{"id":1939,"date":"2010-12-20T00:01:07","date_gmt":"2010-12-19T22:01:07","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1000"},"modified":"2016-11-13T20:11:26","modified_gmt":"2016-11-13T19:11:26","slug":"tomajazz-recomienda-una-serie-gangsterism-de-jason-moran","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-serie-gangsterism-de-jason-moran\/","title":{"rendered":"Tomajazz recomienda\u2026 una serie: \u201cGangsterism\u2026\u201d de Jason Moran"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/facing-left.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-1001\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/facing-left-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" title=\"\"><\/a> Desde su debut discogr\u00e1fico en 1999, Jason Moran incluye en todos los discos a su nombre (con una excepci\u00f3n*) uno o varios ejemplos de una composici\u00f3n propia en diversos formatos y con diversas variantes a nivel de la melod\u00eda e incluso de los acordes. El t\u00edtulo del tema siempre empieza por \u201cGangsterism\u201d y Moran afirma que est\u00e1 inspirado del pintor Jean-Michel Basquiat.<\/p>\n<p style=\"text-align: justify;\">Resulta apasionante comprobar la evoluci\u00f3n a lo largo de once a\u00f1os y siete discos de uno de los pianistas y <em>jazzmen<\/em> actuales m\u00e1s interesantes a trav\u00e9s de un mismo material de base al que aplica distintos enfoques. Y puestos a recomendar una \u00fanica versi\u00f3n, esta ser\u00eda  \u201cGangsterism over 10 Years\u201d, en su \u00faltimo disco <em>TEN<\/em>, donde Jason Moran muestra una madurez y una inventiva impresionantes.<\/p>\n<p style=\"text-align: justify;\"><em>Soundtrack to Human Motion<\/em> (1999): \u201cGangsterism on Canvas\u201d en quinteto (con Greg Osby, saxo alto)<br \/>\n<em> Facing Left<\/em> (2000): \u201cGangsterism on Wood\u201d solo (aunque el disco es en tr\u00edo)<br \/>\n<em> Black Stars<\/em> (2001): \u201cGangsterism on a River\u201d en cuarteto (con Sam Rivers, saxo tenor)<br \/>\n<em> Modernistic <\/em>(2002): \u201cGangsterism on Irons\u201d, \u201cGangsterism on a Lunchtable\u201d solo<br \/>\n<em> The Bandwagon<\/em> (2003): \u201cGangsterism on Stages\u201d en tr\u00edo en directo<br \/>\n<em> Same Mother <\/em>(2005): \u201cGangsterism on the Rise\u201d, \u201cGangsterism on the Set\u201d en tr\u00edo (aunque el disco es en cuarteto)<br \/>\n<em> TEN<\/em>: \u201cGangsterism over 10 Years\u201d en tr\u00edo<br \/>\nTodos los discos publicados por Blue Note\/EMI<\/p>\n<p style=\"text-align: justify;\">*La excepci\u00f3n es <em>Artist in Residence<\/em> (2006), disco que incluye obras realizadas por encargo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Desde su debut discogr\u00e1fico en 1999, Jason Moran incluye en todos los discos a su nombre (con una excepci\u00f3n*) uno o varios ejemplos de una composici\u00f3n propia en diversos formatos y con diversas variantes a nivel de la melod\u00eda e incluso de los acordes. El t\u00edtulo del tema siempre empieza<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-serie-gangsterism-de-jason-moran\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1293,1296,1273],"tags":[1487,1677,2018],"class_list":["entry","author-adolphus-van-tenzing","post-1939","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-serie","category-tema","category-tomajazz-recomienda","tag-blue-note","tag-emi","tag-moran-jason"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2028,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-dos-versiones-de-un-lied-de-robert-schumann-por-don-byron-y-jason-moran\/","url_meta":{"origin":1939,"position":0},"title":"Tomajazz recomienda\u2026 dos versiones de un lied de Robert Schumann (por Don Byron y Jason Moran)","author":"Adolphus van Tenzing","date":"10 octubre, 2011","format":false,"excerpt":"Es curioso (o no tanto) que dos de los principales m\u00fasicos de jazz actuales hayan grabado una versi\u00f3n del mismo lied de Robert Schumann. El lied en cuesti\u00f3n es \u201cAuf einer Burg\u201d (\u201cEn el castillo\u201d), el n\u00famero 7 opus 39 para ser precisos (el segundo ciclo de canciones compuesto por\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Jason Moran Modernistic","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/Jason-Moran-Modernistic-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7517,"url":"https:\/\/tomajazz.com\/web\/trio-3-jason-moran-refraction-breakin-glass-intakt-2013\/","url_meta":{"origin":1939,"position":1},"title":"Trio 3 + Jason Moran: Refraction &#8211; Breakin&#8217; Glass (Intakt, 2013)","author":"Tomajazz","date":"24 julio, 2013","format":false,"excerpt":"Trio 3 (o lo que es lo mismo Reggie Workman -1937-, Andrew Cyrille -1939- y Oliver Lake -1942) cuenta en Refraction - Breakin' Glass nuevamente con la colaboraci\u00f3n de un pianista. Tras Ir\u00e8ne Schweizer (Berne Concert) y Geri Allen (por partida doble en At This Time y Celebrating Mary Lou\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"trio 3 + jason moran refraction breakin glass","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/trio-3-%2B-jason-moran-refraction-breakin-glass.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2653,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-ix-study-no6-jason-moran-2010\/","url_meta":{"origin":1939,"position":2},"title":"En &quot;La casa del Mundo&quot; (IX): &quot;Study N\u00ba6&quot; (Jason Moran, 2010)","author":"Tomajazz","date":"31 marzo, 2011","format":false,"excerpt":"Entre los temas incluidos en Ten de Jason Moran desde el principio me llamo la atenci\u00f3n su atrevimiento de realizar dos versiones muy diferentes del \u201cEstudio n\u00ba6\u201d de Conlon Nancarrow. Nancarrow fue un compositor mexicano de origen estadounidense conocido especialmente por escribir obras para pianos mec\u00e1nicos. De las dos recreaciones\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-x-r2NxQkolU\/TZRRsLpBbEI\/AAAAAAAAClc\/j5gCwr_ung0\/s200\/jason-moran-ten-2010.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28489,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-paul-motian-chris-potter-jason-moran-lost-in-a-dream-ecm-2010-10\/","url_meta":{"origin":1939,"position":3},"title":"365 razones para amar el jazz: un disco. Paul Motian &#8211; Chris Potter &#8211; Jason Moran: Lost In A Dream (ECM, 2010) [10]","author":"Tomajazz","date":"10 enero, 2017","format":false,"excerpt":"Un disco. Paul Motian - Chris Potter - Jason Moran: Lost In A Dream (ECM, 2010) Seleccionado por\u00a0Quinito L\u00f3pez Mourelle. Con Paul Motian, Chris Potter, Jason Moran.","rel":"","context":"En \u00ab*_Quinito L\u00f3pez Mourelle\u00bb","block_context":{"text":"*_Quinito L\u00f3pez Mourelle","link":"https:\/\/tomajazz.com\/web\/category\/quinito-lopez-mourelle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Paul-Motian-Chris-Potter-Jason-Moran_Lost-In-A-Dream_ECM_2010.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Paul-Motian-Chris-Potter-Jason-Moran_Lost-In-A-Dream_ECM_2010.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Paul-Motian-Chris-Potter-Jason-Moran_Lost-In-A-Dream_ECM_2010.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2602,"url":"https:\/\/tomajazz.com\/web\/jason-steins-locksmith-isidore-three-kinds-of-happiness-not-two-2011\/","url_meta":{"origin":1939,"position":4},"title":"Jason Stein\u2019s Locksmith Isidore: Three Kinds of Happiness (Not Two, 2011)","author":"Tomajazz","date":"7 junio, 2011","format":false,"excerpt":"Three Kinds of Happiness es el tercer disco del tr\u00edo Locksmith Isidore liderado por el clarinetista bajo Jason Stein. Para su nueva obra opta por recurrir a diferentes fuentes que inspiran y nutren a unas buenas composiciones. Hay temas free bop (\u201cCrayons for Sammy\u201d, la magn\u00edfica \u201cMan or Ray\u201d, \u201cArch\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-bDoY2Q5Mc8E\/Te2OjPdPiOI\/AAAAAAAAC3M\/EXUYcnIDmjo\/s200\/jason_stein_three_kinds.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":38049,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-another-place-bunky-green-454\/","url_meta":{"origin":1939,"position":5},"title":"Razones para el jazz. Un disco: Another Place (Bunky Green) [454]","author":"Tomajazz","date":"29 julio, 2018","format":false,"excerpt":"Un disco. Bunky Green:\u00a0Another Place\u00a0(Label Bleu, 2006) Seleccionado por\u00a0Juanma Castro Medina Con\u00a0Bunky Green (saxo alto), Jason Moran (piano), Lonnie Plaxico (contrabajo), Nasheet Waits (bater\u00eda)","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Bunky-Green_Another-Place.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1939"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1939\/revisions"}],"predecessor-version":[{"id":3857,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1939\/revisions\/3857"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}