{"id":1902,"date":"2010-10-01T00:01:58","date_gmt":"2010-09-30T22:01:58","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=728"},"modified":"2016-11-13T20:32:41","modified_gmt":"2016-11-13T19:32:41","slug":"tomajazz-recomienda-un-tema-mona-lisa-leo-parker-1950","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-mona-lisa-leo-parker-1950\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cMona Lisa\u201d (Leo Parker, 1950)"},"content":{"rendered":"
\""Mona<\/a>
"Mona Lisa". Leo Parker. Prestige First Sessions<\/figcaption><\/figure>\n

En julio de 1950, el saxofonista bar\u00edtono Leo Parker, acompa\u00f1ado de una r\u00edtmica de ensue\u00f1o (Al Haig, Oscar Pettiford, Max Roach), grab\u00f3 cinco temas para Prestige.<\/p>\n

En \u201cMona Lisa\u201d, Parker demuestra que el jazz no es s\u00f3lo improvisaci\u00f3n. A lo largo de sus dos chorus<\/em>, separados por un interludio de piano de ocho compases, se mantiene fiel a la melod\u00eda original, deleit\u00e1ndose con su timbre poderoso y lleno de vibrato, para redondear, con un coda improvisada en solitario, una de las m\u00e1s bellas baladas que se puedan recordar.<\/p>\n

Disponible en Prestige First Sessions, Vol. 1<\/em> (Prestige PCD-24114-2)<\/p>\n","protected":false},"excerpt":{"rendered":"

En julio de 1950, el saxofonista bar\u00edtono Leo Parker, acompa\u00f1ado de una r\u00edtmica de ensue\u00f1o (Al Haig, Oscar Pettiford, Max Roach), grab\u00f3 cinco temas para Prestige. En \u201cMona Lisa\u201d, Parker demuestra que el jazz no es s\u00f3lo improvisaci\u00f3n. A lo largo de sus dos chorus, separados por un interludio deContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1314,1767,2075,2094,2105,2140],"class_list":["entry","author-adolphus-van-tenzing","post-1902","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-1314","tag-haig-al","tag-parker-leo","tag-pettiford-oscard","tag-prestige","tag-roach-max"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3062,"url":"https:\/\/tomajazz.com\/web\/lennie-tristano-sobre-charlie-parker\/","url_meta":{"origin":1902,"position":0},"title":"Lennie Tristano sobre Charlie Parker","author":"Tomajazz","date":"13 julio, 2009","format":false,"excerpt":"\"La m\u00fasica de Bird es tan perfecta que es cient\u00edfica. 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Le ayudan\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Rollins-Plays-For-Bird.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1991,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-let-me-tell-you-bout-it-leo-parker-1961\/","url_meta":{"origin":1902,"position":3},"title":"Tomajazz recomienda\u2026 un CD: Let Me Tell You \u2018Bout It (Leo Parker, 1961)","author":"Adolphus van Tenzing","date":"25 mayo, 2011","format":false,"excerpt":"\u00a0 De la ristra de discos que public\u00f3 Blue Note en la vena del bebop aderezado de soul, funk, g\u00f3spel o rhythm and blues (Stanley Turrentine, Lou Donaldson, Jimmy Smith y otros muchos) hoy recomendamos uno de los m\u00e1s desconocidos y tal vez de los mejores. 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