{"id":1940,"date":"2010-12-27T11:00:45","date_gmt":"2010-12-27T09:00:45","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1015"},"modified":"2016-11-13T20:11:25","modified_gmt":"2016-11-13T19:11:25","slug":"tomajazz-recomienda-un-cd-wheres-your-cup-henry-threadgill-1997","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-wheres-your-cup-henry-threadgill-1997\/","title":{"rendered":"Tomajazz recomienda\u2026 un CD: Where\u2019s Your Cup? (Henry Threadgill, 1997)"},"content":{"rendered":"

\n\"Where\u2019s<\/a>
Where\u2019s Your Cup?, Henry Threadgill, 1997<\/figcaption><\/figure>\n

Este es el tercero y \u00faltimo de los disco que Threadgill grab\u00f3 para Columbia, gracias a los buenos auspicios de Branford Marsalis.<\/p>\n

Y, si los dos anteriores son buenas obras aunque un tanto irregulares, Where\u2019s Your Cup?<\/em> vuela muy alto del principio al final. A ello contribuye un grupo perfectamente conjuntado, con la guitarra estratosf\u00e9rica de Brandon Ross, el bajo gomoso de Stomu Takeishi y un fant\u00e1stico J.T. Lewis a los tambores. Pero el elemento m\u00e1s personal lo aporta Tony Cedras al acorde\u00f3n y al harmonium, con una paleta sonora que va del orientalismo a la m\u00fasica del Caribe, pasando por la Am\u00e9rica rural y el g\u00f3spel. Y por encima de todos la flauta y el saxo \u00e1cido y vibrante de Threadgill, con su querencia por el himno y la iron\u00eda. Un gran disco de uno de los m\u00fasicos m\u00e1s personales de las \u00faltimas d\u00e9cadas.<\/p>\n

Where\u2019s Your Cup?<\/em>, publicado en 1997 por Columbia\/Sony (CK 67617)<\/p>\n","protected":false},"excerpt":{"rendered":"

Este es el tercero y \u00faltimo de los disco que Threadgill grab\u00f3 para Columbia, gracias a los buenos auspicios de Branford Marsalis. Y, si los dos anteriores son buenas obras aunque un tanto irregulares, Where\u2019s Your Cup? vuela muy alto del principio al final. A ello contribuye un grupo perfectamenteContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,15492,9531,1038,1273],"tags":[1357,1548,1587,15491,1933,2161,2228,2263,2285],"class_list":["entry","author-adolphus-van-tenzing","post-1940","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-henry-threadgill-ganador-del-premio-pulitzer-2016","category-especial-contenidos","category-contenidos","category-tomajazz-recomienda","tag-1357","tag-cedras-tony","tag-columbia","tag-henry-threadgill-premio-pulitzer-2016","tag-lewis-j-t","tag-ross-brandon","tag-sony","tag-takeishi-stomu","tag-threadgill-henry"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":101741,"url":"https:\/\/tomajazz.com\/web\/henry-threadgill-listen-ship-2025\/","url_meta":{"origin":1940,"position":0},"title":"Henry Threadgill: Listen Ship (Pi Recordings; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"13 noviembre, 2025","format":false,"excerpt":"Listen Ship (Pi Recordings; 2025) es lo nuevo de Henry Threadgill. Carlos Lara repasa la grabaci\u00f3n. Con Henry Threadgill, Brandon Ross, Bill Frisell, Gregg Belisle-Chi, Miles Okazaki, Jerome Harris, Stomu Takeishi, Maya Keren, Rahul Carlberg","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Henry Threadgill: Listen Ship (Pi Recordings; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Henry-Threadgill-Listen-Ship-Pi-Recordings-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Henry-Threadgill-Listen-Ship-Pi-Recordings-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Henry-Threadgill-Listen-Ship-Pi-Recordings-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Henry-Threadgill-Listen-Ship-Pi-Recordings-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":952,"url":"https:\/\/tomajazz.com\/web\/henry-threadgill-zooid-this-bring-us-to-volume-i-brooklyn-recording-2008\/","url_meta":{"origin":1940,"position":1},"title":"Henry Threadgill Zooid – This Bring Us To. Volume I (Pi Recordings, 2009)","author":"Autor1","date":"15 mayo, 2010","format":false,"excerpt":"Esta es la \u00faltima grabaci\u00f3n de Threadgill, siete a\u00f1os despu\u00e9s de dos hechas simult\u00e1neamente con dos bandas diferentes. Esta nueva versi\u00f3n de su Zooid se parece tanto o m\u00e1s a una mezcla de las dos que a su anterior versi\u00f3n en una de aquellas dos grabaciones. En teor\u00eda, su Make\u2026","rel":"","context":"En \u00ab*_Jorge L\u00f3pez de Guere\u00f1u\u00bb","block_context":{"text":"*_Jorge L\u00f3pez de Guere\u00f1u","link":"https:\/\/tomajazz.com\/web\/category\/jorge-lopez-de-guerenu\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/05\/Henry-Threadgill-Zooid_This-Bring-Us-To-Volume-I.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/05\/Henry-Threadgill-Zooid_This-Bring-Us-To-Volume-I.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/05\/Henry-Threadgill-Zooid_This-Bring-Us-To-Volume-I.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/05\/Henry-Threadgill-Zooid_This-Bring-Us-To-Volume-I.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2996,"url":"https:\/\/tomajazz.com\/web\/henry-threadgill-zooid-this-bring-us-to-volume-i\/","url_meta":{"origin":1940,"position":2},"title":"Henry Threadgill Zooid: This Bring Us To. 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Las fotograf\u00edas son obra de Drew Jarrett. La portada est\u00e1 dedicada a Julian Cope. El encargado de la secci\u00f3n \"Jazz & Improv\" es Andy Hamilton.","rel":"","context":"En \u00abHenry Threadgill ganador del premio Pulitzer 2016\u00bb","block_context":{"text":"Henry Threadgill ganador del premio Pulitzer 2016","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/henry-threadgill-ganador-del-premio-pulitzer-2016\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2755,"url":"https:\/\/tomajazz.com\/web\/top-ten-numero-9-henry-threadgill-o-sobre-la-habilidad-para-poner-titulos\/","url_meta":{"origin":1940,"position":5},"title":"Top Ten n\u00famero 9: Henry Threadgill o sobre la habilidad para poner t\u00edtulos","author":"Tomajazz","date":"19 noviembre, 2010","format":false,"excerpt":"Algunos t\u00edtulos de temas aparecidos en discos de Henry Threadgill:\"Burnt Til Recognition\"\"Great Body of the Riddle or Where Were the Dodge Boys When My Clay Started To Slide\" \"The Devil Is On The Loose And Dancin' With A Monkey\"\"Don't Drink That Corner My Life Is In The Bush\"\"Keep Right On\u2026","rel":"","context":"En \u00abHenry Threadgill ganador del premio Pulitzer 2016\u00bb","block_context":{"text":"Henry Threadgill ganador del premio Pulitzer 2016","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/henry-threadgill-ganador-del-premio-pulitzer-2016\/"},"img":{"alt_text":"","src":"http:\/\/t2.gstatic.com\/images?q=tbn:ANd9GcRtN5YTZu258-oKvi50u0pWHQThLJ5-51U0iqODu_hKFP9j1go&t=1&usg=__CbFLvjgO5KT9bnZfWBYFwziWK8A=","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1940"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1940\/revisions"}],"predecessor-version":[{"id":3854,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1940\/revisions\/3854"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}