{"id":1908,"date":"2010-10-10T23:55:57","date_gmt":"2010-10-10T21:55:57","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=758"},"modified":"2016-11-13T20:32:40","modified_gmt":"2016-11-13T19:32:40","slug":"tomajazz-recomienda-un-libro-the-freedom-principle-jazz-after-1958-de-john-litweiler","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-libro-the-freedom-principle-jazz-after-1958-de-john-litweiler\/","title":{"rendered":"Tomajazz recomienda\u2026 un libro: The Freedom Principle: Jazz After 1958, de John Litweiler"},"content":{"rendered":"<figure id=\"attachment_773\" aria-describedby=\"caption-attachment-773\" style=\"width: 120px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/10\/cover3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-773 \" title=\"The Freedom Principle: Jazz After 1958, de John Litweiler\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/10\/cover3-120x150.jpg\" alt=\"The Freedom Principle: Jazz After 1958, de John Litweiler\" width=\"120\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-773\" class=\"wp-caption-text\">The Freedom Principle: Jazz After 1958, de John Litweiler<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">El <em>free jazz<\/em>, maltratado o tratado mal en muchas historias del jazz, tiene en <em>The Freedom Principle<\/em> el libro fundamental para comprender las claves de sus or\u00edgenes y desarrollos.<\/p>\n<p style=\"text-align: justify;\">Desde los primeros experimentos de Tristano o Mingus hasta la escuela de Chicago o el <em>free <\/em>europeo, pasando claro est\u00e1 por los grandes exponentes como Ornette, Coltrane, Cecil Taylor o Albert Ayler, esta obra ofrece un an\u00e1lisis ejemplar de casi tres d\u00e9cadas (fue publicado en 1984) de vanguardia jazz\u00edstica.<\/p>\n<p style=\"text-align: justify;\">La prosa de John Litweiler, rigurosa y amena a la vez, se ajusta muy bien a un estilo musical tan poco \u201cacad\u00e9mico\u201d como el <em>free<\/em>. Y, como todo buen libro de jazz, <em>The Freedom Principle <\/em>motiva al lector al escuchar, con pasi\u00f3n.<\/p>\n<p style=\"text-align: justify;\">Publicado en 1984 por Da Capo Press (en ingl\u00e9s, no existe traducci\u00f3n al espa\u00f1ol).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El free jazz, maltratado o tratado mal en muchas historias del jazz, tiene en The Freedom Principle el libro fundamental para comprender las claves de sus or\u00edgenes y desarrollos. Desde los primeros experimentos de Tristano o Mingus hasta la escuela de Chicago o el free europeo, pasando claro est\u00e1 por<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-libro-the-freedom-principle-jazz-after-1958-de-john-litweiler\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1283,1273],"tags":[1345,1616,1943],"class_list":["entry","author-adolphus-van-tenzing","post-1908","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-libro","category-tomajazz-recomienda","tag-1345","tag-da-capo-press","tag-litweiler-john"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13228,"url":"https:\/\/tomajazz.com\/web\/rodrigo-amado-tres-de-2014-rodrigo-amado-wire-quartet-wire-quartet-clean-feed-2014-rodrigo-amado-motion-trio-peter-evans-the-freedom-principle-live-in-lisbon-lp-nobusiness-records-2014\/","url_meta":{"origin":1908,"position":0},"title":"Rodrigo Amado: tres de 2014. Rodrigo Amado Wire Quartet: Wire Quartet (Clean Feed, 2014) Rodrigo Amado Motion Trio &#038; Peter Evans: The Freedom Principle \/ Live In Lisbon (LP) (NoBusiness Records, 2014)","author":"Tomajazz","date":"25 julio, 2014","format":false,"excerpt":"\u00a0Rodrigo Amado es uno de los mejores saxofonistas de Portugal. Aunque la suya no es una discograf\u00eda muy extensa, puede presumir adem\u00e1s de la calidad de sus grabaciones, tanto del gran nivel de sus acompa\u00f1antes, como del que estas obras han sido editadas en sellos con un gran reconocimiento a\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Rodrigo-Amado-Wire-Quartet.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2327,"url":"https:\/\/tomajazz.com\/web\/john-butcher-mak-sanders-daylight-emanem-2012\/","url_meta":{"origin":1908,"position":1},"title":"John Butcher &#8211; Mak Sanders: Daylight (Emanem, 2012)","author":"Tomajazz","date":"17 mayo, 2012","format":false,"excerpt":"Daylight es un mano a mano entre dos m\u00fasicos destacados de la escena de la libre improvisaci\u00f3n brit\u00e1nica. Un encuentro de t\u00fa a t\u00fa que publicado por el inquieto Martin Davidson en Emanem documenta un di\u00e1logo de altos vuelos que formalmente se puede calificar como improvisaci\u00f3n libre. El disco est\u00e1\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-ATBTgymrdSI\/T7TeKJ0Uo2I\/AAAAAAAAErE\/_2zBE9xyGY8\/s200\/sanders_butcher-daiylight.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2089,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-cantante-ethel-ennis\/","url_meta":{"origin":1908,"position":2},"title":"Tomajazz recomienda&#8230; una cantante: Ethel Ennis","author":"Adolphus van Tenzing","date":"21 enero, 2013","format":false,"excerpt":"La cantante Ethel Ennis es una de esas figuras en la que no c0inciden la calidad art\u00edstica con el reconocimiento y proyecci\u00f3n de su carrera. Nacida en 1932, tras grabar algunos temas para Atlantic, en 1955 publicaba su primer disco (Ethel Ennis Sings Lullaby For Losers) acompa\u00f1ada por el pianista\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/ETHEL-ENNIS-The-Complete-1955-1958.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/ETHEL-ENNIS-The-Complete-1955-1958.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/ETHEL-ENNIS-The-Complete-1955-1958.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/ETHEL-ENNIS-The-Complete-1955-1958.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5366,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xlvii-youve-got-to-have-freedom-pharoah-sanders-1980\/","url_meta":{"origin":1908,"position":3},"title":"En \u201cLa casa del Mundo\u201d (XLVII): \u201cYou&#8217;ve Got to Have Freedom\u201d (Pharoah Sanders, 1980)","author":"Tomajazz","date":"7 marzo, 2013","format":false,"excerpt":"Pharoah Sanders comenz\u00f3 su carrera en la d\u00e9cada de los sesenta de una forma mete\u00f3rica. Con menos de 25 a\u00f1os, en 1964, el mism\u00edsimo John Coltrane le invit\u00f3 a tocar con \u00e9l. Aunque no lleg\u00f3 a ser un integrante oficial de su grupo, Pharoah Sanders se ajustaba perfectamente a las\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/pharoah-sanders-journey-to-the-one.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10131,"url":"https:\/\/tomajazz.com\/web\/imatjazz-john-lindberg\/","url_meta":{"origin":1908,"position":4},"title":"IMATJAZZ: John Lindberg","author":"Tomajazz","date":"31 enero, 2014","format":false,"excerpt":"John Lindberg Wadada Leo Smith\u2019s Golden Quartet (Ten Freedom Summers) 45 Voll-Damm Festival Internacional Jazz Barcelona Conservatori del Liceo, Barcelona. 2013-11-26 \u00a9 Joan Cort\u00e8s, 2014","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/IMJ041_JOHN-LINDBERG-%C2%A9Joan-Cort%C3%A8s_26nov13_WLSmiths-Golden-Quartet-Teen-Freedom-Summers_Conservatori-del-Liceu_45Voll-Dam.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2042,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-nefertiti-the-beautiful-one-has-come-cecil-taylor-1962\/","url_meta":{"origin":1908,"position":5},"title":"Tomajazz recomienda&#8230; un disco: Nefertiti, The Beautiful One Has Come (Cecil Taylor, 1962)","author":"Adolphus van Tenzing","date":"23 enero, 2012","format":false,"excerpt":"Grabado en directo en noviembre de 1962 en el Cafe Montmartre de Copenhague en compa\u00f1\u00eda de sus inseparables Jimmy Lyons (saxo alto) y Sunny Murray (bater\u00eda), el doble CD Nefertiti, The Beautiful One Has Come es un magn\u00edfico punto intermedio en la carrera de Cecil Taylor. Situado a medio camino\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Cecil Taylor Nefertiti","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Cecil-Taylor-Nefertiti-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1908"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1908\/revisions"}],"predecessor-version":[{"id":3888,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1908\/revisions\/3888"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}