{"id":1926,"date":"2010-12-10T09:00:37","date_gmt":"2010-12-10T07:00:37","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=917"},"modified":"2016-11-13T20:11:27","modified_gmt":"2016-11-13T19:11:27","slug":"tomajazz-recomienda-un-tema-the-maze-tim-berne-1992","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-maze-tim-berne-1992\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abThe Maze\u00bb (Tim Berne, 1992)"},"content":{"rendered":"<figure id=\"attachment_918\" aria-describedby=\"caption-attachment-918\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/11\/berne_diminutivemysteries.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-918 \" title=\"berne_diminutivemysteries\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/11\/berne_diminutivemysteries.jpg\" alt=\"&quot;The Maze&quot; (Tim Berne, Diminituve Mysteries (Mostly Hemphill), 1992)\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-918\" class=\"wp-caption-text\">&quot;The Maze&quot; (Tim Berne, Diminituve Mysteries (Mostly Hemphill), 1992)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">En el a\u00f1o 1992 el saxofonista Tim Berne editaba un disco homenajeando a su maestro y mentor Julius Hemphill.<\/p>\n<p style=\"text-align: justify;\"><em>Diminituve Mysteries (Mostly Hemphill)<\/em>, recog\u00eda siete temas de Hemphill y una composici\u00f3n propia, \u00abThe Maze\u00bb. En \u00e9sta, un septeto de m\u00fasicos en el que se inclu\u00eda lo m\u00e1s granado del <em>downtown <\/em>neoyorquino (Hank Roberts, Herb Robertson, Mark Dresser, Joey Baron), retomaba el esp\u00edritu del legado musical de Hemphill poni\u00e9ndolo al d\u00eda. El resultado son 21 minutos que miran hacia el pasado sin dejar de caminar hacia el futuro.<\/p>\n<p style=\"text-align: justify;\">Disponible en Tim Berne: <em>Diminituve Mysteries (Mostly Hemphill)<\/em>, Winter &amp; Winter\/JMT Edition (919 060-2; reedici\u00f3n de 2004).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En el a\u00f1o 1992 el saxofonista Tim Berne editaba un disco homenajeando a su maestro y mentor Julius Hemphill. Diminituve Mysteries (Mostly Hemphill), recog\u00eda siete temas de Hemphill y una composici\u00f3n propia, \u00abThe Maze\u00bb. En \u00e9sta, un septeto de m\u00fasicos en el que se inclu\u00eda lo m\u00e1s granado del downtown<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-maze-tim-berne-1992\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1352,1447,1465,1655,1796,1864,2144,2146,2362],"class_list":["entry","author-adolphus-van-tenzing","post-1926","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-1352","tag-baron-joey","tag-berne-tim","tag-dresser-mark","tag-hemphill-julius","tag-jmt","tag-roberts-hank","tag-robertson-herb","tag-winter-winter"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1648,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-cancion-this-quietness-hank-roberts-1988\/","url_meta":{"origin":1926,"position":0},"title":"Tomajazz recomienda&#8230; una canci\u00f3n: \u00abThis Quietness\u00bb (Hank Roberts, 1988)","author":"Adolphus van Tenzing","date":"26 septiembre, 2011","format":false,"excerpt":"Este es uno de esos temas que hacen que algunos cr\u00edticos y aficionados digan que un \u00e1lbum es irregular. Y la verdad es que resulta cuanto menos chocante encontrarse una canci\u00f3n como \"This Quietness\" en un disco poblado por m\u00fasicos como Tim Berne, Ray Anderson, Robin Eubanks, Mark Dresser o\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Hank Roberts Black Pastels","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/09\/Hank-Roberts-Black-Pastels-200x176.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1168,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-c-m-e-julius-hemphill-1977\/","url_meta":{"origin":1926,"position":1},"title":"Tomajazz recomienda&#8230; un tema: \u00abC.M.E.\u00bb (Julius Hemphill, 1977)","author":"Adolphus van Tenzing","date":"7 febrero, 2011","format":false,"excerpt":"En el a\u00f1o 1988 el saxofonista Tim Berne reeditaba en su discogr\u00e1fica Screwgun Records el doble LP Blue Boy\u00e9 que su mentor, el gran Julius Hemphill, public\u00f3 en 1977. En una de sus mejores grabaciones Hemphill se enfrentaba en solitario a la tarea de interpretar sus composiciones utilizando los saxos\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\"C.M.E\". Julius Hemphill. Blue Boy\u00e9. 1977 reed. 1988","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/02\/blue_boye_i.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":24117,"url":"https:\/\/tomajazz.com\/web\/tim-berne-entrevista-por-pachi-tapiz-diciembre-de-2004\/","url_meta":{"origin":1926,"position":2},"title":"Tim Berne. Entrevista por Pachi Tapiz (diciembre de 2004)","author":"Tomajazz","date":"10 diciembre, 2004","format":false,"excerpt":"[Entrevista publicada originalmente en diciembre de 2004 en Tomajazz] Tim Berne va a ser el encargado de cerrar la Temporada 2004 de Arco y Flecha. No es la primera vez que en\u00a0Tomajazz entrevistamos o aparece una entrevista con el saxofonista y compositor residente en Nueva York. Jos\u00e9 Francisco Tapiz mantuvo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/temporada2004\/tim_ellery_peq.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5311,"url":"https:\/\/tomajazz.com\/web\/julius-hemphill-the-complete-remastered-recordings-on-black-saint-and-soul-note-cam-jazz-2012\/","url_meta":{"origin":1926,"position":3},"title":"Julius Hemphill: The Complete Remastered Recordings On Black Saint and Soul Note (Cam Jazz, 2012)","author":"Tomajazz","date":"6 marzo, 2013","format":false,"excerpt":"Cam Jazz, tras hacerse con el cat\u00e1logo de los sellos\u00a0Black Saint y Soul Note\u00a0(creados en Italia por Giovanni Bonandrini)\u00a0sigue poni\u00e9ndolos en circulaci\u00f3n por medio de las cajas tituladas gen\u00e9ricamente The Complete Remastered Recordings On Black Saint & Soul Note a nombre del m\u00fasico correspondiente. En el caso de la dedicada\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"julius hemphill_the complete remastered recordings on black saint and soul note","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/julius-hemphill_the-complete-remastered-recordings-on-black-saint-and-soul-note.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":94359,"url":"https:\/\/tomajazz.com\/web\/tim-berne-yikes-too-2025-cd\/","url_meta":{"origin":1926,"position":4},"title":"Tim Berne &#8211; Tom Rainey &#8211; Gregg Belisle-Chi: Yikes Too (2CD. Out Of Your Head &#8211; Screwgun Records, 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"7 febrero, 2025","format":false,"excerpt":"Yikes Too (2CD. Out Of Your Head - Screwgun Records, 2025) es la nueva grabaci\u00f3n de Tim Berne - Tom Rainey - Gregg Belisle-Chi. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Tim Berne - Tom Rainey - Gregg Belisle-Chi: Yikes Too (2CD. Out Of Your Head - Screwgun Records, 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Yikes Too (2CD. Out Of Your Head - Screwgun Records, 2025) es la nueva grabaci\u00f3n de Tim Berne - Tom Rainey - Gregg Belisle-Chi. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/Tim-Berne-Tom-Rainey-Gregg-Belisle-Chi-Yikes-Too-2CD-Out-Of-Your-Head-Screwgun-Records-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/Tim-Berne-Tom-Rainey-Gregg-Belisle-Chi-Yikes-Too-2CD-Out-Of-Your-Head-Screwgun-Records-2025.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/Tim-Berne-Tom-Rainey-Gregg-Belisle-Chi-Yikes-Too-2CD-Out-Of-Your-Head-Screwgun-Records-2025.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/Tim-Berne-Tom-Rainey-Gregg-Belisle-Chi-Yikes-Too-2CD-Out-Of-Your-Head-Screwgun-Records-2025.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24113,"url":"https:\/\/tomajazz.com\/web\/tim-berne-entrevista-por-john-howard-septiembre-1998\/","url_meta":{"origin":1926,"position":5},"title":"Tim Berne. Entrevista por John Howard (Septiembre 1998)","author":"Tomajazz","date":"10 mayo, 2002","format":false,"excerpt":"\u00a0 \u00a0 Traducida por Efr\u00e9n del Valle. Publicada con el permiso de Jason Gross de Perfect Sound Forever, d\u00f3nde fue publicada inicialmente. Esta traducci\u00f3n se public\u00f3 originalmente en Tomajazz en mayo de 2002. El l\u00edder, compositor y saxofonista Tim Berne ha creado una obra que se distingue por su envergadura\u2026","rel":"","context":"En \u00abA Fondo\u00bb","block_context":{"text":"A Fondo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/afondo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Tim-berne_Photo-by-Hreinn-Gudlaugsson.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1926"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1926\/revisions"}],"predecessor-version":[{"id":3863,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1926\/revisions\/3863"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}