{"id":1955,"date":"2011-02-18T09:00:12","date_gmt":"2011-02-18T07:00:12","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1119"},"modified":"2016-11-13T20:11:17","modified_gmt":"2016-11-13T19:11:17","slug":"tomajazz-recomienda-un-tema-yamekraw-a-negro-rhapsody-james-p-johnson-c-1944","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-yamekraw-a-negro-rhapsody-james-p-johnson-c-1944\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cYamekraw \u2013 A Negro Rhapsody\u201d (James P. Johnson, c. 1944)"},"content":{"rendered":"<figure id=\"attachment_1120\" aria-describedby=\"caption-attachment-1120\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/james_p_johnson.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1120 \" title=\"\u201cYamekraw \u2013 A Negro Rhapsody\u201d. James P. Johnson, The Original James P. Johnson C. 1944\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/james_p_johnson.jpg\" alt=\"\u201cYamekraw \u2013 A Negro Rhapsody\u201d. James P. Johnson, The Original James P. Johnson C. 1944\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1120\" class=\"wp-caption-text\">\u201cYamekraw \u2013 A Negro Rhapsody\u201d. James P. Johnson, The Original James P. Johnson C. 1944<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Johnson grab\u00f3 para el sello Asch la versi\u00f3n a piano solo de su primer y m\u00e1s popular trabajo sinf\u00f3nico.<\/p>\n<p style=\"text-align: justify;\">Compuesto a partir de m\u00fasica tradicional afroamericana, consta de un solo movimiento en cuatro partes rematadas con una coda con referencias a \u201cRhapsody In Blue\u201d.<\/p>\n<p style=\"text-align: justify;\"><em>The Original James P. Johnson<\/em> (Smithsonian Folkways. SF CD 40812)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Johnson grab\u00f3 para el sello Asch la versi\u00f3n a piano solo de su primer y m\u00e1s popular trabajo sinf\u00f3nico. Compuesto a partir de m\u00fasica tradicional afroamericana, consta de un solo movimiento en cuatro partes rematadas con una coda con referencias a \u201cRhapsody In Blue\u201d. The Original James P. Johnson (Smithsonian<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-yamekraw-a-negro-rhapsody-james-p-johnson-c-1944\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1310,1422,1873,2218,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1955","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-1310","tag-asch","tag-johnson-james-p","tag-smithsonian-folkways","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100461,"url":"https:\/\/tomajazz.com\/web\/mark-turner-rotaoaecm-gsa-2025\/","url_meta":{"origin":1955,"position":0},"title":"Mark Turner: Reflections on: The Autobiography of an Ex-Colored Man (Giant Step Arts; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"16 octubre, 2025","format":false,"excerpt":"Reflections on: The Autobiography of an Ex-Colored Man (Giant Step Arts; 2025) es la nueva grabaci\u00f3n de Mark Turner. Pachi Tapiz repasa la grabaci\u00f3n. Con Mark Turner, Jason Palmer, David Virelles, Matt Brewer, Nasheet Waits","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Mark Turner: Reflections on: The Autobiography of an Ex-Colored Man (Giant Step Arts; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mark-Turner-Reflections-on-The-Autobiography-of-an-Ex-Colored-Man-Giant-Step-Arts-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mark-Turner-Reflections-on-The-Autobiography-of-an-Ex-Colored-Man-Giant-Step-Arts-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mark-Turner-Reflections-on-The-Autobiography-of-an-Ex-Colored-Man-Giant-Step-Arts-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mark-Turner-Reflections-on-The-Autobiography-of-an-Ex-Colored-Man-Giant-Step-Arts-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1864,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-back-water-blues-de-bessie-smith-y-james-p-johnson-1927\/","url_meta":{"origin":1955,"position":1},"title":"Tomajazz recomienda\u2026 un tema: \u201cBack Water Blues\u00bb de Bessie Smith y James P. Johnson (1927)","author":"Adolphus van Tenzing","date":"7 diciembre, 2009","format":false,"excerpt":"Tomajazz recomienda\u2026 un tema: \u201cBack Water Blues\" de Bessie Smith y James P. Johnson (1927)","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/12\/Bessie-Smith_The-Complete-Recordings-Volume-5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/12\/Bessie-Smith_The-Complete-Recordings-Volume-5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/12\/Bessie-Smith_The-Complete-Recordings-Volume-5.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":20829,"url":"https:\/\/tomajazz.com\/web\/earl-hines-james-p-johnson-lil-hardin-johnny-dodds-buster-bailey-la-odisea-de-la-musica-afroamericana-024-podcast\/","url_meta":{"origin":1955,"position":2},"title":"Earl Hines, James P. Johnson, Lil Hardin, Johnny Dodds, Buster Bailey. La Odisea de la M\u00fasica Afroamericana (024) [Podcast]","author":"Tomajazz","date":"16 noviembre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el jazz no son \u00fanicamente importantes las grandes figuras, sino otros muchos m\u00fasicos que no por menos conocidos no son merecedores\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":15417,"url":"https:\/\/tomajazz.com\/web\/15417\/","url_meta":{"origin":1955,"position":3},"title":"INSTANTZZ: James Brandon Lewis Trio (2\u00ba San Miguel Jamboree Jazz Club Festival, Barcelona. 2014-11-07)","author":"Tomajazz","date":"14 noviembre, 2014","format":false,"excerpt":"2\u00ba San Miguel Jamboree Jazz Club Festival James Brandon Lewis Trio Fecha: Viernes, 07 de noviembre de 2014 Lugar: Jamboree (Barcelona) Componentes: James Brandon Lewis, saxo tenor Max Johnson, contrabajo Dominic Fragman, bater\u00eda Fotograf\u00edas: \u00a9 Joan Cort\u00e8s, 2014","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/06_JBL3-u00A9Joan-Cortu00E8s_07nov14_Jamboree_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2015,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-o-raggedy-man-por-howard-johnson\/","url_meta":{"origin":1955,"position":4},"title":"Tomajazz recomienda&#8230; un tema: \u00abO Raggedy Man\u00bb (Howard Johnson, 1998)","author":"Adolphus van Tenzing","date":"15 agosto, 2011","format":false,"excerpt":"Una de las virtudes de la m\u00fasica de jazz es que no hay convenci\u00f3n que valga. Por mucho que abunden los quintetos de saxo-trompeta-piano-bajo-bater\u00eda, no hay regla que proh\u00edba nada. Por este motivo, no debe sorprender que un int\u00e9rprete de tuba como Howard Johnson haya podido tener una carrera con\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ecx.images-amazon.com\/images\/I\/51qEm7W3oTL._SL500_AA300_.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1964,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-le-lac-des-cygnes-olivier-lancelot-1999\/","url_meta":{"origin":1955,"position":5},"title":"Tomajazz recomienda\u2026 un tema: \u201cLe Lac Des Cygnes\u201d (Olivier Lancelot, 1999)","author":"Adolphus van Tenzing","date":"9 marzo, 2011","format":false,"excerpt":"El \u00fanico disco editado a nombre del pianista franc\u00e9s Olivier Lancelot se grab\u00f3 en junio de 1999 en el club \u201cLe M\u00e9tronome\u201d de la peque\u00f1a localidad francesa de Rozay-en-Brie. Grabado en tr\u00edo (piano, clarinete y percusi\u00f3n), el CD recoge una versi\u00f3n stride a piano solo de El Lago De Los\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cLe Lac Des Cygnes\u201d. Olivier Lancelot. Lancelot Et Ses Chevaliers","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/02\/OlivierLancelot-LeLacDesCygnes-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1955"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1955\/revisions"}],"predecessor-version":[{"id":3827,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1955\/revisions\/3827"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}