{"id":1915,"date":"2010-11-05T00:00:50","date_gmt":"2010-11-04T23:00:50","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=832"},"modified":"2016-11-13T20:32:38","modified_gmt":"2016-11-13T19:32:38","slug":"tomajazz-recomienda-un-solo-all-the-things-you-are-paul-bley-1963","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-all-the-things-you-are-paul-bley-1963\/","title":{"rendered":"Tomajazz recomienda&#8230; un solo: \u201cAll The Things You Are\u201d (Paul Bley, 1963)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-21758\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk-200x198.png\" alt=\"Sonny Rollins and Coleman Hawkins_Sonny Meets Hawk\" width=\"200\" height=\"198\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk-200x198.png 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk-150x148.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk-56x55.png 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk-50x50.png 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk.png 320w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>En 1963 RCA puso a Coleman Hawkins y a Sonny Rollins, dos de los saxofonistas m\u00e1s importantes de sus respectivas generaciones, frente a frente en una sesi\u00f3n de grabaci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">Sin embargo el punto culminante del disco, que tuvo lugar en la versi\u00f3n de \u201cAll The Things You Are\u201d, no vino de la mano de Hawkins o Rollins, sino por parte del pianista Paul Bley. El canadiense, acompa\u00f1ante en esa \u00e9poca de Rollins, se lanz\u00f3 tras el solo de Hawkins a una improvisaci\u00f3n que fue m\u00e1s all\u00e1 de lo mel\u00f3dico o lo r\u00edtmico, logrando llegar al nivel arm\u00f3nico. Su solo result\u00f3 fascinante y cautivador. \u00c9ste no s\u00f3lo encajaba a la perfecci\u00f3n con la estructura del tema, sino que retomaba elementos de la improvisaci\u00f3n de Coleman Hawkins.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2010<\/p>\n<p>Disponible en: Sonny Rollins and Coleman Hawkins <em>Sonny Meets Hawk!<\/em> (RCA Victor 74321748002)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 1963 RCA puso a Coleman Hawkins y a Sonny Rollins, dos de los saxofonistas m\u00e1s importantes de sus respectivas generaciones, frente a frente en una sesi\u00f3n de grabaci\u00f3n. Sin embargo el punto culminante del disco, que tuvo lugar en la versi\u00f3n de \u201cAll The Things You Are\u201d, no vino<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-all-the-things-you-are-paul-bley-1963\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":21758,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,14708,9531,1295,1038,1273],"tags":[1327,8169,7688,2124,2225],"class_list":["entry","author-adolphus-van-tenzing","post-1915","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-especial-paul-bley","category-especial-contenidos","category-solo","category-contenidos","category-tomajazz-recomienda","tag-1327","tag-coleman-hawkins","tag-paul-bley","tag-rca-victor","tag-sonny-rollins"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk.png","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":21760,"url":"https:\/\/tomajazz.com\/web\/homenaje-a-paul-bley-hdo-0058-audioblog\/","url_meta":{"origin":1915,"position":0},"title":"Homenaje a Paul Bley. HDO 0058 [Audioblog]","author":"Tomajazz","date":"6 enero, 2016","format":"audio","excerpt":"El pasado 3 de enero de 2016 fallec\u00eda el pianista Paul Bley a los 83 a\u00f1os. En homenaje a su figura pero especialmente a su m\u00fasica, en HDO realizamos un repaso a algunas de sus obras que sirven a su vez para mostrar distintas facetas de su manera de entender\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Paul Bley grabando a piano solo en 2006. Fotograf\u00eda por Carol Goss.","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Photo-of-Paul-Bley-recording-solo-piano-in-2006-photographed-by-Carol-Goss.-200x267.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2427,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxvii-xxviii-all-the-things-you-are-chet-baker-so-what-miles-davis-quintet-feat-sam-rivers-1964\/","url_meta":{"origin":1915,"position":1},"title":"En &quot;La casa del Mundo&quot; (XXVII \/ XXVIII): &quot;All The Things You Are&quot; (Chet Baker) \/ &quot;So What&quot; (Miles Davis Quintet feat. Sam Rivers, 1964)","author":"Tomajazz","date":"25 enero, 2012","format":false,"excerpt":"Aunque tarde, la participaci\u00f3n en el a\u00f1o 2012 en la secci\u00f3n de jazz de \"La casa del Mundo\" ha comenzado con una doble raci\u00f3n.\u00a0 En primer lugar la participaci\u00f3n que en el programa anterior no pudo ser. Dos de mis versiones favoritas del cl\u00e1sico \"All The Things You Are\" por\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-kxgazdKJgvA\/TyB8Y8UJTCI\/AAAAAAAAEAI\/63Zfb38JzD0\/s200\/baker_young%2Bman.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2306,"url":"https:\/\/tomajazz.com\/web\/top-ten-numero-veinte-videos-de-la-conferencia-tras-la-pista-del-jazz-los-saxofonistas\/","url_meta":{"origin":1915,"position":2},"title":"Top Ten n\u00famero veinte: v\u00eddeos de la conferencia Tras la pista del jazz: los saxofonistas","author":"Tomajazz","date":"15 junio, 2012","format":false,"excerpt":"Coleman Hawkins. \u201cAll The Things You Are\u201d (1962) Charlie Parker - Dizzy Gillespie. \u201cHot House\u201d (1952) Dave Brubeck Quartet (Paul Desmond). \u201cTake Five\u201d (1966) Dexter Gordon. \u201cBody and Soul\u201d (1964) Sonny Rollins. \u201cSt. Thomas\u201d (1968) John Coltrane. \u201cMy Favorite Things\u201d (1961) John Coltrane. \u201cA Love Supreme\u201d (1965) Gerry Mulligan Quartet.\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-4IH4bJ1_2OM\/T9sKTZA0_VI\/AAAAAAAAE3k\/EeuVGIQYOs4\/s320\/Jazz%2Ben%2Bla%2Bcalle%2B12_200.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":50287,"url":"https:\/\/tomajazz.com\/web\/hard-bop-xi-sonny-rollins-iii-jimmy-smith-la-odisea-de-la-musica-afroamericana-235-podcast-yomequedoencasa-istayathome\/","url_meta":{"origin":1915,"position":3},"title":"Hard Bop (XI). Sonny Rollins (III) &#8211; Jimmy Smith(I). La Odisea de la M\u00fasica Afroamericana (235) [Podcast]  #YoMeQuedoEnCasa \/ #IStayAtHome","author":"Tomajazz","date":"20 abril, 2020","format":false,"excerpt":"Como todos los lunes, un nuevo cap\u00edtulo de La Odisea de la M\u00fasica AFroamericana. En el cap\u00edtulo 235 del programa dirigido por\u00a0Luis Escalante Ozalla finaliza el repaso a la trayectoria de Sonny Rollins, y comienza la del gran Jimmy Smith. Y recuerda... #YoMeQuedoEnCasa \/ #IStayAtHome","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Sonny-Rollins-Road-Shows-Vol-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8944,"url":"https:\/\/tomajazz.com\/web\/entrevista-con-paul-bley-el-pianista-integral-segunda-parte\/","url_meta":{"origin":1915,"position":4},"title":"Entrevista con Paul Bley: el pianista integral, segunda parte","author":"Sergio Cabanillas","date":"1 mayo, 2009","format":false,"excerpt":"Segunda parte de la entrevista a Paul Bley que el pasado 28 de octubre de 2008 realizaron Ken Weiss (Jazz Improv Magazine) y Nobu Stowe (Jazz Tokyo). El cuestionario fue realizado con aportaciones de Nobu Stowe, Ken Weiss, Kenny Inaoka (Jazz Tokyo) y Pachi Tapiz (Tomajazz). Un agradecimiento especial a\u2026","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"\u00a9 Hirohiko Kamiyama, 2008","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bley_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1928,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-jim-hall-en-samba-de-orfeu\/","url_meta":{"origin":1915,"position":5},"title":"Tomajazz recomienda&#8230; un solo: \u00abSamba de Orfeu\u00bb (Jim Hall, 1963)","author":"Adolphus van Tenzing","date":"13 diciembre, 2010","format":false,"excerpt":"Uno de los atractivos del jazz son los solos, las intervenciones, m\u00e1s o menos improvisadas, que realizan los miembros de un grupo acompa\u00f1ados por el resto de sus compa\u00f1eros. Salvo honrosas excepciones, las grandes estrellas que configuran el canon del jazz suelen ser grandes solistas. Algunos de estos solistas parecen\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cSamba de Orfeu\u201d. Jim Hall (Paul Desmong <i>Take Ten<\/i>, 1963)","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/PaulDesmond_TakeTen.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1915"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1915\/revisions"}],"predecessor-version":[{"id":21759,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1915\/revisions\/21759"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/21758"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}