{"id":1895,"date":"2010-09-27T00:00:39","date_gmt":"2010-09-26T22:00:39","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=646"},"modified":"2016-11-13T20:32:41","modified_gmt":"2016-11-13T19:32:41","slug":"tomajazz-recomienda-un-solo-christian-mcbride-en-at-last-youre-here-pat-metheny","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-christian-mcbride-en-at-last-youre-here-pat-metheny\/","title":{"rendered":"Tomajazz recomienda&#8230; un solo: Christian McBride en \u00abAt Last You&#8217;re Here\u00bb (Pat Metheny)"},"content":{"rendered":"<figure id=\"attachment_717\" aria-describedby=\"caption-attachment-717\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/09\/recomienda.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-717\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/09\/recomienda.jpg\" alt=\"\" width=\"150\" height=\"150\" title=\"\"><\/a><figcaption id=\"caption-attachment-717\" class=\"wp-caption-text\">Pat Metheny - Day Trip<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Publicado tres a\u00f1os despu\u00e9s, el 19 de octubre de 2005 Pat Metheny grab\u00f3 <em>Day Trip<\/em>, un impresionante disco a tr\u00edo donde cometi\u00f3 el grav\u00edsimo pecado de aportar\u00a0apenas novedad. Al nivel del l\u00edder se encuentra el trabajo de sus escuderos, el bater\u00eda Antonio S\u00e1nchez y el contrabajista Christian McBride, que elabora una improvisaci\u00f3n inolvidable en la balada \u00abAt Last You&#8217;re Here\u00bb. Entre 4&#8217;31\u00bb y 5&#8217;55\u00bb el de Filadelfia provoca admiraci\u00f3n no por el evidente dominio t\u00e9cnico, sino por su capacidad mel\u00f3dica y estructural.<\/p>\n<p style=\"text-align: justify\">McBride comienza con un largo desarrollo mot\u00edvico basado en una frase que m\u00e1s bien parece un ap\u00e9ndice de la melod\u00eda. En 4&#8217;52\u00bb se apoya en la r\u00edtmica del tema, caminando con soltura hacia una nueva idea l\u00edrica en 5&#8217;17\u00bb. En 5&#8217;29\u00bb adelanta el final de su solo, dando sensaci\u00f3n de control total sobre su discurso. Para colmo, en 5&#8217;43\u00bb recapitula sobre el desarrollo mot\u00edvico inicial, cerr\u00e1ndolo con una escala descendente que acaba en el instante en que Metheny comienza la melod\u00eda final.<\/p>\n<p style=\"text-align: justify\">Este solo de Christian McBride nos ense\u00f1a c\u00f3mo crear amplios desarrollos basados en ideas simples, c\u00f3mo improvisar sobre los acordes sin olvidar el contexto mel\u00f3dico de la pieza, c\u00f3mo no abusar del dominio t\u00e9cnico del instrumento y c\u00f3mo ejecutar tama\u00f1o ejercicio musical en un instrumento te\u00f3ricamente tan tosco como el contrabajo.<\/p>\n<p style=\"text-align: justify\"><em>Day Trip <\/em>(Pat Metheny con Christian McBride y Antonio S\u00e1nchez), Nonesuch 376828-2<\/p>\n<p style=\"text-align: justify\">Escuchar en <span style=\"color: #ff0000\">Spotify<\/span>: <a href=\"0d4QkHayfFxCYadKWkzGSW\">Pat Metheny \u2013 At Last You&#8217;re Here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publicado tres a\u00f1os despu\u00e9s, el 19 de octubre de 2005 Pat Metheny grab\u00f3 Day Trip, un impresionante disco a tr\u00edo donde cometi\u00f3 el grav\u00edsimo pecado de aportar\u00a0apenas novedad. Al nivel del l\u00edder se encuentra el trabajo de sus escuderos, el bater\u00eda Antonio S\u00e1nchez y el contrabajista Christian McBride, que elabora<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-christian-mcbride-en-at-last-youre-here-pat-metheny\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1273],"tags":[1406,1425,1566,1596,1630,2080,2220],"class_list":["entry","author-adolphus-van-tenzing","post-1895","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tomajazz-recomienda","tag-antonio-sanchez","tag-at-last-youre-here","tag-christian-mcbride","tag-contrabajo","tag-day-trip","tag-pat-metheny","tag-solo-2"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100369,"url":"https:\/\/tomajazz.com\/web\/christian-mcbride-big-band-without-further-ado-vol-1-2025\/","url_meta":{"origin":1895,"position":0},"title":"Christian McBride Big Band: Without Further Ado, Vol. 1 (Mack Avenue Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Without Further Ado, Vol. 1 (Mack Avenue Records; 2025) es la nueva grabaci\u00f3n de Christian McBride Big Band. Pachi Tapiz repasa la grabaci\u00f3n. Con la colaboraci\u00f3n de Sting, Samara Joy, Jose James, entre otros...","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Christian McBride Big Band: Without Further Ado, Vol. 1 (Mack Avenue Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Without Further Ado, Vol. 1 (Mack Avenue Records; 2025) es la nueva grabaci\u00f3n de Christian McBride Big Band. Pachi Tapiz repasa la grabaci\u00f3n. Con la colaboraci\u00f3n de Sting, Samara Joy, Jose James, entre otros...","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Christian-McBride-Big-Band-Without-Further-Ado-Vol-1-Mack-Avenue-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Christian-McBride-Big-Band-Without-Further-Ado-Vol-1-Mack-Avenue-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Christian-McBride-Big-Band-Without-Further-Ado-Vol-1-Mack-Avenue-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Christian-McBride-Big-Band-Without-Further-Ado-Vol-1-Mack-Avenue-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23034,"url":"https:\/\/tomajazz.com\/web\/pat-metheny-imagen-y-sonido-los-videos-more-travels-secret-story-live-we-live-here-live-in-japan-imaginary-day-live-speaking-of-now-live\/","url_meta":{"origin":1895,"position":1},"title":"Pat Metheny. Imagen y sonido: los v\u00eddeos. More Travels, Secret Story Live, We Live Here Live In Japan, Imaginary Day Live, Speaking Of Now Live","author":"Tomajazz","date":"1 julio, 2005","format":false,"excerpt":"More Travels (Pat Metheny Group - Geffen, 1993) En una m\u00fasica tan colorista y paisaj\u00edstica como la de Pat Metheny (especialmente la del Pat Metheny Group), y habiendo compuesto varias bandas sonoras, no era de extra\u00f1ar que el guitarrista complementara su trabajo musical con im\u00e1genes en movimiento. Su primer intento,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"More Travels","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/metheny\/moretravels.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1553,"url":"https:\/\/tomajazz.com\/web\/varios-carnegie-hall-salutes-the-jazz-masters\/","url_meta":{"origin":1895,"position":2},"title":"Varios &#8211; Carnegie Hall Salutes The Jazz Masters","author":"Autor1","date":"21 mayo, 2011","format":false,"excerpt":"Diez a\u00f1os hace ya del concierto 50 aniversario de Verve records que recoge este v\u00eddeo. Diez a\u00f1os de esa reuni\u00f3n de leyendas, grandes de su \u00e9poca y alguna que otra promesa, con suerte desigual pero conformando, en todo caso, un plato de apetecible disfrute. La gala, cuyos presentadores fueron Herbie\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/varios_carnegie_hall_salutes.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":22993,"url":"https:\/\/tomajazz.com\/web\/pat-metheny-the-way-up-to-maximalism-interview-by-arturo-mora\/","url_meta":{"origin":1895,"position":3},"title":"Pat Metheny: the way up to maximalism. Interview by Arturo Mora","author":"Tomajazz","date":"1 julio, 2005","format":false,"excerpt":"XXV Festival de Jazz de Vitoria-Gasteiz, Espa\u00f1a. \u00a9 Carmen Lluss\u00e0, 2000 On mid-June 2005 the Pat Metheny Group was in the middle of the European leg of their The Way Up world tour.Arturo Mora had the chance to talk to Pat Metheny while the guitarrist was in Nice (France). Here\u2019s\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/metheny\/llussa\/pat3.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7792,"url":"https:\/\/tomajazz.com\/web\/warren-wolf-wolfgang-mack-avenue-2013\/","url_meta":{"origin":1895,"position":4},"title":"Warren Wolf: Wolfgang (Mack Avenue, 2013)","author":"Arturo Mora","date":"4 septiembre, 2013","format":false,"excerpt":"Christian McBride le descubri\u00f3 ante el gran p\u00fablico merced a su presencia en la banda Inside Straight, y ha llegado para quedarse. Warren Wolf presenta su segundo disco como l\u00edder, creando junto a su nombre una triple aliteraci\u00f3n de uves dobles en un t\u00edtulo dedicado al mism\u00edsimo Mozart. Y es\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"warren_wolf_wolfgang","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/warren_wolf_wolfgang.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":22989,"url":"https:\/\/tomajazz.com\/web\/pat-metheny-el-camino-hacia-el-maximalismo-entrevista-por-arturo-mora-rioja\/","url_meta":{"origin":1895,"position":5},"title":"Pat Metheny: el camino hacia el maximalismo. Entrevista por Arturo Mora Rioja","author":"Tomajazz","date":"1 julio, 2005","format":false,"excerpt":"XXV Festival de Jazz de Vitoria-Gasteiz, Espa\u00f1a. \u00a9 Carmen Lluss\u00e0, 2000 El Pat Metheny Group se encuentra (Junio 2005) en medio de la parte europea de la gira mundial de presentaci\u00f3n de su \u00faltimo trabajo The Way Up. Tras la cancelaci\u00f3n de su rueda de prensa en Barcelona debido a\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/metheny\/llussa\/pat3.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1895"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1895\/revisions"}],"predecessor-version":[{"id":3894,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1895\/revisions\/3894"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}