{"id":1955,"date":"2011-02-18T09:00:12","date_gmt":"2011-02-18T07:00:12","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1119"},"modified":"2016-11-13T20:11:17","modified_gmt":"2016-11-13T19:11:17","slug":"tomajazz-recomienda-un-tema-yamekraw-a-negro-rhapsody-james-p-johnson-c-1944","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-yamekraw-a-negro-rhapsody-james-p-johnson-c-1944\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cYamekraw \u2013 A Negro Rhapsody\u201d (James P. Johnson, c. 1944)"},"content":{"rendered":"<figure id=\"attachment_1120\" aria-describedby=\"caption-attachment-1120\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/james_p_johnson.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1120 \" title=\"\u201cYamekraw \u2013 A Negro Rhapsody\u201d. James P. Johnson, The Original James P. Johnson C. 1944\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/james_p_johnson.jpg\" alt=\"\u201cYamekraw \u2013 A Negro Rhapsody\u201d. James P. Johnson, The Original James P. Johnson C. 1944\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1120\" class=\"wp-caption-text\">\u201cYamekraw \u2013 A Negro Rhapsody\u201d. James P. Johnson, The Original James P. Johnson C. 1944<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Johnson grab\u00f3 para el sello Asch la versi\u00f3n a piano solo de su primer y m\u00e1s popular trabajo sinf\u00f3nico.<\/p>\n<p style=\"text-align: justify;\">Compuesto a partir de m\u00fasica tradicional afroamericana, consta de un solo movimiento en cuatro partes rematadas con una coda con referencias a \u201cRhapsody In Blue\u201d.<\/p>\n<p style=\"text-align: justify;\"><em>The Original James P. Johnson<\/em> (Smithsonian Folkways. SF CD 40812)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Johnson grab\u00f3 para el sello Asch la versi\u00f3n a piano solo de su primer y m\u00e1s popular trabajo sinf\u00f3nico. Compuesto a partir de m\u00fasica tradicional afroamericana, consta de un solo movimiento en cuatro partes rematadas con una coda con referencias a \u201cRhapsody In Blue\u201d. The Original James P. Johnson (Smithsonian<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-yamekraw-a-negro-rhapsody-james-p-johnson-c-1944\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17860,1296,1273],"tags":[1310,1422,1873,2218,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1955","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-1310","tag-asch","tag-johnson-james-p","tag-smithsonian-folkways","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100461,"url":"https:\/\/tomajazz.com\/web\/mark-turner-rotaoaecm-gsa-2025\/","url_meta":{"origin":1955,"position":0},"title":"Mark Turner: Reflections on: The Autobiography of an Ex-Colored Man (Giant Step Arts; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"16 octubre, 2025","format":false,"excerpt":"Reflections on: The Autobiography of an Ex-Colored Man (Giant Step Arts; 2025) es la nueva grabaci\u00f3n de Mark Turner. Pachi Tapiz repasa la grabaci\u00f3n. Con Mark Turner, Jason Palmer, David Virelles, Matt Brewer, Nasheet Waits","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Mark Turner: Reflections on: The Autobiography of an Ex-Colored Man (Giant Step Arts; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mark-Turner-Reflections-on-The-Autobiography-of-an-Ex-Colored-Man-Giant-Step-Arts-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mark-Turner-Reflections-on-The-Autobiography-of-an-Ex-Colored-Man-Giant-Step-Arts-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mark-Turner-Reflections-on-The-Autobiography-of-an-Ex-Colored-Man-Giant-Step-Arts-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mark-Turner-Reflections-on-The-Autobiography-of-an-Ex-Colored-Man-Giant-Step-Arts-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1864,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-back-water-blues-de-bessie-smith-y-james-p-johnson-1927\/","url_meta":{"origin":1955,"position":1},"title":"Tomajazz recomienda\u2026 un tema: \u201cBack Water Blues\u00bb de Bessie Smith y James P. Johnson (1927)","author":"Adolphus van Tenzing","date":"7 diciembre, 2009","format":false,"excerpt":"Tomajazz recomienda\u2026 un tema: \u201cBack Water Blues\" de Bessie Smith y James P. Johnson (1927)","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/12\/Bessie-Smith_The-Complete-Recordings-Volume-5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/12\/Bessie-Smith_The-Complete-Recordings-Volume-5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/12\/Bessie-Smith_The-Complete-Recordings-Volume-5.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":106032,"url":"https:\/\/tomajazz.com\/web\/seven-cycle-vic-2026\/","url_meta":{"origin":1955,"position":2},"title":"Seven Cycle \u201cLive at Jazz Cava\u201d (28\u00e8 Festival Jazz Vic \/ Jazz Cava, 2026-05-21 \/ Vic -Barcelona-) [4] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"23 julio, 2026","format":false,"excerpt":"Seven Cycle grab\u00f3 su \u201cLive at Jazz Cava\u201d en el 28\u00e8 Festival Jazz Vic el 21 de mayo de 2026. Joan Cort\u00e8s lo retrata en INSTANTZZ. Seven Cycle son Tomas Majcherski, Toni Saigi, Romeu Tristao, Mark Johnson","rel":"","context":"En \u00ab28\u00e8 Festival Jazz Vic 2026\u00bb","block_context":{"text":"28\u00e8 Festival Jazz Vic 2026","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/28e-festival-jazz-vic-2026\/"},"img":{"alt_text":"Seven Cycle \u201cLive at Jazz Cava\u201d (28\u00e8 Festival Jazz Vic \/ Jazz Cava, 2026-05-21 \/ Vic -Barcelona-) [4] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Seven Cycle grab\u00f3 su \u201cLive at Jazz Cava\u201d en el 28\u00e8 Festival Jazz Vic el 21 de mayo de 2026. Joan Cort\u00e8s lo retrata en INSTANTZZ. Seven Cycle son Tomas Majcherski, Toni Saigi, Romeu Tristao, Mark Johnson","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/07\/destacada-05-Svn-Cycl-Photo-by-Joan-Cortes-21mg26-JC-28FJVc-bn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/07\/destacada-05-Svn-Cycl-Photo-by-Joan-Cortes-21mg26-JC-28FJVc-bn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/07\/destacada-05-Svn-Cycl-Photo-by-Joan-Cortes-21mg26-JC-28FJVc-bn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":20829,"url":"https:\/\/tomajazz.com\/web\/earl-hines-james-p-johnson-lil-hardin-johnny-dodds-buster-bailey-la-odisea-de-la-musica-afroamericana-024-podcast\/","url_meta":{"origin":1955,"position":3},"title":"Earl Hines, James P. Johnson, Lil Hardin, Johnny Dodds, Buster Bailey. La Odisea de la M\u00fasica Afroamericana (024) [Podcast]","author":"Tomajazz","date":"16 noviembre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el jazz no son \u00fanicamente importantes las grandes figuras, sino otros muchos m\u00fasicos que no por menos conocidos no son merecedores\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":15417,"url":"https:\/\/tomajazz.com\/web\/15417\/","url_meta":{"origin":1955,"position":4},"title":"INSTANTZZ: James Brandon Lewis Trio (2\u00ba San Miguel Jamboree Jazz Club Festival, Barcelona. 2014-11-07)","author":"Tomajazz","date":"14 noviembre, 2014","format":false,"excerpt":"2\u00ba San Miguel Jamboree Jazz Club Festival James Brandon Lewis Trio Fecha: Viernes, 07 de noviembre de 2014 Lugar: Jamboree (Barcelona) Componentes: James Brandon Lewis, saxo tenor Max Johnson, contrabajo Dominic Fragman, bater\u00eda Fotograf\u00edas: \u00a9 Joan Cort\u00e8s, 2014","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/06_JBL3-u00A9Joan-Cortu00E8s_07nov14_Jamboree_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2015,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-o-raggedy-man-por-howard-johnson\/","url_meta":{"origin":1955,"position":5},"title":"Tomajazz recomienda&#8230; un tema: \u00abO Raggedy Man\u00bb (Howard Johnson, 1998)","author":"Adolphus van Tenzing","date":"15 agosto, 2011","format":false,"excerpt":"Una de las virtudes de la m\u00fasica de jazz es que no hay convenci\u00f3n que valga. Por mucho que abunden los quintetos de saxo-trompeta-piano-bajo-bater\u00eda, no hay regla que proh\u00edba nada. Por este motivo, no debe sorprender que un int\u00e9rprete de tuba como Howard Johnson haya podido tener una carrera con\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ecx.images-amazon.com\/images\/I\/51qEm7W3oTL._SL500_AA300_.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1955"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1955\/revisions"}],"predecessor-version":[{"id":3827,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1955\/revisions\/3827"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}