{"id":1935,"date":"2010-12-29T09:00:25","date_gmt":"2010-12-29T07:00:25","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=962"},"modified":"2016-11-13T20:11:25","modified_gmt":"2016-11-13T19:11:25","slug":"tomajazz-recomienda-un-disco-god-bless-jug-and-sonny-gene-ammons-y-sonny-stitt-1973","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-god-bless-jug-and-sonny-gene-ammons-y-sonny-stitt-1973\/","title":{"rendered":"Tomajazz recomienda\u2026 un disco: God Bless Jug And Sonny (Gene Ammons y Sonny Stitt, 1973)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-13800\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Ammons-Stitt_God-Bless-Jug-and-Sonny-200x202.jpg\" alt=\"Ammons - Stitt_God Bless Jug and Sonny\" width=\"200\" height=\"202\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Ammons-Stitt_God-Bless-Jug-and-Sonny-200x202.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Ammons-Stitt_God-Bless-Jug-and-Sonny-591x600.jpg 591w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Ammons-Stitt_God-Bless-Jug-and-Sonny-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Ammons-Stitt_God-Bless-Jug-and-Sonny.jpg 690w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>M\u00e1s de veinte a\u00f1os despu\u00e9s del final del primer quinteto coliderado por ambos, la chispa segu\u00eda surgiendo en cada uno de los duelos a muerte entre los saxos tenores de Gene Ammons y Sonny Stitt.<\/p>\n<p style=\"text-align: justify;\">Grabado en directo en Baltimore, en la sede de la Left Bank Jazz Society, este disco permite apreciar, una vez m\u00e1s, las diferencias entre ambos m\u00fasicos: el fuego y la excitaci\u00f3n generada por el poderoso tono halconiano de Ammons, con frases breves, basadas en <em>riffs <\/em>y en repeticiones de notas que llevan al cl\u00edmax emocional, frente al tono m\u00e1s ligero de Stitt (que tambi\u00e9n empu\u00f1a el saxo alto en un tema), con su discurso improvisatorio a medio camino entre Lester Young y Charlie Parker. Largu\u00edsimos solos, intercambios de cuatros, ochos y <em>riffs <\/em>solapados, temas aptos para vertiginosas galopadas, baladas en las que recrearse en cada nota&#8230; todos estos ingredientes se combinan en un plato contundente y especiado. La excepcional secci\u00f3n r\u00edtmica (Cedar Walton, Sam Jones y Billy Higgins) tiene su momento de lucimiento en \u201cUgetsu\u201d.<\/p>\n<p style=\"text-align: justify;\">En definitiva, un disco sin sorpresas, para disfrutar a buen volumen y paladear acompa\u00f1ado de un buen vino de Rioja.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2010<\/p>\n<p>Disponible en <em>God Bless Jug And Sonny<\/em> (Prestige PRCD-11019-2)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>M\u00e1s de veinte a\u00f1os despu\u00e9s del final del primer quinteto coliderado por ambos, la chispa segu\u00eda surgiendo en cada uno de los duelos a muerte entre los saxos tenores de Gene Ammons y Sonny Stitt. Grabado en directo en Baltimore, en la sede de la Left Bank Jazz Society, este<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-god-bless-jug-and-sonny-gene-ammons-y-sonny-stitt-1973\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":13800,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[967,5366,1472,12651,9070,7079,1398,12696,13,12415,15295,9095,2105,2176,2227,77],"class_list":["entry","author-adolphus-van-tenzing","post-1935","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-967","tag-adolphus-van-tenzing","tag-billy-higgins","tag-cd","tag-cedar-walton","tag-charlie-parker","tag-ammons-gene","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-lester-young","tag-prestige","tag-sam-jones","tag-sonny-stitt","tag-tomajazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Ammons-Stitt_God-Bless-Jug-and-Sonny.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2074,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-sonny-side-up-dizzy-gillespie-1957\/","url_meta":{"origin":1935,"position":0},"title":"Tomajazz recomienda&#8230; un CD: Sonny Side Up (Dizzy Gillespie, 1957)","author":"Adolphus van Tenzing","date":"12 noviembre, 2012","format":false,"excerpt":"El mero hecho de reunir en una sesi\u00f3n de grabaci\u00f3n a Dizzy Gillespie con Sonny Stitt \u2013otro abanderado del be-bop\u2013 y Sonny Rollins \u2013saxofonista de moda en la \u00e9poca\u2013 ya es suficiente para hacer de Sonny Side Up un disco imprescindible. En esta ocasi\u00f3n lo que nos llama la atenci\u00f3n\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny Side Up","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":43753,"url":"https:\/\/tomajazz.com\/web\/los-musicos-del-bebop-iii-gene-ammons-duke-pearson-la-odisea-de-la-musica-afroamericana-195-podcast\/","url_meta":{"origin":1935,"position":1},"title":"Los m\u00fasicos del BeBop (III): Gene Ammons, Duke Jordan. La Odisea de la M\u00fasica Afroamericana (195) [Podcast]","author":"Tomajazz","date":"10 junio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 195 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Gene-Ammons_Boss-Tenor.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":11977,"url":"https:\/\/tomajazz.com\/web\/eric-alexander-chicago-fire-highnote-2014-aka-rudy-van-gelder-veteranos-en-la-brecha-lix-aka-en-la-casa-del-mundo-lxxxi-just-one-of-those-things\/","url_meta":{"origin":1935,"position":2},"title":"Eric Alexander: Chicago Fire (HighNote, 2014) aka Rudy van Gelder [Veteranos en la brecha LIX] aka En La casa del Mundo LXXXI \u00abJust One Of Those Things\u00bb","author":"Tomajazz","date":"8 mayo, 2014","format":false,"excerpt":"En Chicago Fire, la nueva grabaci\u00f3n de Eric Alexander en High Note, el saxofonista rinde homenaje a\u00a0la ciudad de Chicago, y en concreto a algunos de los saxofonistas de Windy\u00a0City. Conociendo las inclinaciones estil\u00edsticas de este m\u00fasico, est\u00e1 claro que entre los homenajeados no est\u00e1n ni algunos de los potentes\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Eric-Alexander_Chicago-Fire_HighNote.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":61576,"url":"https:\/\/tomajazz.com\/web\/eddie-lockjaw-davis-jazzx5-centennial-440-por-pachi-tapiz-minipodcast-de-jazz\/","url_meta":{"origin":1935,"position":3},"title":"Eddie Lockjaw Davis. JazzX5 Centennial #440 Por Pachi Tapiz [Minipodcast de jazz]","author":"Tomajazz","date":"2 marzo, 2022","format":false,"excerpt":"En JazzX5 Centennial recordamos la figura de Eddie Lockjaw Davis que naci\u00f3 el 2 de marzo de 1922. Escuchamos, adem\u00e1s, la versi\u00f3n que grababa junto a Johnny Griffin del cl\u00e1sico \"In Walked Bud\" de Thelonious Monk. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0440.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0440.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0440.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0440.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32083,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-on-the-sunny-side-of-the-street-247\/","url_meta":{"origin":1935,"position":4},"title":"365 razones para amar el jazz: un tema. On the Sunny Side of the Street [247]","author":"Tomajazz","date":"4 septiembre, 2017","format":false,"excerpt":"Un tema: \"On the Sunny Side of the Street\" (1930). M\u00fasica: Jimmy McHugh Letra: Dorothy Fields Seleccionado por Luis Escalante Ozalla Sonny Stitt: Sonny Side Up (1957) Sonny Stitt, Sonny Rollins, Dizzy Gillespie, Ray Bryant, Tommy Bryant, Charlie Persip","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":21608,"url":"https:\/\/tomajazz.com\/web\/seattle-1956-jazz-at-the-philarmonic-hdo-0055-audioblog\/","url_meta":{"origin":1935,"position":5},"title":"Seattle 1956. Jazz At The Philharmonic. HDO (0055) [Audioblog]","author":"Tomajazz","date":"30 diciembre, 2015","format":"audio","excerpt":"El jazz como una fiesta. La fiesta de las giras y conciertos de los espect\u00e1culos Jazz At The Philharmonic promovidos por el empresario Norman Granz que tuvieron lugar entre mediados de los a\u00f1os 40 y el inicio de la d\u00e9cada de los a\u00f1os 80 del pasado siglo. En el caso\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1935"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1935\/revisions"}],"predecessor-version":[{"id":13801,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1935\/revisions\/13801"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13800"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}