{"id":1933,"date":"2010-12-24T09:00:35","date_gmt":"2010-12-24T07:00:35","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=953"},"modified":"2019-04-21T20:24:43","modified_gmt":"2019-04-21T18:24:43","slug":"tomajazz-recomienda-un-disco-pretty-wild-and-with-strings-attached-wild-bill-davison-1956-y-1957","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-pretty-wild-and-with-strings-attached-wild-bill-davison-1956-y-1957\/","title":{"rendered":"Tomajazz recomienda\u2026 un disco: \u00abPretty Wild\u00bb and \u00abWith Strings Attached\u00bb (Wild Bill Davison, 1956 y 1957)"},"content":{"rendered":"<p style=\"text-align: justify;\">Por <strong>Adolphus van Tenzing<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-43013 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Wilid-Bill-Davidson_pretty-wild-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Wilid-Bill-Davidson_pretty-wild-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Wilid-Bill-Davidson_pretty-wild-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Wilid-Bill-Davidson_pretty-wild-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Wilid-Bill-Davidson_pretty-wild-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Wilid-Bill-Davidson_pretty-wild.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>En 1956, George Avakian grab\u00f3 a Wild Bill Davison acompa\u00f1ado de una orquesta de cuerda y la experiencia se repetir\u00eda al a\u00f1o siguiente con Irving Townsend como productor, tambi\u00e9n para Columbia Records.<\/p>\n<p style=\"text-align: justify;\">Este CD editado por Arbors, el sello americano de Rachel y Mat Domber, re\u00fane ambos trabajos. En <em>Pretty Wild<\/em>, con arreglos de Marty Manning, el contraste entre la corneta de Davison y la orquesta de cuerda (Percy Faith and his Strings) es impactante. A pesar de abandonar su tradicional repertorio <em>dixieland <\/em>por uno de baladas y <em>standards <\/em>y mostrar su lado m\u00e1s \u201csentimental\u201d, Davison sigue haciendo rugir, llorar y aullar a su instrumento, bajo el suave manto del et\u00e9reo sonido de las cuerdas. En <em>With Strings Attached<\/em>, Davison cede parte del protagonismo al resto de los solistas de la orquesta dirigida por Deane Kincaide, sobre todo al trombonista Cutty Cutshall y al clarinetista Bob Wilber.<\/p>\n<p style=\"text-align: justify;\">Tras el \u00e9xito comercial de las sesiones <em>Bird With Strings<\/em> de Charlie Parker, muchos m\u00fasicos de jazz se lanzaron a la aventura de grabar con una orquesta de cuerdas con resultados, en general, decepcionantes. Davison, que fue duramente criticado por el lado radical del trad jazz por estos discos, mantiene el tipo.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0<strong>Adolphus van Tenzing<\/strong>, 2010<\/p>\n<p style=\"text-align: justify;\">Disponible en \u00ab<em>Pretty Wild\u00bb and \u00abWith Strings Attached\u00bb<\/em> (Arbors ARCD 19175)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Adolphus van Tenzing. En 1956, George Avakian grab\u00f3 a Wild Bill Davison acompa\u00f1ado de una orquesta de cuerda y la experiencia se repetir\u00eda al a\u00f1o siguiente con Irving Townsend como productor, tambi\u00e9n para Columbia Records. Este CD editado por Arbors, el sello americano de Rachel y Mat Domber, re\u00fane<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-pretty-wild-and-with-strings-attached-wild-bill-davison-1956-y-1957\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":43013,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17860,1278,5,15517,1038,1273],"tags":[1320,1321,5366,1409,8703,1430,1588,1614,1628,1902,1966,1691,2089,2294,2352,22880],"class_list":["entry","author-adolphus-van-tenzing","post-1933","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-textos","category-contenidos","category-tomajazz-recomienda","tag-1320","tag-1321","tag-adolphus-van-tenzing","tag-arbors","tag-arbors-arcd","tag-avakian-george","tag-columbia-records","tag-cutshall-cutty","tag-davison-wild-bill","tag-kincaide-deane","tag-manning-marty","tag-faith-percy","tag-percy-faith-and-his-strings","tag-townsend-irving","tag-wilber-bob","tag-wild-bill-davidson"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Wilid-Bill-Davidson_pretty-wild.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1933"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1933\/revisions"}],"predecessor-version":[{"id":43015,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1933\/revisions\/43015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/43013"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}