{"id":1963,"date":"2011-03-04T09:00:31","date_gmt":"2011-03-04T07:00:31","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1148"},"modified":"2022-08-25T17:13:20","modified_gmt":"2022-08-25T15:13:20","slug":"drowsy-henry-red-allen-1929","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/drowsy-henry-red-allen-1929\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cFeeling Drowsy\u201d (Henry Red Allen, 1929)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-58042 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933-600x598.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933-768x766.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933-465x464.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933-501x500.jpg 501w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933.jpg 1090w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>En julio de 1929, Henry Red Allen grababa para el sello Victor su primera sesi\u00f3n como l\u00edder, acompa\u00f1ado por varios m\u00fasicos de la orquesta de Luis Russell, de la que formaba parte.<\/p>\n<p style=\"text-align: justify;\">De los cuatro temas que produjo dicha sesi\u00f3n, y adem\u00e1s de otro cl\u00e1sico como \u201cIt Should Be You\u201d, brilla con luz propia \u201cFeeling Drowsy\u201d. Paul Barbarin -al vibr\u00e1fono- introduce el tema y marca el tiempo. Un tr\u00edo de clarinetes deja paso a un intercambio de compases entre los vientos (Red Allen, Albert Nicholas, J.C. Higginbotham y Charlie Holmes) y, por fin, llega el solo de 32 compases de Red Allen, uno de los mejores que grab\u00f3 en toda su carrera. Relativamente planificado (la estructura del solo es similar en las tres tomas existentes), relajado, fluido y eminentemente impresionista, contiene un momento sublime en el que Pops Foster, anticip\u00e1ndose a una frase clave de Red Allen, acent\u00faa sus l\u00edneas de bajo pulsando con m\u00e1s fuerza las cuerdas.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9\u00a0<strong>Adolphus Van Tenzing<\/strong>, 2011<\/p>\n<p style=\"text-align: justify;\">Disponible en <em>The Chronological Henry Red Allen And His Orchestra 1929-1933<\/em> (Classics 540).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En julio de 1929, Henry Red Allen grababa para el sello Victor su primera sesi\u00f3n como l\u00edder, acompa\u00f1ado por varios m\u00fasicos de la orquesta de Luis Russell, de la que formaba parte. De los cuatro temas que produjo dicha sesi\u00f3n, y adem\u00e1s de otro cl\u00e1sico como \u201cIt Should Be You\u201d,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/drowsy-henry-red-allen-1929\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":58042,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17860,5,1296,15517,1038,1273],"tags":[1303,1445,1574,1712,14758,1806,1819,2048,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1963","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-grabaciones","category-tema","category-textos","category-contenidos","category-tomajazz-recomienda","tag-1303","tag-barbarin-paul","tag-classics","tag-foster-pop","tag-henry-red-allen","tag-higginbotham-j-c","tag-holmes-charlie","tag-nicholas-albert","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1963"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1963\/revisions"}],"predecessor-version":[{"id":58044,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1963\/revisions\/58044"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/58042"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}