Max Roach: We Insist\/\u00a0(Candid, 1960) Seleccionado por\u00a0Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"We Insist! Max Roach Freedom Now Suite","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2350,"url":"https:\/\/tomajazz.com\/web\/ran-blake-christine-correa-down-here-below-red-piano-records-2012\/","url_meta":{"origin":1891,"position":5},"title":"Ran Blake – Christine Correa: Down Here Below (Red Piano Records, 2012)","author":"Tomajazz","date":"23 abril, 2012","format":false,"excerpt":"Durante los \u00faltimos meses el pianista Ran Blake ha publicado discos en d\u00fao con varias cantantes: Sara Serpa (Camera Obscura), Dominique Eade (Whirlpool) y Christine Correa (Out of the Shadows). Si bien tanto las obras con Eade como con Correa eran m\u00e1s que notables, es con esta \u00faltima con la\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-A_XLSnVrGjM\/T5XRo0I9MqI\/AAAAAAAAEgw\/-f48DIDtC-Y\/s200\/ranblakechristinecorrea1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1891"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1891\/revisions"}],"predecessor-version":[{"id":59604,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1891\/revisions\/59604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/18238"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}