{"id":1936,"date":"2010-12-31T09:00:15","date_gmt":"2010-12-31T07:00:15","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=965"},"modified":"2016-11-13T20:11:25","modified_gmt":"2016-11-13T19:11:25","slug":"tomajazz-recomienda-un-disco-spike-hughes-and-his-negro-orchestra-1933","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-spike-hughes-and-his-negro-orchestra-1933\/","title":{"rendered":"Tomajazz recomienda\u2026 un disco: Spike Hughes And His Negro Orchestra \u2013 1933"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11518\" alt=\"Spike Hughes And His Negro Orchestra\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Spike-Hughes-And-His-Negro-Orchestra-200x198.jpg\" width=\"200\" height=\"198\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Spike-Hughes-And-His-Negro-Orchestra-200x198.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Spike-Hughes-And-His-Negro-Orchestra-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Spike-Hughes-And-His-Negro-Orchestra-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Spike-Hughes-And-His-Negro-Orchestra.jpg 338w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>En abril y mayo de 1933, el cr\u00edtico y compositor de m\u00fasica cl\u00e1sica ingl\u00e9s Spike Hughes reuni\u00f3 a algunos de los m\u00e1s destacados m\u00fasicos de jazz de la \u00e9poca, en tres sesiones que pasaron a la historia.<\/p>\n<p style=\"text-align: justify;\">En los catorce temas grabados, en su mayor parte compuestos por Hughes, hay detalles memorables: los solos de Coleman Hawkins, siempre detr\u00e1s de los de Chu Berry, que siente el aliento del maestro en su cogote y no se siente c\u00f3modo; los arreglos de Spike Hughes, influenciados por los de Duke Ellington, pero con estructuras formales m\u00e1s complejas y muchas libertades arm\u00f3nicas; la magn\u00edfica secci\u00f3n de saxos liderada por Benny Carter; el tromb\u00f3n de Dicky Wells insuflando vida a una secci\u00f3n r\u00edtmica algo r\u00edgida; Henry Red Allen, que en \u201cFirebird\u201d se permite el lujo de tocar una s\u00e9ptima mayor sobre un acorde de s\u00e9ptima dominante (la nota err\u00f3nea por antonomasia) y conseguir que, como dijo Hawk, suene \u201cde maravilla\u201d; la secci\u00f3n de trompetas, que se las apa\u00f1a para salir airosa del tema de aires casi celtas \u201cDonegal Cradle Song\u201d tocando el delicado tema con sordinas <em>cup-mute<\/em> y al momento embarc\u00e1ndose en breves excursiones al registro sobreagudo&#8230; En definitiva, un disco para paladear lentamente y disfrutar cada detalle.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2010<\/p>\n<p style=\"text-align: justify;\">Disponible en <em>Spike Hughes And His Negro Orchestra \u2013 1933<\/em>.<em> The Complete Set\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En abril y mayo de 1933, el cr\u00edtico y compositor de m\u00fasica cl\u00e1sica ingl\u00e9s Spike Hughes reuni\u00f3 a algunos de los m\u00e1s destacados m\u00fasicos de jazz de la \u00e9poca, en tres sesiones que pasaron a la historia. En los catorce temas grabados, en su mayor parte compuestos por Hughes, hay<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-spike-hughes-and-his-negro-orchestra-1933\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11518,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,1038,1273],"tags":[1306,1466,1541,8169,6637,14758,1830,2129,2344],"class_list":["entry","author-adolphus-van-tenzing","post-1936","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-contenidos","category-tomajazz-recomienda","tag-1306","tag-berry-chu","tag-carter-benny","tag-coleman-hawkins","tag-duke-ellington","tag-henry-red-allen","tag-hughes-spike","tag-retrieval","tag-wells-dicky"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Spike-Hughes-And-His-Negro-Orchestra.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30710,"url":"https:\/\/tomajazz.com\/web\/especial-la-odisea-de-la-musica-afroamericana-numero-100-podcast\/","url_meta":{"origin":1936,"position":0},"title":"Especial La Odisea de la M\u00fasica Afroamericana n\u00famero 100 [Podcast]","author":"Tomajazz","date":"29 mayo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. 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Perif\u00e9rico porque se\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/376px-Langston_Hughes_1936.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1984,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-pelicula-mobetter-blues-spike-lee-1990\/","url_meta":{"origin":1936,"position":2},"title":"Tomajazz recomienda&#8230; una pel\u00edcula: Mo&#8217;Better Blues (Spike Lee, 1990)","author":"Adolphus van Tenzing","date":"4 mayo, 2011","format":false,"excerpt":"\u00a0 Alice, la viuda de John Coltrane, impidi\u00f3 que se titulara A Love Supreme. No obstante la referencia a dicha obra maestra es continua en un filme que trata de aspectos como la amistad, el amor, la familia y, en definitiva, la posici\u00f3n a ocupar en la vida. Todo ello\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":" Mo'Better Blues. Spike Lee. 1990","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/05\/mobetterblues-125x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":27323,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-viii-la-odisea-de-la-musica-afroamericana-071-podcast\/","url_meta":{"origin":1936,"position":3},"title":"Duke Ellington (VIII). 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El cap\u00edtulo 71 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante llega a la octava parada dedicada al\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Ellington-poses-with-his-piano-at-the-KFG-Radio-Studio-November-3-1954-e1478467126922.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Ellington-poses-with-his-piano-at-the-KFG-Radio-Studio-November-3-1954-e1478467126922.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Ellington-poses-with-his-piano-at-the-KFG-Radio-Studio-November-3-1954-e1478467126922.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Ellington-poses-with-his-piano-at-the-KFG-Radio-Studio-November-3-1954-e1478467126922.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":26057,"url":"https:\/\/tomajazz.com\/web\/django-reinhardt-la-odisea-de-la-musica-afroamericana-061-podcast\/","url_meta":{"origin":1936,"position":4},"title":"Django Reinhardt. La Odisea de la M\u00fasica Afroamericana (061) [Podcast]","author":"Tomajazz","date":"29 agosto, 2016","format":false,"excerpt":"El guitarrista belga Django Reinhardt es el protagonista del cap\u00edtulo 61 de La Odisea de la M\u00fasica Afroamericana. Este m\u00fasico gitano consigui\u00f3 el reconocimiento de grandes m\u00fasicos de jazz contempor\u00e1neos. 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