{"id":1900,"date":"2010-10-04T09:00:37","date_gmt":"2010-10-04T07:00:37","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=695"},"modified":"2016-11-13T20:32:40","modified_gmt":"2016-11-13T19:32:40","slug":"tomajazz-recomienda-un-tema-stardust-por-irving-mills-and-the-hotsy-totsy-gang","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-stardust-por-irving-mills-and-the-hotsy-totsy-gang\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abStardust\u00bb por Irving Mills and the Hotsy-Totsy Gang"},"content":{"rendered":"<figure style=\"width: 150px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/images.amazon.com\/images\/P\/B0026MEM1S.01_SL75_.jpg\" alt=\"\" width=\"150\" height=\"150\" title=\"\"><figcaption class=\"wp-caption-text\">Hoagy Carmichael: First of the Singer Songwriters<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Con el paso del tiempo y el aluvi\u00f3n de grabaciones al alcance de cualquiera, es inevitable que al oyente com\u00fan se le pasen por alto peque\u00f1as joyas del pasado. Pero para eso est\u00e1 el t\u00edo Adolphus, un oyente nada com\u00fan.<\/p>\n<p style=\"text-align: justify;\">\u00abStardust\u00bb es una de las baladas m\u00e1s populares del cancionero de EE UU y, por ende, del siglo XX. La han tocado y cantado innumerables artistas de todo pelaje, pero podr\u00edamos considerar como can\u00f3nica la versi\u00f3n de <a href=\"http:\/\/www.youtube.com\/watch?v=w_tsXACIILQ\" target=\"_blank\" rel=\"noopener\">Nat King Cole<\/a>. Destacable es, tambi\u00e9n, la <a href=\"http:\/\/www.youtube.com\/watch?v=UyV3VbPZw2w\" target=\"_blank\" rel=\"noopener\">an\u00f3mala versi\u00f3n de Sinatra<\/a>, que hizo lo contrario que todo el mundo: en vez de cantar la parte principal dejando fuera la introducci\u00f3n, una de sus versiones consta solamente de la intro.<\/p>\n<p style=\"text-align: justify;\">Aparte de ser uno de los grandes autores del cancionero de <em>standards <\/em>(\u00abGeorgia on my mind\u00bb, \u00abRockin&#8217; Chair\u00bb, \u00abSkylark\u00bb, \u00abLazy River\u00bb), Carmichael era colega de Bix Beiderbecke y compa\u00f1\u00eda, y todo indica que la influencia del ef\u00edmero cornetista tiene mucho que ver en esta canci\u00f3n. La que nos ocupa es una de las m\u00e1s antiguas lecturas del tema de Hoagy Carmichael, y m\u00e1s que una balada parece una composici\u00f3n formal en toda regla, tocada a un tempo m\u00e1s vivo que el que ser\u00eda habitual. La banda, organizada por el que ser\u00eda manager de Duke Ellington, incluye a Manny Klein a la trompeta, Miff Mole al tromb\u00f3n, Jimmy Dorsey y Pee Wee Russel en las ca\u00f1as y al propio Carmichael al piano. Lo m\u00e1s llamativo, el pasaje de las ca\u00f1as (a partir de 1:30), transcripci\u00f3n del solo de piano de Carmichael de una versi\u00f3n anterior.<\/p>\n<p style=\"text-align: justify;\">Disponible en <em>Hoagy Carmichael: 1927-1939<\/em> (Timeless,CBC 1011) y en <em>The First of the Singer Songwriters<\/em> (JSP, JSP 918)<\/p>\n<p>Escucha \u00abStardust\u00bb en:<\/p>\n<p>&#8211; <a href=\"http:\/\/www.youtube.com\/watch?v=3HoYqULsh5E\" target=\"_blank\" rel=\"noopener\">YouTube<\/a><br \/>\n&#8211; <a href=\"http:\/\/open.spotify.com\/track\/4mvWd2eVOKHsGUY8ax7EYV\" target=\"_blank\" rel=\"noopener\">Spotify<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Con el paso del tiempo y el aluvi\u00f3n de grabaciones al alcance de cualquiera, es inevitable que al oyente com\u00fan se le pasen por alto peque\u00f1as joyas del pasado. Pero para eso est\u00e1 el t\u00edo Adolphus, un oyente nada com\u00fan. \u00abStardust\u00bb es una de las baladas m\u00e1s populares del cancionero<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-stardust-por-irving-mills-and-the-hotsy-totsy-gang\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1274,1273],"tags":[1580,1648,6637,1537,2087,2209],"class_list":["entry","author-adolphus-van-tenzing","post-1900","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-version","category-tomajazz-recomienda","tag-cole-nat-king","tag-dorsey-jimmy","tag-duke-ellington","tag-carmichael-hoagy","tag-pee-wee-russell","tag-sinatra-frank"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1981,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-four-jazz-giants-earl-hines-1971\/","url_meta":{"origin":1900,"position":0},"title":"Tomajazz recomienda\u2026 un CD: Four Jazz Giants (Earl Hines, 1971)","author":"Adolphus van Tenzing","date":"27 abril, 2011","format":false,"excerpt":"Los d\u00edas 17 y 18 de julio de 1971, Earl Hines se encerr\u00f3 en los estudios de E.D. Nunn, propietario del sello Audiophile, en Saukville, Wisconsin. A piano solo, se enfrent\u00f3 a una cuidada selecci\u00f3n de los repertorios de W.C. Handy, Hoagy Carmichael y Louis Armstrong. El resultado son tres\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Earl Hines \u2013 Four Jazz Giants. Earl Hines. Solo Art. 1971","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/hines_jazzgiants.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31987,"url":"https:\/\/tomajazz.com\/web\/hoagy-carmichael-i-los-compositores-del-tin-pan-alley-xvi-la-odisea-de-la-musica-afroamericana-109-podcast\/","url_meta":{"origin":1900,"position":1},"title":"Hoagy Carmichael (I). Los compositores del Tin Pan Alley (XVI). La Odisea de la M\u00fasica Afroamericana (109) [Podcast]","author":"Tomajazz","date":"28 agosto, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Contin\u00faa en La Odisea de la M\u00fasica Afroamericana de Luis Escalante\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":32086,"url":"https:\/\/tomajazz.com\/web\/hoagy-carmichael-ii-cole-porter-i-los-compositores-del-tin-pan-alley-xvii-la-odisea-de-la-musica-afroamericana-110-podcast\/","url_meta":{"origin":1900,"position":2},"title":"Hoagy Carmichael (II) &#8211; Cole Porter (I). Los compositores del Tin Pan Alley (XVII). La Odisea de la M\u00fasica Afroamericana (110) [Podcast]","author":"Tomajazz","date":"4 septiembre, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Contin\u00faa en La Odisea de la M\u00fasica Afroamericana de Luis Escalante\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Cole_porter_30s.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2007,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-georgia-on-my-mind-ben-webster\/","url_meta":{"origin":1900,"position":3},"title":"Tomajazz recomienda\u2026 un tema: \u201cGeorgia On My Mind\u201d (Ben Webster)","author":"Adolphus van Tenzing","date":"1 julio, 2011","format":false,"excerpt":"Esta deliciosa versi\u00f3n en directo del cl\u00e1sico de Hoagy Carmichael concentra y resume en poco m\u00e1s de seis minutos el estilo maduro de Ben Webster. Acompa\u00f1ado por una secci\u00f3n r\u00edtmica liderada por Jimmy Rowles, su fraseo se deleita en cada una de sus notas, elegidas con mimo y econom\u00eda, y\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/07\/Ben_Webster_at_the_Renaissance.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/07\/Ben_Webster_at_the_Renaissance.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/07\/Ben_Webster_at_the_Renaissance.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":64252,"url":"https:\/\/tomajazz.com\/web\/david-francis-sings-songs-of-the-twenties-2022\/","url_meta":{"origin":1900,"position":4},"title":"David Francis Sings Songs of the Twenties (Blujazz Productions, 2022) Por Juan F. Trillo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"27 junio, 2022","format":false,"excerpt":"Juan F. Trillo repasa la grabaci\u00f3n David Francis Sings Songs of the Twenties (Blujazz Productions, 2022).","rel":"","context":"En \u00ab*_Juan F. Trillo\u00bb","block_context":{"text":"*_Juan F. Trillo","link":"https:\/\/tomajazz.com\/web\/category\/_juan-f-trillo\/"},"img":{"alt_text":"David Francis Sings Songs of the Twenties (Blujazz Productions, 2022) Por Juan F. Trillo [Grabaci\u00f3n de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/David-Francis-Sings-Songs-of-the-Twenties-Blujazz-Productions-2022WEB.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/David-Francis-Sings-Songs-of-the-Twenties-Blujazz-Productions-2022WEB.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/David-Francis-Sings-Songs-of-the-Twenties-Blujazz-Productions-2022WEB.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":896,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-lulus-back-in-town-mel-torme-1956\/","url_meta":{"origin":1900,"position":5},"title":"Tomajazz Recomienda&#8230; un tema: \u00abLulu&#8217;s Back In Town\u00bb (Mel Torm\u00e9, 1956)","author":"Adolphus van Tenzing","date":"26 noviembre, 2010","format":false,"excerpt":"La mitad del siglo pasado fue la edad de oro de los cantantes en EE. UU. Desde Sinatra hasta Nat King Cole, hubo cantidad, calidad y variedad para elegir, pero s\u00f3lo un hombre aunaba musicalidad, jazz, perfecta entonaci\u00f3n y una ejecuci\u00f3n impecable: Mel Torm\u00e9. En 1956 Torm\u00e9, en una forma\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Mel Torm\u00e9: Lulu's Back In Town","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/11\/meltorme_lulu.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1900"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1900\/revisions"}],"predecessor-version":[{"id":3891,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1900\/revisions\/3891"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}