{"id":1951,"date":"2011-02-04T09:00:54","date_gmt":"2011-02-04T07:00:54","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1103"},"modified":"2016-11-13T20:11:20","modified_gmt":"2016-11-13T19:11:20","slug":"tomajazz-recomienda-un-disco-voices-gary-peacock-1971","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-voices-gary-peacock-1971\/","title":{"rendered":"Tomajazz recomienda\u2026 un disco: <i>Voices<\/i> (Gary Peacock, 1971)"},"content":{"rendered":"<p style=\"text-align: justify;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-13940\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock-200x200.jpg\" alt=\"Voices _ Gary Peacock\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock.jpg 470w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Voices<\/em> es un disco asombroso. Asombroso por su m\u00fasica. Arte en estado puro que te agarra con las primeras notas de \u201cIshi\u201d y que no te suelta hasta el \u00faltimo instante de \u201cAe.Ay.\u201d<\/p>\n<p style=\"text-align: justify;\">Asombroso tambi\u00e9n por los m\u00fasicos que all\u00ed aparecen. Gary Peacock: un contrabajista que tiene un historial impresionante y que a lo largo de su carrera ha estado en momentos cruciales de la historia del jazz como <em>Spiritual Unity<\/em> de Albert Ayler, o integrando el <em>Standards Trio<\/em> de Keith Jarrett durante los \u00faltimos 25 a\u00f1os. Asombroso por sus compa\u00f1eros: tres m\u00fasicos japoneses entre los que destaca el bater\u00eda Masahiko Togashi.<\/p>\n<p style=\"text-align: justify;\">Sin embargo, lo m\u00e1s asombroso de todo es que aunque estamos ante una obra maestra de un m\u00fasico imprescindible pero con una discograf\u00eda propia muy reducida (apenas unas referencias en ECM y poco m\u00e1s), este disco que tiene ya m\u00e1s de 35 a\u00f1os s\u00f3lo est\u00e1 disponible para el mercado japon\u00e9s, a pesar de estar grabado en un \u201cpeque\u00f1o\u201d sello como es Sony. Que se distribuya para que se conozca en el resto del mundo \u00a1ya!<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2011<\/p>\n<p>Gary Peacock. <em>Voices<\/em>.\u00a0Sony SRCS9334<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Voices es un disco asombroso. Asombroso por su m\u00fasica. Arte en estado puro que te agarra con las primeras notas de \u201cIshi\u201d y que no te suelta hasta el \u00faltimo instante de \u201cAe.Ay.\u201d Asombroso tambi\u00e9n por los m\u00fasicos que all\u00ed aparecen. Gary Peacock: un contrabajista que tiene un historial impresionante<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-voices-gary-peacock-1971\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":13940,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[1333,5366,5322,12651,6781,12696,13,12415,15295,982,2289,2228,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1951","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-1333","tag-adolphus-van-tenzing","tag-albert-ayler","tag-cd","tag-gary-peacock","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-keith-jarrett","tag-togashi-masahiko","tag-sony","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2012,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-god-bless-the-child-keith-jarrett-1983\/","url_meta":{"origin":1951,"position":0},"title":"Tomajazz recomienda&#8230; un tema: \u00abGod Bless the Child\u00bb (Keith Jarrett, 1983)","author":"Adolphus van Tenzing","date":"13 julio, 2011","format":false,"excerpt":"Si hubiera que elegir un tr\u00edo cl\u00e1sico de jazz (piano, bajo y bater\u00eda) de los \u00faltimos 25 a\u00f1os, posiblemente no ser\u00eda otro que el Standards Trio de Keith Jarrett. Con motivo de la celebraci\u00f3n de su 25 aniversario, ECM ha lanzado una caja titulada Setting Standards - New York Sessions,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/07\/Jarrett-Peacock-DeJohnette_Standards-Vol-1_ECM.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":56761,"url":"https:\/\/tomajazz.com\/web\/jazzx5256-keith-jarrett-gary-peacock-jack-dejohnette-god-bless-the-child-standards-vol-1-ecm-1983-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":1951,"position":1},"title":"JazzX5#256. Keith Jarrett &#8211; Gary Peacock &#8211; Jack DeJohnette: \u00abGod Bless The Child\u00bb [Standards, Vol. 1 (ECM, 1983)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"29 agosto, 2021","format":false,"excerpt":"Tomajazz llega a su entrada n\u00famero 8000 con una entrada de JazzX5. Por ese motivo una enorme versi\u00f3n del cl\u00e1sico \"God Bless The Child\" que grabaran Keith Jarrett, Jack DeJohnette y Gary Peacock en el disco de 1983, Standards, Vol. 1 (ECM).","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_256.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_256.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_256.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_256.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1930,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-ghosts-second-variation-albert-ayler-trio-1964\/","url_meta":{"origin":1951,"position":2},"title":"Tomajazz recomienda&#8230; un tema \u00abGhosts: Second Variation\u00bb (Albert Ayler Trio, 1964)","author":"Adolphus van Tenzing","date":"29 noviembre, 2010","format":false,"excerpt":"En estos d\u00edas en que se cumple el 40\u00ba aniversario del enigm\u00e1tico fallecimiento de Albert Ayler (el 25 de noviembre de 1970 su cuerpo aparec\u00eda flotando en las aguas del East River neoyorkino), no me puedo resistir a recomendar encarecidamente \"Gosts: Second Variation\", el tema que cerraba la cara B\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Albert-Ayler-Trio_Spiritual-Unity_esp_1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32073,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-de-god-bless-the-child-por-keith-jarrett-trio-244\/","url_meta":{"origin":1951,"position":3},"title":"365 razones para amar el jazz: una versi\u00f3n de \u00abGod Bless The Child\u00bb por Keith Jarrett Trio [244]","author":"Tomajazz","date":"1 septiembre, 2017","format":false,"excerpt":"Una versi\u00f3n de: \"God Bless The Child\" (Arthur Herzog Jr., Billie Holiday) por Keith Jarrett Trio (Keith Jarrett, Gary Peacock, Jack DeJohnette), publicada en Standards Vol. 1 (ECM, 1983) Seleccionado por\u00a0Pachi Tapiz","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Keith-Jarrett_Standards-Vol-1_ECM_1983.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":101371,"url":"https:\/\/tomajazz.com\/web\/wolfgang-muthspiel-tokyo-ecm-2025\/","url_meta":{"origin":1951,"position":4},"title":"Wolfgang Muthspiel: Tokyo (ECM; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 noviembre, 2025","format":false,"excerpt":"Tokyo (ECM; 2025) es la nueva grabaci\u00f3n de Wolfgang Muthspiel. Carlos Lara repaso la grabaci\u00f3n. Con Wolfgang Muthspiel, Scott Colley, Brian Blade","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Wolfgang Muthspiel: Tokyo (ECM; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Tokyo (ECM; 2025) es la nueva grabaci\u00f3n de Wolfgang Muthspiel. Carlos Lara repaso la grabaci\u00f3n. Con Wolfgang Muthspiel, Scott Colley, Brian Blade","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Wolfgang-Muthspiel-Tokyo-ECM-2025-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Wolfgang-Muthspiel-Tokyo-ECM-2025-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Wolfgang-Muthspiel-Tokyo-ECM-2025-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Wolfgang-Muthspiel-Tokyo-ECM-2025-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":35208,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-spiritual-unity-albert-ayler-386\/","url_meta":{"origin":1951,"position":5},"title":"Razones para el jazz: un disco. Spiritual Unity (Albert Ayler) [386]","author":"Tomajazz","date":"17 febrero, 2018","format":false,"excerpt":"Un disco.\u00a0Albert Ayler:\u00a0Spiritual Unity (ESP, 1965) Seleccionado por\u00a0Juan Antonio Serrano Cervantes Con Albert Ayler, Gary Peacock, Sunny Murray","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1951"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1951\/revisions"}],"predecessor-version":[{"id":13942,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1951\/revisions\/13942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13940"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}