{"id":1912,"date":"2010-10-29T00:00:59","date_gmt":"2010-10-28T22:00:59","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=805"},"modified":"2016-11-13T20:32:39","modified_gmt":"2016-11-13T19:32:39","slug":"tomajazz-recomienda-una-sesion-bennie-moten-13-de-diciembre-de-1932","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-sesion-bennie-moten-13-de-diciembre-de-1932\/","title":{"rendered":"Tomajazz recomienda… una sesi\u00f3n: Bennie Moten, 13 de diciembre de 1932."},"content":{"rendered":"
\"Bennie<\/a>
Bennie Moten Orchestra: 1929-1932 Band Box Shuffle (HEP CD 1070\/2; CD doble)<\/figcaption><\/figure>\n

En plena Gran Depresi\u00f3n, la mejor banda del castigado Medio Oeste lleg\u00f3, cansada y abatida, a los estudios de RCA Victor en Camden (Nueva Jersey) a registrar en una sesi\u00f3n maratoniana lo que a la postre ser\u00eda su canto del cisne.<\/p>\n

Tras algunas bajas hist\u00f3ricas y la absorci\u00f3n de la competencia, los Blue Devils de Oklahoma (incluido su l\u00edder, Walter Page), Bennie Moten se encontr\u00f3 con una banda insuperable, con ansias de renovar el lenguage musical de la \u00e9poca, ante una situaci\u00f3n econ\u00f3mica desesperada. A duras penas empalmaron actuaciones en su camino a los estudios de Camden, pero ni el hambre, ni el fr\u00edo, ni el cansancio impidieron que todos los m\u00fasicos, entre los que est\u00e1n Hot Lips Page, Eddie Durham, Eddie Barefield, Ben Webster, Count Basie, Walter Page y Jimmy Rushing, echaran el resto. \u00abToby\u00bb, \u00abMoten Swing\u00bb (versi\u00f3n original), \u00abBlue Room\u00bb y, sobre todo, \u00abLafayette\u00bb son hitos de una sesi\u00f3n sin desperdicio, y del jazz.<\/p>\n

Sesi\u00f3n completa disponible en:
\nBennie Moten Orchestra: 1929-1932 Band Box Shuffle<\/em> (HEP CD 1070\/2; CD doble)
\nBennie Moten and His Orchestra: 1930-1932<\/em> (Chronogical Classics 591)<\/p>\n

Esc\u00fachalo en Spotify<\/a> (CD2, temas 14-23)<\/p>\n","protected":false},"excerpt":{"rendered":"

En plena Gran Depresi\u00f3n, la mejor banda del castigado Medio Oeste lleg\u00f3, cansada y abatida, a los estudios de RCA Victor en Camden (Nueva Jersey) a registrar en una sesi\u00f3n maratoniana lo que a la postre ser\u00eda su canto del cisne. Tras algunas bajas hist\u00f3ricas y la absorci\u00f3n de laContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1294,1273],"tags":[1305,1567,1800,2028],"class_list":["entry","author-adolphus-van-tenzing","post-1912","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-sesion","category-tomajazz-recomienda","tag-1305","tag-chronological-classics","tag-hep","tag-moten-bennie"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30173,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-moten-swing-buster-moten-bennie-moten-109\/","url_meta":{"origin":1912,"position":0},"title":"365 razones para amar el jazz: un tema. \u201cMoten Swing\u201d ( Buster Moten – Bennie Moten) [109]","author":"Tomajazz","date":"19 abril, 2017","format":false,"excerpt":"Un tema.\u00a0\u201cMoten Swing\u201d (Buster Moten - Bennie Moten, 1932) Seleccionado por\u00a0Luis Escalante Ozalla Banda Sonora de la pel\u00edcula Kansas City (Robert Altman, 1996) Con\u00a0Geri Allen, Christian McBride, Victor Lewis, Mark Whifield, Nicholas Payton, James Zollar, Jesse Davis, David \u201cFathed\u201d Newman, Joshua Redman, Don Byron","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Moten_Swing-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1954,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-disorder-at-the-border-the-music-of-coleman-hawkins-bennie-wallace-2004\/","url_meta":{"origin":1912,"position":1},"title":"Tomajazz recomienda\u2026 un CD: Disorder At The Border. The Music Of Coleman Hawkins (Bennie Wallace, 2004)","author":"Adolphus van Tenzing","date":"16 febrero, 2011","format":false,"excerpt":"Bennie Wallace, a diferencia de la mayor parte de los saxofonistas tenores de su generaci\u00f3n, surgida a principios de los a\u00f1os 70, busc\u00f3 sus ra\u00edces m\u00e1s all\u00e1 de Coltrane, buceando en los tenores de la era del swing. Este disco, grabado en directo en el Festival de Jazz de Berl\u00edn\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Disorder At The Border. The Music Of Coleman Hawkins. Bennie Wallace, 2004","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/wallace.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29270,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-escondido-bennie-maupin-56\/","url_meta":{"origin":1912,"position":2},"title":"365 razones para amar el jazz: un tema. \u00abEscondido\u00bb (Bennie Maupin) [56]","author":"Tomajazz","date":"25 febrero, 2017","format":false,"excerpt":"Un tema. \"Escondido\" (Bennie Maupin) Seleccionado por\u00a0Juli\u00e1n Ruesga Bono. Bennie Maupin: Early Reflections (Cryptogramophone, 2008) Con Bennie Maupin, Michal Tokaj, Michal Baranski, Lukasz Zyta, Hania Chowaniec-Rybka. \u00a0","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/the-bennie-maupin-quartet_early-reflections_Cryptogramophone_2008.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1209,"url":"https:\/\/tomajazz.com\/web\/pieces-of-a-dream-soul-intent-semaj-studios\/","url_meta":{"origin":1912,"position":3},"title":"Pieces Of A Dream – Soul Intent (SEMAJ Studios)","author":"Autor1","date":"18 mayo, 2011","format":false,"excerpt":"Composiciones: \u201cSway On\u201d, \u201cVision Accomplished\u201d (Curtis Harmon & James K. Lloyd), \u201cGive U My Heart\u201d (Kenneth Edmonds, Anotnio Redi, Daryl Simmons & Boaz \u201cMC Wade\u201d Watson), \u201cAPB\u201d (Curtis Harmon, Bennie Sims & Holmer Lewis), \u201cHindsight\u201d (Curtis Harmon, James K. Lloyd, David Dyson & Rohn Lawrence), \u201cSoul Intent\u201d, \u201cStep On It\u201d,\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/pieces.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2048,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-cajita-de-tres-cedes-live-at-the-lighthouse-de-lee-morgan\/","url_meta":{"origin":1912,"position":4},"title":"Tomajazz recomienda\u2026 una cajita (de tres ced\u00e9s): Live at The Lighthouse (Lee Morgan, 1970)","author":"Adolphus van Tenzing","date":"27 febrero, 2012","format":false,"excerpt":"\u00a0 Las \u00faltimas grabaciones de Lee Morgan suelen quedar un tanto oscurecidas frente a sus primeros discos en solitario y con los Jazz Messengers de Art Blakey, que le propulsaron como uno de los m\u00e1ximos exponentes del hard bop. En los a\u00f1os previos a su muerte (asesinado con s\u00f3lo 34\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Lee Morgan Live At The Lighthouse","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/Lee-Morgan-Live-At-The-Lighthouse-200x200.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28886,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-miles-davis-bitches-brew-1970-31\/","url_meta":{"origin":1912,"position":5},"title":"365 razones para amar el jazz: un disco. Miles Davis: Bitches Brew (1970) [31]","author":"Tomajazz","date":"31 enero, 2017","format":false,"excerpt":"Un disco. Miles Davis:\u00a0Bitches Brew\u00a0(CBS, 1970) Seleccionado por Juan Antonio Serrano Cervantes. Con\u00a0Miles Davis, Dave Holland, Harvey Brooks, Bennie Maupin, Don Alias, Jack DeJohnette, Lenny White, John McLaughlin, Chick Corea, Joe Zawinul , Larry Young, Jim Riley, Wayne Shorter,","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1912"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1912\/revisions"}],"predecessor-version":[{"id":3881,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1912\/revisions\/3881"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}