{"id":1896,"date":"2006-09-26T00:00:10","date_gmt":"2006-09-25T22:00:10","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=656"},"modified":"2022-08-25T19:02:41","modified_gmt":"2022-08-25T17:02:41","slug":"tomajazz-recomienda-un-tema-up-a-lazy-river-louis-armstrong-1931","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-up-a-lazy-river-louis-armstrong-1931\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cUp a lazy river\u201d (Louis Armstrong, 1931)"},"content":{"rendered":"<figure id=\"attachment_11521\" aria-describedby=\"caption-attachment-11521\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11521 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Louis-Armstrong-and-his-orchestra-1931-1932-200x200.jpg\" alt=\"Louis Armstrong and his orchestra 1931-1932\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Louis-Armstrong-and-his-orchestra-1931-1932-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Louis-Armstrong-and-his-orchestra-1931-1932-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Louis-Armstrong-and-his-orchestra-1931-1932-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Louis-Armstrong-and-his-orchestra-1931-1932.jpg 336w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-11521\" class=\"wp-caption-text\">Louis Armstrong and his orchestra 1931-1932<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">En plenitud de facultades, Satchmo prescinde de la sinuosa melod\u00eda original, pero a cambio se saca de la manga un <em>scat<\/em> que es un prodigio de inventiva r\u00edtmica. De remate final, un solo de trompeta con dos glissandos escalofriantes.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2006<\/p>\n<p style=\"text-align: justify;\">Disponible en Sony\/Legacy C4K 57176, Sony\/Legacy CK 61440 y Classics 536, entre otros.<\/p>\n<p style=\"text-align: justify;\">Publicado originalmente el 26 de septiembre de 2006.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En plenitud de facultades, Satchmo prescinde de la sinuosa melod\u00eda original, pero a cambio se saca de la manga un scat que es un prodigio de inventiva r\u00edtmica. De remate final, un solo de trompeta con dos glissandos escalofriantes. \u00a9 Adolphus van Tenzing, 2006 Disponible en Sony\/Legacy C4K 57176, Sony\/Legacy<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-up-a-lazy-river-louis-armstrong-1931\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11521,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[1304,5366,1574,1414,2229],"class_list":["entry","author-adolphus-van-tenzing","post-1896","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1304","tag-adolphus-van-tenzing","tag-classics","tag-armstrong-louis","tag-sony-legacy"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Louis-Armstrong-and-his-orchestra-1931-1932.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1914,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-reedicion-bitches-brew-legacy-edition-miles-davis-1970-reed-2010\/","url_meta":{"origin":1896,"position":0},"title":"Tomajazz recomienda\u2026 una reedici\u00f3n: Bitches Brew. Legacy Edition (Miles Davis, 1970. Reed. 2010)","author":"Adolphus van Tenzing","date":"25 octubre, 2010","format":false,"excerpt":"Las grandes discogr\u00e1ficas dan una vuelta de tuerca m\u00e1s al tema de las reediciones. En el a\u00f1o 1998 Sony public\u00f3 The Complete Bitches Brew. Una caja de cuatro CD en la que se supon\u00eda reedici\u00f3n definitiva de la m\u00edtica obra de Miles Davis.","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Miles Davis Bitches Brew Legacy Edition","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/10\/Miles-Davis-Bitches-Brew-Legacy-Edition-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1931,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-pinky-sarah-vaughan-1951\/","url_meta":{"origin":1896,"position":1},"title":"Tomajazz recomienda\u2026 un tema: \u201cPinky\u201d (Sarah Vaughan, 1951)","author":"Adolphus van Tenzing","date":"17 diciembre, 2010","format":false,"excerpt":"El 19 de septiembre de 1951, Sarah Vaughan grababa cuatro temas para Columbia, acompa\u00f1ada por una orquesta dirigida por Percy Faith. En esta \u00e9poca, Columbia trataba de publicitarla como una cantante \u201cseria\u201d, lo que se traduc\u00eda en numerosas ocasiones en pomposos arreglos y p\u00e9simo material y, por tanto, en un\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"The Chronological Sarah Vaughan 1951 1952","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/The-Chronological-Sarah-Vaughan-1951-1952-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":20142,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-west-end-blues-louis-armstrong-1928\/","url_meta":{"origin":1896,"position":2},"title":"La m\u00fasica de LODLMA: \u00abWest End Blues\u00bb (Louis Armstrong, 1928)","author":"Tomajazz","date":"12 octubre, 2015","format":"imagen","excerpt":"En el cap\u00edtulo d\u00e9cimo noveno de La Odisea de la M\u00fasica Afroamericana (LODLMA) suena\u2026 \u201cWest End Blues\u201d: Ya han pasado m\u00e1s de 80 a\u00f1os desde\u00a0la grabaci\u00f3n de \u201cWest End Blues\u201d por los Hot Five de Louis Armstrong, uno de los monumentos m\u00e1s importantes de la historia del jazz y, por\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Louis Armstrond and His Hot Five","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1880,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-reedicion-time-out-50th-anniversary-del-dave-brubeck-quartet\/","url_meta":{"origin":1896,"position":3},"title":"Tomajazz recomienda&#8230; una reedici\u00f3n: Time Out &#8211; 50th Anniversary (The Dave Brubeck Quartet)","author":"Adolphus van Tenzing","date":"17 mayo, 2010","format":false,"excerpt":"Las reediciones son uno de los recursos que las multinacionales utilizan para sacarse unos cuartos muy rentables, posiblemente necesarios para cubrir gastos de preservaci\u00f3n de archivos, o para cubrir otros agujeros presupuestarios. En los \u00faltimos tiempos esas grandes compa\u00f1\u00edas apenas se salen de sus apuestas seguras y, en el caso\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dave Brubeck Time Out","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/05\/Dave-Brubeck-Time-Out-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":175,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-west-end-blues-louis-armstrong-1928\/","url_meta":{"origin":1896,"position":4},"title":"Tomajazz recomienda&#8230; un tema: \u00abWest End Blues\u00bb (Louis Armstrong, 1928)","author":"Adolphus van Tenzing","date":"10 agosto, 2009","format":"image","excerpt":"El pasado 28 de junio se celebr\u00f3 el 81\u00ba aniversario de la grabaci\u00f3n de \u201cWest End Blues\u201d por los Hot Five de Louis Armstrong, uno de los monumentos m\u00e1s importantes de la historia del jazz y, por qu\u00e9 no atreverse a decirlo, de la historia de la m\u00fasica del siglo\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Louis Armstrond and His Hot Five","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2022,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-remix-125th-street-congress-weather-report-remixed-by-dj-logic-2006\/","url_meta":{"origin":1896,"position":5},"title":"Tomajazz recomienda&#8230; un remix: \u00ab125th Street Congress\u00bb (Weather Report remixed by DJ Logic, 2006)","author":"Adolphus van Tenzing","date":"1 agosto, 2011","format":false,"excerpt":"En 2006 Columbia explotaba una vez m\u00e1s el legado de Weather Report por medio de la correspondiente recopilaci\u00f3n. La caja, titulada Forecast Tomorrow, conten\u00eda tres CD, a los que a\u00f1ad\u00eda un DVD grabado en directo en 1972. Entre su contenido, que recorr\u00eda los momentos m\u00e1s brillantes del legendario grupo de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Weather Report. Forecast Tomorrow","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Weather-Report_Forecast-Tomorrow_box.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Weather-Report_Forecast-Tomorrow_box.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Weather-Report_Forecast-Tomorrow_box.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Weather-Report_Forecast-Tomorrow_box.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1896"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1896\/revisions"}],"predecessor-version":[{"id":65900,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1896\/revisions\/65900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11521"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}