{"id":1960,"date":"2011-02-21T08:00:30","date_gmt":"2011-02-21T06:00:30","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1194"},"modified":"2016-11-13T20:11:17","modified_gmt":"2016-11-13T19:11:17","slug":"tomajazz-recomienda-un-tema-back-to-the-land","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-back-to-the-land\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abBack to the Land\u00bb"},"content":{"rendered":"<figure style=\"width: 150px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/pixhost.info\/avaxhome\/47\/c2\/0010c247.jpeg\" width=\"150\" height=\"150\" title=\"\"><figcaption class=\"wp-caption-text\">Count Basie &amp; Dizzy Gillespie: The Gifted Ones<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Por mucho que se quiera dar al <em>blues<\/em> el car\u00e1cter de rasgo innato de los afroamericanos, \u00e9sa es una teoria que se desmorona en cuanto se somete al m\u00ednimo escrutinio. A botepronto se nos ocurren dos grandes m\u00fasicos de jazz a los que les cost\u00f3 unos a\u00f1os pillarle el tranquillo al <em>blues<\/em>: uno fue Coleman Hawkins y el otro, Dizzy Gillespie.<\/p>\n<p style=\"text-align: justify\">Esta grabaci\u00f3n, del 3 de febrero de 1977 en Las Vegas, muestra al trompetista disfrutando el formato de los tres acordes (aqu\u00ed hay alguno m\u00e1s, pero esa es la idea general), desde su toque de llamada inicial, hasta detalles enternecedores como la frase que toca en 1:14. El resto del cuarteto est\u00e1 como se espera de ellos, enf\u00e1tico y sobrio, y en el caso de Basie, parco en notas. En su segunda intervenci\u00f3n Dizzy parece jugar con los pistones de su trompeta, lo cual nos recuerda a Rex Stewart, del que tendremos que hablar en otro momento, y termina calz\u00e1ndose la sordina y tocando una vuelta a d\u00fao con Ray Brown (al que le hab\u00eda dado la alternativa treinta y pico a\u00f1os antes).<\/p>\n<p style=\"text-align: justify\">\u00abBack to the Land\u00bb est\u00e1 disponible en el CD Count Basie &amp; Dizzy Gillespie: <em>The Gifted Ones<\/em> (Pablo\/Fantasy OJCCD-886-2)<\/p>\n<p style=\"text-align: justify\">Tambi\u00e9n se puede escuchar en <a href=\"http:\/\/www.goear.com\/listen\/45c893e\/back-to-the-land-count-basie\" target=\"_blank\" rel=\"noopener\"><em>GoEar<\/em><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por mucho que se quiera dar al blues el car\u00e1cter de rasgo innato de los afroamericanos, \u00e9sa es una teoria que se desmorona en cuanto se somete al m\u00ednimo escrutinio. A botepronto se nos ocurren dos grandes m\u00fasicos de jazz a los que les cost\u00f3 unos a\u00f1os pillarle el tranquillo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-back-to-the-land\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1517,6639,1732,2066,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1960","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-brown-ray","tag-count-basie","tag-gillespie-dizzy","tag-pablo","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":40518,"url":"https:\/\/tomajazz.com\/web\/dizzy-gillespie-v-la-odisea-de-la-musica-afroamericana-173-podcast\/","url_meta":{"origin":1960,"position":0},"title":"Dizzy Gillespie (y V). La Odisea de la M\u00fasica Afroamericana (173) [Podcast]","author":"Tomajazz","date":"17 diciembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 173 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie-Lalo-Schifrin.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie-Lalo-Schifrin.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie-Lalo-Schifrin.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":27474,"url":"https:\/\/tomajazz.com\/web\/coleman-hawkins-la-odisea-de-la-musica-afroamericana-072-podcast\/","url_meta":{"origin":1960,"position":1},"title":"Coleman Hawkins (I). La Odisea de la M\u00fasica Afroamericana (072) [Podcast]","author":"Tomajazz","date":"14 noviembre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Si la importancia de un m\u00fasico se midiese\u00a0por los m\u00fasicos con los que toc\u00f3, se llegar\u00eda a la conclusi\u00f3n de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_Gottlieb_03991.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_Gottlieb_03991.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_Gottlieb_03991.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_Gottlieb_03991.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2074,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-sonny-side-up-dizzy-gillespie-1957\/","url_meta":{"origin":1960,"position":2},"title":"Tomajazz recomienda&#8230; un CD: Sonny Side Up (Dizzy Gillespie, 1957)","author":"Adolphus van Tenzing","date":"12 noviembre, 2012","format":false,"excerpt":"El mero hecho de reunir en una sesi\u00f3n de grabaci\u00f3n a Dizzy Gillespie con Sonny Stitt \u2013otro abanderado del be-bop\u2013 y Sonny Rollins \u2013saxofonista de moda en la \u00e9poca\u2013 ya es suficiente para hacer de Sonny Side Up un disco imprescindible. En esta ocasi\u00f3n lo que nos llama la atenci\u00f3n\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny Side Up","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2085,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-we-love-to-boogie-dizzy-gillespie-1951\/","url_meta":{"origin":1960,"position":3},"title":"Tomajazz recomienda&#8230; un tema: \u00abWe Love To Boogie\u00bb (Dizzy Gillespie, 1951)","author":"Adolphus van Tenzing","date":"14 enero, 2013","format":false,"excerpt":"\u00a0 No, no es el tema en el que se bas\u00f3 Marc Bolan para su bailable hit de 1977 incluido en \"Dandy In The Underworld\", sino una canci\u00f3n de autor desconocido que Dizzy Gillespie grab\u00f3 para Savoy en marzo de 1951. La pieza cerraba el disco \"School Days\", en el\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/school.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/school.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/school.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":52829,"url":"https:\/\/tomajazz.com\/web\/episodio-final-de-la-odisea-de-la-musica-afroamericana-258-podcast-de-jazz-por-luis-escalante-ozalla\/","url_meta":{"origin":1960,"position":4},"title":"Episodio final de La Odisea de la M\u00fasica Afroamericana (258) [Podcast de Jazz] Por Luis Escalante Ozalla","author":"Tomajazz","date":"4 noviembre, 2020","format":false,"excerpt":"Tras cinco a\u00f1os y medio, y 258 episodios m\u00e1s tarde, La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla llega a su punto final. Desde Tomajazz el agradecimiento a Luis por esos centenares de horas de disfrute con tanta buena m\u00fasica y tantos grandes artistas.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":7560,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-siboney-ernesto-lecuona-por-dizzy-gillespie-y-stan-getz-1953\/","url_meta":{"origin":1960,"position":5},"title":"Tomajazz recomienda&#8230; un tema: \u00abSiboney\u00bb (Ernesto Lecuona), por Dizzy Gillespie y Stan Getz (1953)","author":"Adolphus van Tenzing","date":"9 septiembre, 2013","format":false,"excerpt":"Ernesto Lecuona fue un compositor cubano de padre canario que cre\u00f3 innumerables zarzuelas y bandas sonoras para pel\u00edculas. Autor de \"Malague\u00f1a\" y \"La comparsa\", lleg\u00f3 a escribir una \u00f3pera. Uno de sus temas m\u00e1s conocidos es \"Siboney\". Dizzy Gillespie y Stan Getz lo interpretaron magistralmente en su Diz And Getz\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dizzy Gillespie & Stan Getz - Diz And Getz","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/recomienda2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1960"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1960\/revisions"}],"predecessor-version":[{"id":3826,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1960\/revisions\/3826"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}