{"id":1965,"date":"2011-03-11T09:00:16","date_gmt":"2011-03-11T07:00:16","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1204"},"modified":"2016-11-13T20:11:14","modified_gmt":"2016-11-13T19:11:14","slug":"tomajazz-recomienda-un-cd-cat-speaks-cat-anderson-1977","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-cat-speaks-cat-anderson-1977\/","title":{"rendered":"Tomajazz recomienda\u2026 un cd: Cat Speaks (Cat Anderson, 1977)"},"content":{"rendered":"
\"Cat<\/a>
Cat Speaks. Cat Anderson. 1977<\/figcaption><\/figure>\n

William Alonzo \u2018Cat\u2019 Anderson es bien conocido como primer espada en la secci\u00f3n de trompetas y especialista en high notes y temas \u201cex\u00f3ticos\u201d en la orquesta de Duke Ellington.<\/p>\n

En Cat Speaks<\/em>, grabado para el sello franc\u00e9s Black & Blue durante su estancia en Par\u00eds en los a\u00f1os setenta, Anderson baja de la estratosfera y saca a relucir su poco conocida versatilidad, demostrando que es capaz de moverse como pez en el agua en el registro alto (con un ataque y un dominio del instrumento que recuerdan a Louis Armstrong), pero que tambi\u00e9n maneja a la perfecci\u00f3n las t\u00e9cnicas del wah-wah<\/em> y el growl <\/em>en la mejor tradici\u00f3n de Bubber Miley o Cootie Wiliams, se recrea en las baladas y en los medios tiempos, e incluso se atreve a cantar (o m\u00e1s bien tararear) un blues <\/em>(\u201cThe Cat Hums\u201d). En resumen, un virtuoso y perfeccionista felino… sobreagudos aparte.<\/p>\n

Disponible en The Definitive Black & Blue Sessions: Cat Anderson \u2013 Cat Speaks<\/em> (Black & Blue BB 971.2)<\/p>\n","protected":false},"excerpt":{"rendered":"

William Alonzo \u2018Cat\u2019 Anderson es bien conocido como primer espada en la secci\u00f3n de trompetas y especialista en high notes y temas \u201cex\u00f3ticos\u201d en la orquesta de Duke Ellington. En Cat Speaks, grabado para el sello franc\u00e9s Black & Blue durante su estancia en Par\u00eds en los a\u00f1os setenta, AndersonContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,1273],"tags":[1338,1400,1477,6637,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1965","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-tomajazz-recomienda","tag-1338","tag-anderson-cat","tag-black-blue","tag-duke-ellington","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":26691,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-iii-la-odisea-de-la-musica-afroamericana-066-podcast\/","url_meta":{"origin":1965,"position":0},"title":"Duke Ellington (III). La Odisea de la M\u00fasica Afroamericana (066) [Podcast]","author":"Tomajazz","date":"3 octubre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. La entrega\u00a0n\u00famero\u00a066 de La Odisea de la M\u00fasica Afroamericana, es la tercera dedicada a Duke Ellington. 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En JazzX5 suena \"Solitude\", publicado en Masterpieces by Ellington.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1965"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1965\/revisions"}],"predecessor-version":[{"id":3818,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1965\/revisions\/3818"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}