{"id":1918,"date":"2010-11-01T00:00:32","date_gmt":"2010-10-31T22:00:32","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=846"},"modified":"2016-11-13T20:32:38","modified_gmt":"2016-11-13T19:32:38","slug":"tomajazz-recomienda-un-tema-feels-so-good-chuck-mangione-1977","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-feels-so-good-chuck-mangione-1977\/","title":{"rendered":"Tomajazz recomienda… un tema: \u00abFeels So Good\u00bb (Chuck Mangione, 1977)"},"content":{"rendered":"
\"Chuck<\/a>
Chuck Mangione - Feels So Good<\/figcaption><\/figure>\n

Lo mejor para estos tiempos de crisis econ\u00f3mica, existencial y, en muchos casos,\u00a0de identidad, es pintar el presente de llamativos colores, casi lindando con lo prosaico. El trabajo del trompetista Chuck Mangione a finales de los a\u00f1os setenta puede padecer hoy en d\u00eda\u00a0de anacronismo, pero a buen seguro nos har\u00e1 reflexionar sobre qui\u00e9nes somos y c\u00f3mo hemos llegado hasta aqu\u00ed. Si la m\u00fasica es el esp\u00edritu de la realidad, o en los setenta se viv\u00eda muy bien o nos estamos volviendo locos.<\/p>\n

Para los detallistas: \u00abFeels So Good\u00bb (Chuck Mangione). Chuck Mangione (fiscorno), Chris Vadala (saxo bar\u00edtono), Grant Geissman (guitarra), Charles Meeks (bajo) y James Bradley Jr. (bater\u00eda y percusi\u00f3n).<\/p>\n

Feels So Good<\/em>, A&M 75021-3219-2. Publicado en 1977.<\/p>\n

Escucha \u00abFeels So Good\u00bb en<\/p>\n

* Spotify<\/a>
\n* MySpace<\/a><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Lo mejor para estos tiempos de crisis econ\u00f3mica, existencial y, en muchos casos,\u00a0de identidad, es pintar el presente de llamativos colores, casi lindando con lo prosaico. El trabajo del trompetista Chuck Mangione a finales de los a\u00f1os setenta puede padecer hoy en d\u00eda\u00a0de anacronismo, pero a buen seguro nos har\u00e1Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1273],"tags":[1568,1698],"class_list":["entry","author-adolphus-van-tenzing","post-1918","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tomajazz-recomienda","tag-chuck-mangione","tag-feels-so-good"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":61084,"url":"https:\/\/tomajazz.com\/web\/rudresh-mahanthappas-hero-trio-faith-animal-crossing-ep-whirlwind-recordings-2022-por-pachi-tapiz-jazzx5417-minipodcast-de-jazz-aka-malditos-jazztardos\/","url_meta":{"origin":1918,"position":0},"title":"Rudresh Mahanthappa’s Hero Trio: \u00abFaith\u00bb [Animal Crossing EP (Whirlwind Recordings, 2022)] Por Pachi Tapiz. 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JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_417.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_417.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_417.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_417.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9019,"url":"https:\/\/tomajazz.com\/web\/chuck-loeb-mitchel-forman-interview-by-arturo-mora-rioja\/","url_meta":{"origin":1918,"position":1},"title":"Chuck Loeb & Mitchel Forman interview by Arturo Mora Rioja","author":"Sergio Cabanillas","date":"2 marzo, 2009","format":false,"excerpt":"The jazz fusion band Metro did a Spanish tour in early February 2009, introducing their most recent CD, Express. Arturo Mora interviewed former members guitarist Chuck Loeb and keyboard player Mitchel Forman in a loose, fun, almost informal talk. ARTURO MORA: Chuck, in the last two years you\u2019ve \u00a0done the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Foto \u00a9 Sergio Cabanillas, 2009","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/chuck_loeb_mitchel_forman_3718.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":60537,"url":"https:\/\/tomajazz.com\/web\/tomajazz-remembers-9-george-howard-love-will-conquer-all-minipodcast-de-jazz-por-juan-f-trillo\/","url_meta":{"origin":1918,"position":2},"title":"Tomajazz Remembers #9. George Howard: \u201cLove Will Conquer All\u201d [Minipodcast de jazz] Por Juan F. Trillo","author":"Tomajazz","date":"24 enero, 2022","format":false,"excerpt":"En Tomajazz Remembers suena el tema \"Love Will Conquer All\" de George Howard. Tomajazz Remembers es una secci\u00f3n semanal de Juan F. Trillo.","rel":"","context":"En \u00abTomajazz Remembers (Podcast de jazz)\u00bb","block_context":{"text":"Tomajazz Remembers (Podcast de jazz)","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/a_time_to_remember\/"},"img":{"alt_text":"Tomajazz Remembers #9. George Howard: \u201cLove Will Conquer All\u201d [Minipodcast de jazz] Por Juan F. 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Editado en 1990 tras su paso por Steps Ahead, es un excelente trabajo de jazz fusion que recoge la evoluci\u00f3n del estilo en la d\u00e9cada precedente y anticipa el sonido de Metro, banda que Loeb\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Chuck Loeb - Life Colors","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/recomienda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":14329,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-chuck-loeb-mitchel-forman-interview-by-arturo-mora-rioja\/","url_meta":{"origin":1918,"position":4},"title":"Tomajazz recupera\u2026 Chuck Loeb & Mitchel Forman interview by Arturo Mora Rioja","author":"Tomajazz","date":"1 octubre, 2014","format":false,"excerpt":"Arturo Mora: Chuck, in the last two years you\u2019ve \u00a0done the Presence album and the new Between 2 Worlds CD under your own name, you have also recorded Metro\u2019s Express, produced Spyro Gyra and toured with the Metro Special Edition and with the Reunion band. When do you sleep? Chuck\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Foto \u00a9 Sergio Cabanillas, 2009","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/chuck_loeb_mitchel_forman_3839.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":34554,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-fotografo-chuck-stewart-370\/","url_meta":{"origin":1918,"position":5},"title":"Razones para el jazz: un fot\u00f3grafo. Chuck Stewart [370]","author":"Tomajazz","date":"12 enero, 2018","format":false,"excerpt":"Un fot\u00f3grafo de jazz:\u00a0Chuck Stewart Seleccionado por Jos\u00e9 Luis Luna Rocafort","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Jos%C3%A9-Luis-Luna_chuck-stewart.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Jos%C3%A9-Luis-Luna_chuck-stewart.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Jos%C3%A9-Luis-Luna_chuck-stewart.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Jos%C3%A9-Luis-Luna_chuck-stewart.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1918"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1918\/revisions"}],"predecessor-version":[{"id":3879,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1918\/revisions\/3879"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}