{"id":1927,"date":"2010-12-06T00:00:13","date_gmt":"2010-12-05T22:00:13","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=920"},"modified":"2016-11-13T20:11:27","modified_gmt":"2016-11-13T19:11:27","slug":"tomajazz-recomienda-un-cd-soul-station-hank-mobley","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-soul-station-hank-mobley\/","title":{"rendered":"Tomajazz recomienda&#8230; un CD: Soul Station (Hank Mobley, 1960)"},"content":{"rendered":"<figure id=\"attachment_971\" aria-describedby=\"caption-attachment-971\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/recomienda.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-971\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/recomienda.jpg\" alt=\"Hank Mobley - Soul Station\" width=\"150\" height=\"150\" title=\"\"><\/a><figcaption id=\"caption-attachment-971\" class=\"wp-caption-text\">Hank Mobley - Soul Station<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Algunos solo le conocen por su breve etapa en el quinteto de Miles Davis (lleg\u00f3 a actuar con el trompetista en el m\u00edtico concierto de 1961 en el Carnegie Hall), para otros es uno de los grandes tenores de toda la historia del jazz. Su nombre: Hank Mobley y, posiblemente, su mejor disco: <em>Soul Station<\/em>.<\/p>\n<p style=\"text-align: justify;\">Grabado en 1960 con una secci\u00f3n r\u00edtmica de ensue\u00f1o (Wynton Kelly al piano, Paul Chambers al contrabajo y el mism\u00edsimo Art Blakey a la bater\u00eda), incluye cuatro originales del saxofonista rodeados por el inicial \u00abRemeber\u00bb (Irving Berlin) y el final \u00abIf I Should Lose You\u00bb (Rainger &amp; Robin). Mobley combina decisi\u00f3n y dulzura en su sonido. Domina el <em>blues <\/em>en \u00abDig Dis\u00bb y \u00abSoul Station\u00bb y muestra cierta querencia por los pedales en \u00abThis I Dig Of You\u00bb y \u00abSplit Feelin&#8217;s\u00bb. Desarrolla sus solos de forma clara y contundente, pero con paciencia y espacios, convirti\u00e9ndose en una especie de compendio bien cohesionado de estilos saxofon\u00edsticos.<\/p>\n<p>Hank Mobley: <em>Soul Station<\/em> (Blue Note 9016)<\/p>\n<p>Escuchar en Spotify: <a href=\"http:\/\/open.spotify.com\/album\/68adgnlzya6FotxxMwiBNQ\" target=\"_blank\" rel=\"noopener\">Hank Mobley \u2013 Soul Station (The Rudy Van Gelder Edition)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Algunos solo le conocen por su breve etapa en el quinteto de Miles Davis (lleg\u00f3 a actuar con el trompetista en el m\u00edtico concierto de 1961 en el Carnegie Hall), para otros es uno de los grandes tenores de toda la historia del jazz. Su nombre: Hank Mobley y, posiblemente,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-soul-station-hank-mobley\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,1273],"tags":[1324,1482,1487,1553,13,1896,2013],"class_list":["entry","author-adolphus-van-tenzing","post-1927","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-tomajazz-recomienda","tag-1324","tag-blakey-art","tag-blue-note","tag-chambers-paul","tag-jazz","tag-kelly-wynton","tag-mobley-hank"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30626,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-soul-station-hank-mobley-140-a-new-perspective-10\/","url_meta":{"origin":1927,"position":0},"title":"365 razones para amar el jazz: una portada. Soul Station (Hank Mobley) [140] [A New Perspective 10]","author":"Tomajazz","date":"20 mayo, 2017","format":false,"excerpt":"Una portada. Soul Station (Hank Mobley. Blue Note, 1960). Fotograf\u00eda de Francis Wolff, dise\u00f1o de Reid Miles. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Hank Mobley, Wynton Kelly,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":77977,"url":"https:\/\/tomajazz.com\/web\/hank-mobley-workout-tr32\/","url_meta":{"origin":1927,"position":1},"title":"Hank Mobley: \u201cWorkout\u201d. Por Juan F. Trillo. Tomajazz Remembers #32 [Minipodcast de jazz]","author":"Tomajazz","date":"1 septiembre, 2023","format":false,"excerpt":"\"Workout\" de Hank Mobley es el tema elegido por Juan F. Trillo para la entrega n\u00famero 32 de su secci\u00f3n mensual (puntual los d\u00edas 1 de cada mes), Tomajazz Remembers.","rel":"","context":"En \u00abTomajazz Remembers (Podcast de jazz)\u00bb","block_context":{"text":"Tomajazz Remembers (Podcast de jazz)","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/a_time_to_remember\/"},"img":{"alt_text":"Hank Mobley: \u201cWorkout\u201d. Por Juan F. Trillo. Tomajazz Remembers #32 [Minipodcast de jazz] - Tomajazz 9.0 - \"Workout\" de Hank Mobley es el tema elegido por Juan F. Trillo para la entrega n\u00famero 32 de su secci\u00f3n mensual (puntual los d\u00edas 1 de cada mes), Tomajazz Remembers.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/09\/ATTR-032.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/09\/ATTR-032.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/09\/ATTR-032.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/09\/ATTR-032.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":18943,"url":"https:\/\/tomajazz.com\/web\/art-blakey-blues-march-le-chant-du-monde-rec-2015-3cd\/","url_meta":{"origin":1927,"position":2},"title":"Art Blakey: Blues March (Le Chant Du Monde; Rec.2015; 3CD)","author":"Tomajazz","date":"30 junio, 2015","format":"image","excerpt":"Hablar de Art Blakey\u00a0(1919-1990) es hacerlo\u00a0de uno de los grandes m\u00fasicos de la historia del\u00a0jazz. Tanto por su papel como elemento fundamental entre los bateristas de la d\u00e9cada de los cincuenta, como por su papel esencial en el desarrollo del hard-bop tras la revoluci\u00f3n que supusieron Charlie Parker y compa\u00f1\u00eda\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Art Blakey_Blues March_Jazz Characters New Series_3CD","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Art-Blakey_Blues-March_Jazz-Characters-New-Series_3CD-200x189.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":43503,"url":"https:\/\/tomajazz.com\/web\/eli-degibri-quartet-jazzazza-jazz-club-murcia-2019-05-16-concierto\/","url_meta":{"origin":1927,"position":3},"title":"Eli Degibri Quartet (Jazzazza Jazz Club, Murcia. 2019-05-16) [Concierto]","author":"Tomajazz","date":"22 mayo, 2019","format":false,"excerpt":"Por Jos\u00e9 Antonio Garc\u00eda L\u00f3pez y Tom\u00e1s Larrosa. Fecha: 16 de mayo de 2019. Lugar: Jazzazza Jazz Club \u2013 (Murcia) Grupo: Eli Degibri Quartet Eli Degibri: saxo tenor y soprano. Tom Oren: piano. Tamir Shmerling: contrabajo. Eviatar Slivnik: bater\u00eda. La gira europea de Eli Degibri Quartet, por los clubs y\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez\u00bb","block_context":{"text":"*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez","link":"https:\/\/tomajazz.com\/web\/category\/jose-antonio-garcia-lopez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/00-Eli_Degibri_Quartet.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/00-Eli_Degibri_Quartet.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/00-Eli_Degibri_Quartet.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/00-Eli_Degibri_Quartet.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/00-Eli_Degibri_Quartet.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1937,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-reedicion-news-for-lulu-john-zorn-george-lewis-bill-frisell-1988-reed-2008\/","url_meta":{"origin":1927,"position":4},"title":"Tomajazz recomienda\u2026 una reedici\u00f3n: News For Lulu (John Zorn, George Lewis, Bill Frisell; 1988, Reed.2008)","author":"Adolphus van Tenzing","date":"7 enero, 2011","format":false,"excerpt":"Adem\u00e1s de trabajar sobre otras est\u00e9ticas, el saxofonista John Zorn tambi\u00e9n se intern\u00f3 a mediados de los a\u00f1os 80 por los terrenos del hard-bop. Acompa\u00f1ado del trombonista de la AACM George Lewis y del guitarrista Bill Frisell, en News For Lulu el tr\u00edo recreaba composiciones de Kenny Dorham, Hank Mobley,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"News for lulu_alt","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/01\/News-for-lulu_alt-200x180.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":19224,"url":"https:\/\/tomajazz.com\/web\/hdo-de-homenajes-i-entrega-0004-audioblog\/","url_meta":{"origin":1927,"position":5},"title":"Perelman &#8211; Dickey \/ Cappelletti &#8211; di Castri &#8211; Ditmas. HDO: de homenajes I (entrega 0004) [Audioblog]","author":"Tomajazz","date":"28 julio, 2015","format":"image","excerpt":"La cuarta\u00a0entrega de HDO\u00a0versa sobre un par de homenajes. Homenaje a saxofonistas tenores por parte del saxofonista Ivo Perelman y el baterista Whit Dickey en el CD de m\u00fasica improvisada Tenorhood (Leo Records). Suena en el audiopost el solo de bater\u00eda que da t\u00edtulo al CD y los\u00a0homenajes a John\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/WP_20150723_001-e1437687671176.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/WP_20150723_001-e1437687671176.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/WP_20150723_001-e1437687671176.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1927"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1927\/revisions"}],"predecessor-version":[{"id":3864,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1927\/revisions\/3864"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}