{"id":1949,"date":"2011-01-28T09:00:37","date_gmt":"2011-01-28T07:00:37","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1097"},"modified":"2016-11-13T20:11:21","modified_gmt":"2016-11-13T19:11:21","slug":"tomajazz-recomienda-un-tema-elegy-for-william-burroughs-and-allen-ginsberg-brad-mehldau-1999","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-elegy-for-william-burroughs-and-allen-ginsberg-brad-mehldau-1999\/","title":{"rendered":"Tomajazz recomienda… un tema: \u201cElegy for William Burroughs and Allen Ginsberg\u201d (Brad Mehldau, 1999)"},"content":{"rendered":"
\"\u201cElegy<\/a>
\u201cElegy for William Burroughs and Allen Ginsberg\u201d. Brad Mehldau, Elegiac Cycle, 1999<\/figcaption><\/figure>\n

Mehldau demuestra, a sus 29 a\u00f1os, una extra\u00f1a madurez al sentarse solo al piano dejando a un lado la abstracci\u00f3n y el artificio t\u00e9cnico, para narrar una historia, un breve cuento que es melod\u00eda pura. La melancol\u00eda hecha m\u00fasica.<\/p>\n

Disponible en Brad Mehldau: Elegiac Cycle<\/em> (Warner Bros 9362-47357-2. Grabado en 1999)<\/p>\n","protected":false},"excerpt":{"rendered":"

Mehldau demuestra, a sus 29 a\u00f1os, una extra\u00f1a madurez al sentarse solo al piano dejando a un lado la abstracci\u00f3n y el artificio t\u00e9cnico, para narrar una historia, un breve cuento que es melod\u00eda pura. La melancol\u00eda hecha m\u00fasica. Disponible en Brad Mehldau: Elegiac Cycle (Warner Bros 9362-47357-2. Grabado enContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1359,1991,16099,77,16100,2331],"class_list":["entry","author-adolphus-van-tenzing","post-1949","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-1359","tag-mehldau-brad","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-warner-bros"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":25555,"url":"https:\/\/tomajazz.com\/web\/los-imprescindibles-de-mehldau-brad-mehldau-elegiac-cycle\/","url_meta":{"origin":1949,"position":0},"title":"Los imprescindibles de Mehldau. 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Larry Grenadier: contrabajo. Jeff Ballard: bater\u00eda. \u00a0 Cuando se public\u00f3 el primer volumen de The Art of the Trio (Warner Bros, 1996),\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez\u00bb","block_context":{"text":"*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez","link":"https:\/\/tomajazz.com\/web\/category\/jose-antonio-garcia-lopez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/Brad-Melhdau-Trio-02-e1437578624376.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/Brad-Melhdau-Trio-02-e1437578624376.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/Brad-Melhdau-Trio-02-e1437578624376.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2060,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-version-river-man-brad-mehldau-1998\/","url_meta":{"origin":1949,"position":3},"title":"Tomajazz recomienda… una versi\u00f3n: \u00abRiver Man\u00bb (Brad Mehldau, 1998)","author":"Adolphus van Tenzing","date":"28 mayo, 2012","format":false,"excerpt":"Desde los tiempos de las melod\u00edas de Broadway, pocas veces ha funcionado con \u00e9xito el experimento de versionar temas populares en entorno jazz\u00edstico. 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