{"id":1921,"date":"2010-11-19T09:00:06","date_gmt":"2010-11-19T07:00:06","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=890"},"modified":"2016-11-13T20:32:37","modified_gmt":"2016-11-13T19:32:37","slug":"tomajazz-recomienda-un-tema-smoke-dreams-mildred-bailey","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-smoke-dreams-mildred-bailey\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u00abSmoke Dreams\u00bb (Mildred Bailey)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13412 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Red-Norvo-Jivin-The-Jeep-200x200.jpg\" alt=\"Red Norvo Jivin The Jeep\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Red-Norvo-Jivin-The-Jeep-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Red-Norvo-Jivin-The-Jeep-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Red-Norvo-Jivin-The-Jeep-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Red-Norvo-Jivin-The-Jeep.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Cuenta la leyenda que Mildred Bailey (cuyo mal car\u00e1cter era legendario) le hizo alguna faena al joven Eddie Sauter. Este tema habr\u00eda sido la venganza del arreglista.<\/p>\n<p style=\"text-align: justify;\">Plagada de disonancias casi surrealistas, la introducci\u00f3n ser\u00eda una trampa para cualquier cantante, pero no para la Bailey, que surca impecablemente la on\u00edrica nebulosa preparada por Sauter. El tema lo remata Norvo al xilof\u00f3n con la orquesta ya devuelta al cotidiano <em>swing <\/em>de la \u00e9poca.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2010<\/p>\n<p style=\"text-align: justify;\">Disponible en Red Norvo: <em>Jivin&#8217; The Jeep<\/em> (Hep CD 1019).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cuenta la leyenda que Mildred Bailey (cuyo mal car\u00e1cter era legendario) le hizo alguna faena al joven Eddie Sauter. Este tema habr\u00eda sido la venganza del arreglista. Plagada de disonancias casi surrealistas, la introducci\u00f3n ser\u00eda una trampa para cualquier cantante, pero no para la Bailey, que surca impecablemente la on\u00edrica<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-smoke-dreams-mildred-bailey\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":13412,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[2183,1800,1437,2055],"class_list":["entry","author-adolphus-van-tenzing","post-1921","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-sauter-eddie","tag-hep","tag-bailey-mildred","tag-norvo-red"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Red-Norvo-Jivin-The-Jeep.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":25716,"url":"https:\/\/tomajazz.com\/web\/dos-vocalistas-billy-eckstine-y-mildred-bailey-la-odisea-de-la-musica-afroamericana-060-podcast\/","url_meta":{"origin":1921,"position":0},"title":"Dos vocalistas: Billy Eckstine y Mildred Bailey. La Odisea de la M\u00fasica Afroamericana (060) [Podcast]","author":"Tomajazz","date":"25 julio, 2016","format":false,"excerpt":"El cap\u00edtulo 60 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante est\u00e1 dedicada a sendos vocalistas: Billy Eckstine con su voz de bar\u00edtono, y la cantante Mildred Bailey.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Mildred_Bailey_Gottlieb_00411.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Mildred_Bailey_Gottlieb_00411.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Mildred_Bailey_Gottlieb_00411.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Mildred_Bailey_Gottlieb_00411.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20936,"url":"https:\/\/tomajazz.com\/web\/sidemen-del-estilo-new-orleans-buster-bailey-johnny-st-cyr-jimmy-harrison-kid-ory-bellman-brown-la-odisea-de-la-musica-afroamericana-024-podcast\/","url_meta":{"origin":1921,"position":1},"title":"Sidemen del estilo New Orleans: Buster Bailey, Johnny St. Cyr, Jimmy Harrison, Kid Ory, Lonnie Johnson. La Odisea de la M\u00fasica Afroamericana (025) [Podcast]","author":"Tomajazz","date":"23 noviembre, 2015","format":"audio","excerpt":"La entrega n\u00famero 25 de La Odisea de la M\u00fasica Afroamericana se centra en algunos de los sideman m\u00e1s destacados del estilo New Orleans: Buster Bailey, Kid Ory, Johnny St. Cyr, Jimmy Harrison y Bellman Brown. Son nombre an\u00f3nimos que suenan en las grabaciones de las grandes figuras, aunque sin\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/LonnieJohnsonByRussellLee1941Crop-e1448214772618.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/LonnieJohnsonByRussellLee1941Crop-e1448214772618.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/LonnieJohnsonByRussellLee1941Crop-e1448214772618.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2382,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxxiii-all-the-cats-join-in-buck-clayton-1956\/","url_meta":{"origin":1921,"position":2},"title":"En La casa del Mundo (XXXIII): \u00abAll the Cats Join In\u00bb (Buck Clayton, 1956)","author":"Tomajazz","date":"15 marzo, 2012","format":false,"excerpt":"Buck Clayton, Bobby Donaldson, Coleman Hawkins, Tyree Glenn, Ruby Braff, J.C. Higginbotham, Billy Butterfield, Julian Dash, Kenny Kersey, Walter Page y Steve Jordan dando una lecci\u00f3n magistral de jazz en directo interpretando \"All the Cats Join In\", un tema de Eddie Sauter y Alec Wilder escrito para que Benny Goodman\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1956,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-all-the-cats-join-in-buck-clayton-1956\/","url_meta":{"origin":1921,"position":3},"title":"Tomajazz Recomienda&#8230; un tema: \u00abAll The Cats Join In\u00bb (Buck Clayton, 1956)","author":"Adolphus van Tenzing","date":"23 febrero, 2011","format":false,"excerpt":"Los estudios de Columbia. Es el d\u00eda 5 de marzo de 1956, lunes. Los clubs est\u00e1n cerrados por descanso semanal. Seguramente es de noche. Once m\u00fasicos se lanzan sobre \"All The Cats Join In\", un tema antiguo, pensado para ser interpretado por Benny Goodman en la banda sonora de Make\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1912,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-sesion-bennie-moten-13-de-diciembre-de-1932\/","url_meta":{"origin":1921,"position":4},"title":"Tomajazz recomienda&#8230; una sesi\u00f3n: Bennie Moten, 13 de diciembre de 1932.","author":"Adolphus van Tenzing","date":"29 octubre, 2010","format":false,"excerpt":"En plena Gran Depresi\u00f3n, la mejor banda del castigado Medio Oeste lleg\u00f3, cansada y abatida, a los estudios de RCA Victor en Camden (Nueva Jersey) a registrar en una sesi\u00f3n maratoniana lo que a la postre ser\u00eda su canto del cisne. Tras algunas bajas hist\u00f3ricas y la absorci\u00f3n de la\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Bennie Moten Orchestra: 1929-1932 Band Box Shuffle (HEP CD 1070\/2; CD doble)","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/10\/63-benniemoten_bandboxshuffle.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":63001,"url":"https:\/\/tomajazz.com\/web\/mundell-lowe-jazzx5-centennial-486-por-pachi-tapiz-minipodcast-de-jazz\/","url_meta":{"origin":1921,"position":5},"title":"Mundell Lowe. JazzX5 Centennial #486 Por Pachi Tapiz [Minipodcast de Jazz]","author":"Tomajazz","date":"21 abril, 2022","format":false,"excerpt":"En JazzX5 recordamos en la secci\u00f3n Centennial, el centenario del nacimiento del guitarrista Mundell Lowe. Escuchamos, como es habitual en JazzX5 un tema, la versi\u00f3n de \"Peter Gunn\" que aparec\u00eda en el disco de 1959 TV Action Jazz! y repasamos su figura. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"Mundell Lowe. JazzX5 Centennial #486 Por Pachi Tapiz [Minipodcast de Jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0486.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0486.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0486.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0486.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1921"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1921\/revisions"}],"predecessor-version":[{"id":13413,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1921\/revisions\/13413"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13412"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}