{"id":1947,"date":"2011-01-17T11:05:51","date_gmt":"2011-01-17T09:05:51","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1086"},"modified":"2016-11-13T20:11:23","modified_gmt":"2016-11-13T19:11:23","slug":"tomajazz-recomienda-un-tema-one-of-a-kind-fattburger","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-one-of-a-kind-fattburger\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abOne Of A Kind\u00bb (Fattburger, 1986)"},"content":{"rendered":"<p style=\"text-align: justify;\">\n<figure id=\"attachment_1089\" aria-describedby=\"caption-attachment-1089\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/fattburger_oneofakind.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1089\" title=\"&quot;One Of A Kind&quot;. Fattburger. One Of A Kind. 1986\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/fattburger_oneofakind.jpg\" alt=\"&quot;One Of A Kind&quot;. Fattburger. One Of A Kind. 1986\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1089\" class=\"wp-caption-text\">&quot;One Of A Kind&quot;. Fattburger. One Of A Kind. 1986<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Uno de los grupos de jazz fusion de los a\u00f1os 80 con m\u00e1s \u00e9xito en la Costa Oeste estadounidense fue Fattburger, cuyo disco de debut <em>One Of A Kind<\/em> se hizo con un hueco en emisoras de jazz comercial de todo el mundo.<\/p>\n<p style=\"text-align: justify;\">Entre el solvente trabajo de la secci\u00f3n r\u00edtmica (Mark \u00abHunter\u00bb al bajo y Kevin Koch a la bater\u00eda), la fuerza del saxo de Hollis Gentry III y el efectismo de la guitarra de Steve Laury sobresal\u00eda la clase del teclista Carl Evans Jr., compositor de la mayor\u00eda de temas y recientemente fallecido a causa de la diabetes.<\/p>\n<p style=\"text-align: justify;\">Entre dichos originales destacaba especialmente la balada que daba t\u00edtulo al vinilo, \u00abOne Of A Kind\u00bb, donde Evans ampliaba su rol de teclista y compositor erigi\u00e9ndose en cantante. Los solos de Gentry y Laury (con final <em>bluesero<\/em>) y la sencilla l\u00ednea de bajo a cargo de \u00abHunter\u00bb acababan de dar forma a una pieza de indudable calidad que navegaba entre los terrenos del <em>pop<\/em>, el <em>rhythm&amp;blues<\/em> y lo que posteriormente se dar\u00eda a conocer como <em>smooth jazz<\/em>.<\/p>\n<p style=\"text-align: justify;\">Fattburger &#8211; <em>One Of A Kind<\/em> (Sin-Drome Records)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uno de los grupos de jazz fusion de los a\u00f1os 80 con m\u00e1s \u00e9xito en la Costa Oeste estadounidense fue Fattburger, cuyo disco de debut One Of A Kind se hizo con un hueco en emisoras de jazz comercial de todo el mundo. Entre el solvente trabajo de la secci\u00f3n<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-one-of-a-kind-fattburger\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1347,1697,2208],"class_list":["entry","author-adolphus-van-tenzing","post-1947","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-1347","tag-fattburger","tag-sin-drome-records"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":12195,"url":"https:\/\/tomajazz.com\/web\/chris-potter-the-challenge-seeker-by-arturo-mora\/","url_meta":{"origin":1947,"position":0},"title":"Chris Potter: the challenge seeker, by Arturo Mora","author":"Sergio Cabanillas","date":"20 octubre, 2007","format":false,"excerpt":"Chris Potter is one of the most talented young saxophonists in the current jazz scene. He met Arturo Mora in the hotel hall the morning before his appearance at Vitoria Jazz Festival with the Dave Holland Quintet and they talked about composing, soloing, the Dave Holland band and other topics.\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Chris Potter, Arturo Mora \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/potter_arturo.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":58264,"url":"https:\/\/tomajazz.com\/web\/jazzx5319-miles-davis-so-what-kind-of-blue-columbia-1959-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":1947,"position":1},"title":"JazzX5#319. Miles Davis: \u00abSo What\u00bb [Kind Of Blue (Columbia, 1959)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"31 octubre, 2021","format":false,"excerpt":"En el JazzX5 dominical del 31 de octubre, el cl\u00e1sico \"So What\" que aparec\u00eda en Kind Of Blue (Columbia, 1959), el tema que abr\u00eda el que se dice que es el disco de jazz m\u00e1s vendido de toda la historia. 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ARTURO MORA: Chuck, in the last two years you\u2019ve \u00a0done the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Foto \u00a9 Sergio Cabanillas, 2009","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/chuck_loeb_mitchel_forman_3718.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9734,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-magnus-ostrom-life-after-the-last-white-cell-by-arturo-mora-rioja\/","url_meta":{"origin":1947,"position":4},"title":"Tomajazz recupera&#8230; Magnus \u00d6str\u00f6m: life after the last white cell, by Arturo Mora Rioja","author":"Tomajazz","date":"18 diciembre, 2013","format":false,"excerpt":"The Swedish trio e.s.t., one of the most influential bands of the last decade, recently released their last album,\u00a0Leucocyte, a series of informal jam session-based free improvised tunes. Tragedy struck three months before its release with the death of pianist Esbj\u00f6rn Svensson in a diving accident. Drummer Magnus \u00d6str\u00f6m was\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Magnus \u00d6str\u00f6m \u00a9 Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/magnus_ostrom_5449.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2991,"url":"https:\/\/tomajazz.com\/web\/marty-ehrlich-rites-quartet-things-have-got-to-change\/","url_meta":{"origin":1947,"position":5},"title":"Marty Ehrlich Rites Quartet. Things Have Got To Change","author":"Tomajazz","date":"5 noviembre, 2009","format":false,"excerpt":"Entre las \u00faltimas referencias publicadas por Clean Feed destaca Things Have Got To Change. Son tres sus protagonistas principales. El primero es el saxofonista Marty Ehrlich, titular de la formaci\u00f3n, magn\u00edfico instrumentista y autor de la mayor\u00eda de las composiciones. El segundo es el chelista Erik Friedlander que se encuentra\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1947"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1947\/revisions"}],"predecessor-version":[{"id":3842,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1947\/revisions\/3842"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}