{"id":1951,"date":"2011-02-04T09:00:54","date_gmt":"2011-02-04T07:00:54","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1103"},"modified":"2016-11-13T20:11:20","modified_gmt":"2016-11-13T19:11:20","slug":"tomajazz-recomienda-un-disco-voices-gary-peacock-1971","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-voices-gary-peacock-1971\/","title":{"rendered":"Tomajazz recomienda\u2026 un disco: <i>Voices<\/i> (Gary Peacock, 1971)"},"content":{"rendered":"<p style=\"text-align: justify;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-13940\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock-200x200.jpg\" alt=\"Voices _ Gary Peacock\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock.jpg 470w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Voices<\/em> es un disco asombroso. Asombroso por su m\u00fasica. Arte en estado puro que te agarra con las primeras notas de \u201cIshi\u201d y que no te suelta hasta el \u00faltimo instante de \u201cAe.Ay.\u201d<\/p>\n<p style=\"text-align: justify;\">Asombroso tambi\u00e9n por los m\u00fasicos que all\u00ed aparecen. Gary Peacock: un contrabajista que tiene un historial impresionante y que a lo largo de su carrera ha estado en momentos cruciales de la historia del jazz como <em>Spiritual Unity<\/em> de Albert Ayler, o integrando el <em>Standards Trio<\/em> de Keith Jarrett durante los \u00faltimos 25 a\u00f1os. Asombroso por sus compa\u00f1eros: tres m\u00fasicos japoneses entre los que destaca el bater\u00eda Masahiko Togashi.<\/p>\n<p style=\"text-align: justify;\">Sin embargo, lo m\u00e1s asombroso de todo es que aunque estamos ante una obra maestra de un m\u00fasico imprescindible pero con una discograf\u00eda propia muy reducida (apenas unas referencias en ECM y poco m\u00e1s), este disco que tiene ya m\u00e1s de 35 a\u00f1os s\u00f3lo est\u00e1 disponible para el mercado japon\u00e9s, a pesar de estar grabado en un \u201cpeque\u00f1o\u201d sello como es Sony. Que se distribuya para que se conozca en el resto del mundo \u00a1ya!<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2011<\/p>\n<p>Gary Peacock. <em>Voices<\/em>.\u00a0Sony SRCS9334<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Voices es un disco asombroso. Asombroso por su m\u00fasica. Arte en estado puro que te agarra con las primeras notas de \u201cIshi\u201d y que no te suelta hasta el \u00faltimo instante de \u201cAe.Ay.\u201d Asombroso tambi\u00e9n por los m\u00fasicos que all\u00ed aparecen. Gary Peacock: un contrabajista que tiene un historial impresionante<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-voices-gary-peacock-1971\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":13940,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17860,1278,5,1038,1273],"tags":[1333,5366,5322,12651,6781,12696,13,12415,15295,982,2289,2228,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1951","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-1333","tag-adolphus-van-tenzing","tag-albert-ayler","tag-cd","tag-gary-peacock","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-keith-jarrett","tag-togashi-masahiko","tag-sony","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1951"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1951\/revisions"}],"predecessor-version":[{"id":13942,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1951\/revisions\/13942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13940"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}