{"id":1963,"date":"2011-03-04T09:00:31","date_gmt":"2011-03-04T07:00:31","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1148"},"modified":"2022-08-25T17:13:20","modified_gmt":"2022-08-25T15:13:20","slug":"drowsy-henry-red-allen-1929","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/drowsy-henry-red-allen-1929\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cFeeling Drowsy\u201d (Henry Red Allen, 1929)"},"content":{"rendered":"

\"\"En julio de 1929, Henry Red Allen grababa para el sello Victor su primera sesi\u00f3n como l\u00edder, acompa\u00f1ado por varios m\u00fasicos de la orquesta de Luis Russell, de la que formaba parte.<\/p>\n

De los cuatro temas que produjo dicha sesi\u00f3n, y adem\u00e1s de otro cl\u00e1sico como \u201cIt Should Be You\u201d, brilla con luz propia \u201cFeeling Drowsy\u201d. Paul Barbarin -al vibr\u00e1fono- introduce el tema y marca el tiempo. Un tr\u00edo de clarinetes deja paso a un intercambio de compases entre los vientos (Red Allen, Albert Nicholas, J.C. Higginbotham y Charlie Holmes) y, por fin, llega el solo de 32 compases de Red Allen, uno de los mejores que grab\u00f3 en toda su carrera. Relativamente planificado (la estructura del solo es similar en las tres tomas existentes), relajado, fluido y eminentemente impresionista, contiene un momento sublime en el que Pops Foster, anticip\u00e1ndose a una frase clave de Red Allen, acent\u00faa sus l\u00edneas de bajo pulsando con m\u00e1s fuerza las cuerdas.<\/p>\n

Tomajazz: \u00a9\u00a0Adolphus Van Tenzing<\/strong>, 2011<\/p>\n

Disponible en The Chronological Henry Red Allen And His Orchestra 1929-1933<\/em> (Classics 540).<\/p>\n","protected":false},"excerpt":{"rendered":"

En julio de 1929, Henry Red Allen grababa para el sello Victor su primera sesi\u00f3n como l\u00edder, acompa\u00f1ado por varios m\u00fasicos de la orquesta de Luis Russell, de la que formaba parte. De los cuatro temas que produjo dicha sesi\u00f3n, y adem\u00e1s de otro cl\u00e1sico como \u201cIt Should Be You\u201d,Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":58042,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,5,1296,15517,1038,1273],"tags":[1303,1445,1574,1712,14758,1806,1819,2048,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1963","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-grabaciones","category-tema","category-textos","category-contenidos","category-tomajazz-recomienda","tag-1303","tag-barbarin-paul","tag-classics","tag-foster-pop","tag-henry-red-allen","tag-higginbotham-j-c","tag-holmes-charlie","tag-nicholas-albert","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Henry-Red-Allen-And-His-Orchestra_1929-1933.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":21746,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-the-victoria-spivey-collection-1926-37-acrobat-music-rec-2015-2cd\/","url_meta":{"origin":1963,"position":0},"title":"La m\u00fasica de LODLMA: The Victoria Spivey Collection 1926-37 (Acrobat Music, rec.2015; 2CD)","author":"Tomajazz","date":"11 enero, 2016","format":false,"excerpt":"La cantante de blues y de jazz Victoria Spivey es una importante figura no s\u00f3lo en la d\u00e9cada de los a\u00f1os 20 y 30 del siglo XX, sino que incluso en la d\u00e9cada de los 60 (tras estar apartada de la m\u00fasica comercial durante varias d\u00e9cadas), cont\u00f3 con la colaboraci\u00f3n\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Victoria-Spivey_The-Victoria-Spivey-Collection-1926-37_Acrobat-Music-2015-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Victoria-Spivey_The-Victoria-Spivey-Collection-1926-37_Acrobat-Music-2015-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Victoria-Spivey_The-Victoria-Spivey-Collection-1926-37_Acrobat-Music-2015-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1936,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-spike-hughes-and-his-negro-orchestra-1933\/","url_meta":{"origin":1963,"position":1},"title":"Tomajazz recomienda\u2026 un disco: Spike Hughes And His Negro Orchestra \u2013 1933","author":"Adolphus van Tenzing","date":"31 diciembre, 2010","format":false,"excerpt":"En abril y mayo de 1933, el cr\u00edtico y compositor de m\u00fasica cl\u00e1sica ingl\u00e9s Spike Hughes reuni\u00f3 a algunos de los m\u00e1s destacados m\u00fasicos de jazz de la \u00e9poca, en tres sesiones que pasaron a la historia. En los catorce temas grabados, en su mayor parte compuestos por Hughes, hay\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Spike Hughes And His Negro Orchestra","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Spike-Hughes-And-His-Negro-Orchestra-200x198.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":27672,"url":"https:\/\/tomajazz.com\/web\/coleman-hawkins-ii-la-odisea-de-la-musica-afroamericana-073-podcast\/","url_meta":{"origin":1963,"position":2},"title":"Coleman Hawkins (II). La Odisea de la M\u00fasica Afroamericana (073) [Podcast]","author":"Tomajazz","date":"21 noviembre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El programa n\u00famero 73 de La Odisea de la M\u00fasica Afroamericana\u00a0es el segundo de los dedicados por completo al gran\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_1945_Billboard-Magazine.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1877,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-sing-its-good-for-you-de-nat-gonella\/","url_meta":{"origin":1963,"position":3},"title":"Tomajazz recomienda\u2026 un tema: \u201cSing (It\u2019s Good For You)\u201d de Nat Gonella","author":"Adolphus van Tenzing","date":"27 abril, 2010","format":false,"excerpt":"El 3 de marzo de 1933, un a\u00f1o despu\u00e9s de obtener la fama gracias a \"Oh! Mo'nah\" y \"Georgia On My Mind\" con la orquesta de Roy Fox y apenas seis meses despu\u00e9s de su debut como l\u00edder, el trompetista y vocalista Nat Gonella grab\u00f3 dos temas para Decca: \"Sing\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/04\/Nat-Gonella-Sing-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101972,"url":"https:\/\/tomajazz.com\/web\/mark-sherman-bop-contest-2025\/","url_meta":{"origin":1963,"position":4},"title":"Mark Sherman: Bop Contest (Miles High Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"19 noviembre, 2025","format":false,"excerpt":"Bop Contest (Miles High Records; 2025) es la nueva grabaci\u00f3n de Mark Sherman. Pachi Tapiz repasa la grabaci\u00f3n. Con Mark Sherman, Ron Carter, Donald Vega, Carl Allen, Joe Magnarelli","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Mark Sherman: Bop Contest (Miles High Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Bop Contest (Miles High Records; 2025) es la nueva grabaci\u00f3n de Mark Sherman. Pachi Tapiz repasa la grabaci\u00f3n. Con Mark Sherman, Ron Carter, Donald Vega, Carl Allen, Joe Magnarelli","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Mark-Sherman-Bop-Contest-Miles-High-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Mark-Sherman-Bop-Contest-Miles-High-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Mark-Sherman-Bop-Contest-Miles-High-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Mark-Sherman-Bop-Contest-Miles-High-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30173,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-moten-swing-buster-moten-bennie-moten-109\/","url_meta":{"origin":1963,"position":5},"title":"365 razones para amar el jazz: un tema. \u201cMoten Swing\u201d ( Buster Moten – Bennie Moten) [109]","author":"Tomajazz","date":"19 abril, 2017","format":false,"excerpt":"Un tema.\u00a0\u201cMoten Swing\u201d (Buster Moten - Bennie Moten, 1932) Seleccionado por\u00a0Luis Escalante Ozalla Banda Sonora de la pel\u00edcula Kansas City (Robert Altman, 1996) Con\u00a0Geri Allen, Christian McBride, Victor Lewis, Mark Whifield, Nicholas Payton, James Zollar, Jesse Davis, David \u201cFathed\u201d Newman, Joshua Redman, Don Byron","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Moten_Swing-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1963"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1963\/revisions"}],"predecessor-version":[{"id":58044,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1963\/revisions\/58044"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/58042"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}