{"id":1938,"date":"2011-01-05T09:00:13","date_gmt":"2011-01-05T07:00:13","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=994"},"modified":"2016-11-13T20:11:25","modified_gmt":"2016-11-13T19:11:25","slug":"tomajazz-recomienda-un-tema-afrika-rising-trilogy-mvmt-i-the-ancient-power-awakens-nicole-mitchell-2002","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-afrika-rising-trilogy-mvmt-i-the-ancient-power-awakens-nicole-mitchell-2002\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cAfrika Rising Trilogy. Mvmt I: The Ancient Power Awakens\u201d (Nicole Mitchell, 2002)"},"content":{"rendered":"<figure id=\"attachment_995\" aria-describedby=\"caption-attachment-995\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/nicolemitchell_afrikarising.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-995\" title=\"nicolemitchell_afrikarising\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/nicolemitchell_afrikarising.jpg\" alt=\"\u201cAfrika Rising Trilogy. Mvmt I: The Ancient Power Awakens\u201d (Nicole Mitchell, &lt;i&gt;Afrika Rising&lt;\/i&gt;, 2002)\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-995\" class=\"wp-caption-text\">\u201cAfrika Rising Trilogy. Mvmt I: The Ancient Power Awakens\u201d (Nicole Mitchell, Afrika Rising, 2002)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">M\u00e1s all\u00e1 de los nombres m\u00e1s conocidos de la AACM de Chicago (Anthony Braxton, Muhal Richard Abrams, Roscoe Mitchell, George Lewis o Art Ensemble Of Chicago), existe una generaci\u00f3n posterior de m\u00fasicos con una carrera m\u00e1s que interesante.<\/p>\n<p style=\"text-align: justify;\">La flautista y compositora Nicole Mitchell es uno de ellos. Vicepresidenta de AACM, su m\u00fasica va m\u00e1s all\u00e1 del free que en muchos casos se identifica como marca de clase de esta asociaci\u00f3n, para trabajar sobre el concepto de la Great Black Music. Un ejemplo magn\u00edfico es el primer movimiento de la trilog\u00eda \u201cAfrika Rising\u201d, en la que una docena de m\u00fasicos hacen explotar la preciosa composici\u00f3n de la flautista gracias a unos arreglos magn\u00edficos, para convertirlo en un tema de alegr\u00eda contagiosa.<\/p>\n<p style=\"text-align: justify;\">Disponible en Nicole Mitchell Black Earth Ensemble <em>Afrika Rising<\/em> (Dreamtime 004)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>M\u00e1s all\u00e1 de los nombres m\u00e1s conocidos de la AACM de Chicago (Anthony Braxton, Muhal Richard Abrams, Roscoe Mitchell, George Lewis o Art Ensemble Of Chicago), existe una generaci\u00f3n posterior de m\u00fasicos con una carrera m\u00e1s que interesante. La flautista y compositora Nicole Mitchell es uno de ellos. Vicepresidenta de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-afrika-rising-trilogy-mvmt-i-the-ancient-power-awakens-nicole-mitchell-2002\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1654,2012],"class_list":["entry","author-adolphus-van-tenzing","post-1938","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-dreamtime","tag-mitchell-nicole"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2220,"url":"https:\/\/tomajazz.com\/web\/nicole-mitchell-an_arche-new-music-ensemble-arc-of-o-for-improvisers-chamber-orchestra-electronics-rogueart-2012\/","url_meta":{"origin":1938,"position":0},"title":"Nicole Mitchell &amp; an_ARCHE New Music Ensemble: Arc of O For Improvisers, Chamber Orchestra &amp; Electronics (RogueArt, 2012)","author":"Tomajazz","date":"19 septiembre, 2012","format":false,"excerpt":"Tres meses despu\u00e9s de estrenar \"Arc of O\", compuesta por encargo del festival de Jazz de Chicago, Nicole Mitchell\u00a0grababa esta composici\u00f3n en compa\u00f1\u00eda del grupo de c\u00e1mara polaco an_ARCHE New Music Ensemble, los saxofonistas David Boykin y Mwata Bowden, y la violinista Ren\u00e9e Baker\u00a0en el Made In Chicago Festival of\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"mitchell arc of o","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/09\/mitchell-arc-of-o.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2212,"url":"https:\/\/tomajazz.com\/web\/top-ten-22-noventa-y-nueve-minutos-y-algunos-segundos\/","url_meta":{"origin":1938,"position":1},"title":"Top Ten #22: noventa y nueve minutos, y algunos segundos&#8230;","author":"Tomajazz","date":"28 septiembre, 2012","format":false,"excerpt":"Doce temas, noventa y nueve minutos -casi cien- con algunos de mis temas favoritos que he ido seleccionando de entre algunos de los discos que en 2012 han ido llegando a mis manos. Lo que en otros tiempos habr\u00eda ido casi al completo en alguno de esos casetes que uno\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-Wzy0cjNxie8\/UGSl-OlBdEI\/AAAAAAAAFkQ\/64ztk_RkP6U\/s200\/fred%2Blonberg%2Bholm.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2882,"url":"https:\/\/tomajazz.com\/web\/nicole-mitchells-sonic-projections-emerald-hills-2010\/","url_meta":{"origin":1938,"position":2},"title":"Nicole Mitchell&#8217;s Sonic Projections: Emerald Hills (2010)","author":"Tomajazz","date":"13 mayo, 2010","format":false,"excerpt":"Sin grandes alharacas, poquito a poco, la flautista y compositora Nicole Mitchell sigue demostrando ser uno de los creadores m\u00e1s inquietos de Chicago. En 2010 estrena en forma de disco su nuevo proyecto Sonic Projections. Un cuarteto con Craig Taborn, David Boykin y Chad Taylor que a\u00f1ade una nueva senda\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1531,"url":"https:\/\/tomajazz.com\/web\/nicole-mitchell-black-earth-ensemble-black-unstoppable\/","url_meta":{"origin":1938,"position":3},"title":"Nicole Mitchell Black Earth Ensemble &#8211; Black Unstoppable","author":"Autor1","date":"21 mayo, 2011","format":false,"excerpt":"Black Unstoppable es la tercera grabaci\u00f3n del colectivo Black Earth Ensemble liderado por Nicole Mitchell. Esta flautista y compositora es integrante de la AACM de Chicago, asociaci\u00f3n de la que es su vicepresidenta. A lo largo de los \u00faltimos meses hemos podido escuchar a Mitchell en distintas grabaciones calificables como\u2026","rel":"","context":"En \u00abDVD...\u00bb","block_context":{"text":"DVD...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/dvds\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/mitchell_black_unstoppable.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2701,"url":"https:\/\/tomajazz.com\/web\/joelle-leandre-nicole-mitchell-dylan-van-der-schyff-before-after-rogueart-2011\/","url_meta":{"origin":1938,"position":4},"title":"Jo\u00eblle L\u00e9andre &#8211; Nicole Mitchell &#8211; Dylan van der Schyff: Before After (RogueArt, 2011)","author":"Tomajazz","date":"26 enero, 2011","format":false,"excerpt":"En Before After la contrabajista Jo\u00eblle L\u00e9andre vuelve a dejar constancia de que es uno de los pesos pesados de la libre improvisaci\u00f3n actual. Grabado en directo, en formato reducido (tr\u00edo) y con una duraci\u00f3n breve (poco m\u00e1s de cuarenta minutos), este CD cumple las tres condiciones que se suelen\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"mitchell-leandre-schiff_before-after","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/01\/mitchell-leandre-schiff_before-after.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2595,"url":"https:\/\/tomajazz.com\/web\/nicole-mitchell-awakening-delmark-2011\/","url_meta":{"origin":1938,"position":5},"title":"Nicole Mitchell: Awakening (Delmark, 2011)","author":"Tomajazz","date":"17 junio, 2011","format":false,"excerpt":"Si bien en Awakening Nicole Mitchell estrena formaci\u00f3n, sus tres compa\u00f1eros en esta nueva aventura son viejos compa\u00f1eros en mil batallas. Especialmente el contrabajista Harrison Bankhead y el baterista Avreeayl Ra: con el primero y Hamid Drake forman Indigo Trio, mientras que con ambos y el saxofonista Edward Wilkerson formaban\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-SbYYfo3_1us\/TftOOpSeGMI\/AAAAAAAAC68\/_MNjaWfuzdg\/s200\/nicole_mitchell-awakening.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1938"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1938\/revisions"}],"predecessor-version":[{"id":3849,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1938\/revisions\/3849"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}