{"id":1944,"date":"2011-01-19T09:00:29","date_gmt":"2011-01-19T07:00:29","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1067"},"modified":"2016-11-13T20:11:23","modified_gmt":"2016-11-13T19:11:23","slug":"tomajazz-recomienda-un-tema-for-no-reason-at-all-in-c-scott-robinson-1999","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-for-no-reason-at-all-in-c-scott-robinson-1999\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cFor No Reason At All In C\u201d (Scott Robinson, 1999)"},"content":{"rendered":"<p><em> <\/em><\/p>\n<figure id=\"attachment_1068\" aria-describedby=\"caption-attachment-1068\" style=\"width: 150px\" class=\"wp-caption alignright\"><em><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/scott_robinson_no-reason.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1068\" title=\"\u201cFor No Reason At All In C\u201d de Scott Robinson, Melody From The Skyu, 1999\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/scott_robinson_no-reason.jpeg\" alt=\"\u201cFor No Reason At All In C\u201d de Scott Robinson, Melody From The Skyu, 1999\" width=\"150\" height=\"149\" \/><\/a><\/em><figcaption id=\"caption-attachment-1068\" class=\"wp-caption-text\">\u201cFor No Reason At All In C\u201d de Scott Robinson, Melody From The Skyu, 1999<\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><em>Melody From The Sky<\/em> es un disco ambicioso y heterog\u00e9neo (en cuanto a materia prima musical, instrumentaci\u00f3n y arreglos) con un solo hilo conductor: Robinson rescata del armario el saxo mel\u00f3dico en do, relegado al olvido desde los a\u00f1os 30.<\/p>\n<p style=\"text-align: justify;\">\u201cFor No Reason At All In C\u201d fue originalmente una improvisaci\u00f3n sin tema sobre los acordes de \u201cI\u2019d Climb The Highest Mountains\u201d, que grabaron Bix Beiberdecke (al piano, salvo unas pocas notas con la corneta en la coda), Frank Trumbauer y Eddie Lang en la primavera de 1927. La recreaci\u00f3n de Scott Robinson, con Mark Shane al piano y Marty Grosz a la guitarra, evoca el maravilloso fraseo descendente de Trumbauer y el delicado y elegante sonido de su saxo, sin perder un \u00e1pice de originalidad.<\/p>\n<p style=\"text-align: justify;\">Disponible en Scott Robinson <em>Plays C-Melody Saxophone: Melody From The Sky<\/em> (Arbors Records ARCD 19212)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Melody From The Sky es un disco ambicioso y heterog\u00e9neo (en cuanto a materia prima musical, instrumentaci\u00f3n y arreglos) con un solo hilo conductor: Robinson rescata del armario el saxo mel\u00f3dico en do, relegado al olvido desde los a\u00f1os 30. \u201cFor No Reason At All In C\u201d fue originalmente una<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-for-no-reason-at-all-in-c-scott-robinson-1999\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1274,1273],"tags":[1359,1410,1456,1758,1922,2150,2194,2297],"class_list":["entry","author-adolphus-van-tenzing","post-1944","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-version","category-tomajazz-recomienda","tag-1359","tag-arbors-records","tag-beiberdecke-bix","tag-grosz-marty","tag-lang-eddie","tag-robinson-scott","tag-shane-mark","tag-trumbauer-frank"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19721,"url":"https:\/\/tomajazz.com\/web\/bechet-trumbauer-beiberdecke-jazz-v-la-odisea-de-la-musica-afroamericana-016-podcast\/","url_meta":{"origin":1944,"position":0},"title":"Bechet, Trumbauer, Beiberdecke. Jazz V. La Odisea de la M\u00fasica Afroamericana (016) [Podcast]","author":"Tomajazz","date":"21 septiembre, 2015","format":"imagen","excerpt":"El cap\u00edtulo 16 de La Odisea de la M\u00fasica Afroamericana (LODLMA) contin\u00faa dedicado al jazz. Al igual que ocurr\u00eda en el cap\u00edtulo anterior, son tres las figuras en las que basa Luis Escalante esta entrega de su viaje sonoro: Sidney Bechet (que ya hab\u00eda aparecido en el programa anterior), Frankie\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":13983,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-the-tempest-is-coming-by-arturo-mora\/","url_meta":{"origin":1944,"position":1},"title":"Scott DuBois: the tempest is coming, by Arturo Mora","author":"Sergio Cabanillas","date":"15 noviembre, 2006","format":false,"excerpt":"Scott Dubois is one of the top modern jazz guitarists in the New York scene today. Having just released his new CD Tempest (Soul Note, 2006), he will be performing live in Madrid's 23rd Jazz Festival. Arturo Mora had the chance to interview him before his Spanish appearance. \u00a0 \u00a0\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Scott DuBois \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8678,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-21st-century-guitar\/","url_meta":{"origin":1944,"position":2},"title":"Scott DuBois: 21st century guitar","author":"Sergio Cabanillas","date":"2 abril, 2005","format":false,"excerpt":"Scott DuBois is a performer from the Chicago and New York area that has played and recorded for 8 or 9 years with top jazzmen like Chris Potter, Bob Mintzer, Donny McCaslin or Dave Liebman (\u201cMonsoon\u201d, Soul Note, 2004). He\u2019s a Manhattan School of Music Graduate who has been acclaimed\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/stillman_dubois_ferber_rigby_morgan.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/stillman_dubois_ferber_rigby_morgan.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/stillman_dubois_ferber_rigby_morgan.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29977,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-in-a-mist-bix-beiberdecke-1927-94\/","url_meta":{"origin":1944,"position":3},"title":"365 razones para amar el jazz: un tema. \u00abIn A Mist\u00bb (Bix Beiberdecke, 1927) [94]","author":"Tomajazz","date":"4 abril, 2017","format":false,"excerpt":"Un tema. \"In A Mist\" (Bix Beiberdecke, 1927) Seleccionado por\u00a0Diego S\u00e1nchez Cascado","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Bix-Beiberdecke_In-A-Mist-200x202.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":57337,"url":"https:\/\/tomajazz.com\/web\/trineice-robinson-all-or-nothing-4rm-music-productions-2021-grabacion-de-jazz-por-juan-f-trillo\/","url_meta":{"origin":1944,"position":4},"title":"Trineice Robinson: All Or Nothing (4RM Music Productions, 2021) [Grabaci\u00f3n de jazz]  Por Juan F. Trillo","author":"Tomajazz","date":"27 septiembre, 2021","format":false,"excerpt":"Juan F. Trillo rese\u00f1a el estreno discogr\u00e1fico de la cantante Trineice Robinson, titulado All Or Nothing (4RM Music Productions, 2021).","rel":"","context":"En \u00ab*_Juan F. Trillo\u00bb","block_context":{"text":"*_Juan F. Trillo","link":"https:\/\/tomajazz.com\/web\/category\/_juan-f-trillo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Triniece-Robinson-All-or-Nothing.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Triniece-Robinson-All-or-Nothing.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Triniece-Robinson-All-or-Nothing.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Triniece-Robinson-All-or-Nothing.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8663,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-committed-and-risky-music-for-hard-times-by-enrique-farelo\/","url_meta":{"origin":1944,"position":5},"title":"Scott DuBois: committed and risky music for hard times, by Enrique Farelo","author":"Sergio Cabanillas","date":"2 diciembre, 2009","format":false,"excerpt":"With Banshees (Sunnyside Records 2008), Scott DuBois takes a new direction merging free jazz, rock and avant-garde bop with modesty and authenticity. He is a self-confident musician and a grey-matter filled brain whose music rewards with its creative richness the full attention it demands from audiences. ENRIQUE FARELO: Do you\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Scott Dubois por Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/scott_dubois_1078.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1944"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1944\/revisions"}],"predecessor-version":[{"id":3841,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1944\/revisions\/3841"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}