{"id":1932,"date":"2010-12-17T09:00:16","date_gmt":"2010-12-17T07:00:16","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=950"},"modified":"2016-11-13T20:11:27","modified_gmt":"2016-11-13T19:11:27","slug":"tomajazz-recomienda-una-balada-easy-living-clifford-brown-1953","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-balada-easy-living-clifford-brown-1953\/","title":{"rendered":"Tomajazz recomienda\u2026 una balada: \u201cEasy Living\u201d (Clifford Brown, 1953)"},"content":{"rendered":"<figure id=\"attachment_951\" aria-describedby=\"caption-attachment-951\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/11\/cliffordbrown_memorial.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-951\" title=\"cliffordbrown_memorial\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/11\/cliffordbrown_memorial.jpg\" alt=\"\u201cEasy Living\u201d (Clifford Brown, Memorial Album, 1953)\" width=\"150\" height=\"147\" \/><\/a><figcaption id=\"caption-attachment-951\" class=\"wp-caption-text\">\u201cEasy Living\u201d (Clifford Brown, Memorial Album, 1953)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Si la versi\u00f3n de Billie Holiday del <em>standard <\/em>de Leo Robin y Ralph Grainger es la referencia \u201ccantada\u201d, la instrumental es la de Clifford Brown (con permiso de Paul Desmond).<\/p>\n<p style=\"text-align: justify;\">Aunque con acompa\u00f1antes de lujo (Gigi Gryce, Charlie Rouse, John Lewis, Percy Heath y Art Blakey), \u201cBrownie\u201d es aqu\u00ed el \u00fanico solista, lo que le permite mostrar todo su lirismo y dominio t\u00e9cnico. A se\u00f1alar el curioso arreglo pastoral en la introducci\u00f3n y en la coda del tema, seguramente a cargo de Gigi Gryce (aqu\u00ed a la flauta).<\/p>\n<p style=\"text-align: justify;\">En Clifford Brown <em>Memorial Album<\/em>, grabado en 1953 y publicado por Blue Note (CDP 7 81526 2).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Si la versi\u00f3n de Billie Holiday del standard de Leo Robin y Ralph Grainger es la referencia \u201ccantada\u201d, la instrumental es la de Clifford Brown (con permiso de Paul Desmond). Aunque con acompa\u00f1antes de lujo (Gigi Gryce, Charlie Rouse, John Lewis, Percy Heath y Art Blakey), \u201cBrownie\u201d es aqu\u00ed el<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-balada-easy-living-clifford-brown-1953\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1317,1482,1487,1514,1745,1761,1794,1934,2148,2162],"class_list":["entry","author-adolphus-van-tenzing","post-1932","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-1317","tag-blakey-art","tag-blue-note","tag-brown-clifford","tag-grainger-ralph","tag-gryce-gigi","tag-heath-percy","tag-lewis-john","tag-robin-leo","tag-rouse-charlie"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":49359,"url":"https:\/\/tomajazz.com\/web\/hard-bop-iv-clifford-brown-la-odisea-de-la-musica-afroamericana-228-podcast\/","url_meta":{"origin":1932,"position":0},"title":"Hard Bop (IV). Clifford Brown (I). La Odisea de la M\u00fasica Afroamericana (228) [Podcast]","author":"Tomajazz","date":"2 marzo, 2020","format":false,"excerpt":"Sigue La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla con su inmersi\u00f3n en el Hard Bop. En la entrega 228 el trompetista Clifford Brown, un m\u00fasico que nos dej\u00f3 demasiado pronto, es el protagonista del programa.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":48966,"url":"https:\/\/tomajazz.com\/web\/hard-bop-i-art-blakey-i-la-odisea-de-la-musica-afroamericana-225-podcast\/","url_meta":{"origin":1932,"position":1},"title":"Hard Bop (I). Art Blakey (I). La Odisea de la M\u00fasica Afroamericana (225) [Podcast]","author":"Tomajazz","date":"10 febrero, 2020","format":false,"excerpt":"En el episodio 225 de La Odisea de la M\u00fasica Afroamericana, Luis Escalante Ozalla realiza una introducci\u00f3n al movimiento Hard-Bop, y a uno de sus representantes principales, el baterista Art Blakey.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"Art Blakey and the Jazz Messengers Moanin' Blue Note 1958","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":51585,"url":"https:\/\/tomajazz.com\/web\/john-lewis-la-odisea-de-la-musica-afroamericana-251-podcast-de-jazz\/","url_meta":{"origin":1932,"position":2},"title":"John Lewis (I). La Odisea de la M\u00fasica Afroamericana (251) [Podcast de Jazz]","author":"Tomajazz","date":"17 agosto, 2020","format":false,"excerpt":"John Lewis es el protagonista del cap\u00edtulo 251 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/John-Lewis_The-Wonderful-World-Of-Jazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":16368,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-sonny-rollins-complete-recordings-essential-jazz-classics-2014\/","url_meta":{"origin":1932,"position":3},"title":"Thelonious Monk &#038; Sonny Rollins: Complete Recordings (Essential Jazz Classics, 2014)","author":"Jes\u00fas Mateu Rossell\u00f3","date":"14 enero, 2015","format":false,"excerpt":"Much\u00edsimo se ha escrito en los libros de historia en relaci\u00f3n a los dos m\u00fasicos que hoy nos acompa\u00f1an. Y es que son dos de los grandes. Posiblemente haya alg\u00fan que otro detractor, pero creo que en un porcentaje muy elevado, pr\u00e1cticamente todas las personas a las que nos gusta\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/Monk-Rollins_complete-recordings-e1421176101624.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35019,"url":"https:\/\/tomajazz.com\/web\/loewe-noble-los-compositores-del-tin-pan-alley-xxxix-la-odisea-de-la-musica-afroamericana-132-podcast\/","url_meta":{"origin":1932,"position":4},"title":"Loewe &#8211; Noble. Los compositores del Tin Pan Alley (XXXIX). La Odisea de la M\u00fasica Afroamericana (132) [Podcast]","author":"Tomajazz","date":"5 febrero, 2018","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. La Odisea de la M\u00fasica Afroamericana\u00a0llega a la entrega n\u00famero 39\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Frederick-Loewe.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":23973,"url":"https:\/\/tomajazz.com\/web\/1943-1959-entre-el-bop-y-el-free-la-edad-de-oro-especial-25-discos-de-jazz-una-guia-esencial-por-fernando-ortiz-de-urbina\/","url_meta":{"origin":1932,"position":5},"title":"1943-1959: entre el Bop y el Free &#8211; La Edad de Oro. Especial 25 Discos de Jazz: una Gu\u00eda Esencial [Grabaciones de jazz] Por Fernando Ortiz de Urbina","author":"Tomajazz","date":"1 octubre, 2005","format":false,"excerpt":"1943-1959: entre el Bop y el Free - La Edad de Oro. Especial 25 Discos de Jazz: una Gu\u00eda Esencial. Fernando Ortiz de Urbina fuel el encargado de repasar ese periodo.","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2005\/10\/1943-1959_entre-el-Bop-y-el-Free_2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2005\/10\/1943-1959_entre-el-Bop-y-el-Free_2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2005\/10\/1943-1959_entre-el-Bop-y-el-Free_2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2005\/10\/1943-1959_entre-el-Bop-y-el-Free_2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1932"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1932\/revisions"}],"predecessor-version":[{"id":3859,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1932\/revisions\/3859"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}