{"id":19721,"date":"2015-09-21T11:00:37","date_gmt":"2015-09-21T09:00:37","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=19721"},"modified":"2018-05-05T20:45:53","modified_gmt":"2018-05-05T18:45:53","slug":"bechet-trumbauer-beiberdecke-jazz-v-la-odisea-de-la-musica-afroamericana-016-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/bechet-trumbauer-beiberdecke-jazz-v-la-odisea-de-la-musica-afroamericana-016-podcast\/","title":{"rendered":"Bechet, Trumbauer, Beiberdecke. Jazz V. La Odisea de la M\u00fasica Afroamericana (016) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em>. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">El cap\u00edtulo 16 de <em>La Odisea de la M\u00fasica Afroamericana<\/em> (LODLMA) contin\u00faa dedicado\u00a0al jazz. Al igual que ocurr\u00eda en <a href=\"http:\/\/www.tomajazz.com\/web\/?p=19643\" target=\"_blank\">el cap\u00edtulo anterior<\/a>,\u00a0son tres las figuras en las que basa Luis Escalante esta entrega de su viaje sonoro: Sidney Bechet (que ya hab\u00eda aparecido en el programa anterior), Frankie Trumbauer y Bix Beiberdecke, que sirvi\u00f3 a la escritora Doroty Bater como inspiraci\u00f3n para su novela <em>El chico de la trompeta<\/em>, que a su vez pas\u00f3 a la gran pantalla con el t\u00edtulo de El trompetista (Michael Curtiz, 1950) con las interpretaciones de Kirk Douglas y Lauren Bacall.\u00a0En el programa algunos de los m\u00fasicos y grupos que se escuchan son los tres m\u00fasicos en los que se centra el programa, as\u00ed como Noble Sissle, Trixie Smith, el grupo Tram, Bix &amp; Eddie, Jack Teagarden, Noble Sissle y Gladys Knight.<\/p>\n<p><iframe id='audio_8469580' frameborder='0' allowfullscreen='' scrolling='no' height='200' src='http:\/\/www.ivoox.com\/player_ej_8469580_4_1.html?c1=7a8f10' style='border:1px solid #EEE; box-sizing:border-box; width:100%;'><\/iframe><br \/>\n<center><figure id=\"attachment_19722\" aria-describedby=\"caption-attachment-19722\" style=\"width: 441px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-19722 size-large\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke-441x600.jpg\" alt=\"Bix Beiberdecke\" width=\"441\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke-441x600.jpg 441w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke-110x150.jpg 110w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke-200x272.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke-40x55.jpg 40w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke.jpg 1837w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><figcaption id=\"caption-attachment-19722\" class=\"wp-caption-text\">Bix Beiberdecke<\/figcaption><\/figure><\/center><\/p>\n<p style=\"text-align: center;\">En el cap\u00edtulo 16 suena:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: left;\">\u201cSay it\u201d Karrin Allyson<\/li>\n<li style=\"text-align: left;\">\u201cPolka dot rag\u201d Noble Sissle<\/li>\n<li style=\"text-align: left;\">\u201cWhen the sun sets down south\u201d Sidney Bechet &amp; Noble Sissle\u00b4Singsters<\/li>\n<li style=\"text-align: left;\">\u201cViper mad\u201d Sidney Bechet &amp; Noble Sissle\u00b4s Swingters<\/li>\n<li style=\"text-align: left;\">\u201cJack I\u00b4m mellow\u201d Trixie Smith<\/li>\n<li style=\"text-align: left;\">\u201cSummertime\u201d Sidney Bechet<\/li>\n<li style=\"text-align: left;\">\u201cClarinet marmalade\u201d Frankie Trumbauer &amp; His Orchestra<\/li>\n<li style=\"text-align: left;\">\u201cSinging the blues\u201d Frankie Trumbauer &amp; His Orchestra<\/li>\n<li style=\"text-align: left;\">\u201cThere\u00b4s a cradle in Caroline\u201d Frankie Trumbauer &amp; His Orchestra<\/li>\n<li style=\"text-align: left;\">\u201cFor no reason at all in C\u201d Tram, Bix and Eddie<\/li>\n<li style=\"text-align: left;\">\u201cTiger rag\u201d Bix Beiderbecke<\/li>\n<li style=\"text-align: left;\">\u201cDavenport blues\u201d Jack Teagarden<\/li>\n<li style=\"text-align: left;\">\u201cDon\u00b4t know much about love\u201d Gladys Knight<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El cap\u00edtulo 16 de La Odisea de la M\u00fasica Afroamericana (LODLMA) contin\u00faa dedicado al jazz. Al igual que ocurr\u00eda en el cap\u00edtulo anterior, son tres las figuras en las que basa Luis Escalante esta entrega de su viaje sonoro: Sidney Bechet (que ya hab\u00eda aparecido en el programa anterior), Frankie Trumbauer y Bix Beiberdecke. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing.<br \/>\n<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/bechet-trumbauer-beiberdecke-jazz-v-la-odisea-de-la-musica-afroamericana-016-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":19722,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"imagen","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[13848,13846,13849,13328,13842,12817,13072,12905,12816,13198,10392,13844,13843,16099,16100,13847,13845],"class_list":["entry","author-pachi","has-excerpt","post-19721","post","type-post","status-publish","format-imagen","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-bix-beiderbecke","tag-frankie-trumbauer-his-orchestra","tag-gladys-knight","tag-jack-teagarden","tag-karrin-allyson","tag-la-odisea-de-la-musica-afroamericana","tag-lodlma","tag-luis-escalante","tag-luis-escalante-ozalla","tag-noble-sissle","tag-sidney-bechet","tag-sidney-bechet-noble-sissles-swingters","tag-sidney-bechet-noble-sisslesingsters","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-tram-and-bix-and-eddie","tag-trixie-smith","post_format-imagen"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Bix-Beiberdecke.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19643,"url":"https:\/\/tomajazz.com\/web\/king-oliver-josephine-baker-sidney-bechet-new-orleans-jazz-jazz-iv-la-odisea-de-la-musica-afroamericana-015-podcast\/","url_meta":{"origin":19721,"position":0},"title":"King Oliver, Josephine Baker, Sidney Bechet. New Orleans Jazz. Jazz IV. La Odisea de la M\u00fasica Afroamericana (015) [Podcast]","author":"Tomajazz","date":"14 septiembre, 2015","format":"audio","excerpt":"El cap\u00edtulo 15 de La Odisea de la M\u00fasica Afroamericana (LODLMA) contin\u00faa dedicado al jazz, y en concreto al estilo Nueva Orleans. Tres son las figuras en torno a las cuales est\u00e1 articulado el programa: King Oliver (con formaciones m\u00edticas como la King Oliver's Creole Jazz Band), Sidney Bechet (de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/King-Oliver-e1442089607959.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/King-Oliver-e1442089607959.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/King-Oliver-e1442089607959.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28898,"url":"https:\/\/tomajazz.com\/web\/lionel-hampton-iii-lena-horne-i-la-odisea-de-la-musica-afroamericana-082-podcast\/","url_meta":{"origin":19721,"position":1},"title":"Lionel Hampton (III), Lena Horne (I). La Odisea de la M\u00fasica Afroamericana (082) [Podcast]","author":"Tomajazz","date":"23 enero, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Con la entrega n\u00famero 82 de La Odisea de la M\u00fasica Afroamericana\u00a0finaliza el repaso a la carrera\u00a0del vibrafonistas, pianista y\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lena_Horne_1955-e1485119917816.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lena_Horne_1955-e1485119917816.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lena_Horne_1955-e1485119917816.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lena_Horne_1955-e1485119917816.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":18922,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-down-south-camp-meeting\/","url_meta":{"origin":19721,"position":2},"title":"La m\u00fasica de LODLMA:  \u201cDown South Camp Meeting\u201d","author":"Tomajazz","date":"29 junio, 2015","format":false,"excerpt":"En el Cap\u00edtulo 8 de La Odisea de la M\u00fasica Afroamericana (LODLMA) suena una versi\u00f3n de\u00a0\u201cDown South Camp Meeting\u201d interpretada por Manhattan Transfer. Las Camp Meetings (Ceremonias de Campo) vivieron su apogeo entre los a\u00f1os 1780 y 1830 en los territorios sure\u00f1os de Norteam\u00e9rica. En ellas se concentraban miles de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Shuffle-Along.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31987,"url":"https:\/\/tomajazz.com\/web\/hoagy-carmichael-i-los-compositores-del-tin-pan-alley-xvi-la-odisea-de-la-musica-afroamericana-109-podcast\/","url_meta":{"origin":19721,"position":3},"title":"Hoagy Carmichael (I). Los compositores del Tin Pan Alley (XVI). La Odisea de la M\u00fasica Afroamericana (109) [Podcast]","author":"Tomajazz","date":"28 agosto, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Contin\u00faa en La Odisea de la M\u00fasica Afroamericana de Luis Escalante\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Hoagy_Carmichael_circa_1953.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":44533,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-i-los-origenes-chet-baker-la-odisea-de-la-musica-afroamericana-201-podcast\/","url_meta":{"origin":19721,"position":4},"title":"Cool Jazz (I): los or\u00edgenes, Chet Baker. La Odisea de la M\u00fasica Afroamericana (201) [Podcast]","author":"Tomajazz","date":"22 julio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 201 de La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_My-Funny-Valentine.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_My-Funny-Valentine.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_My-Funny-Valentine.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_My-Funny-Valentine.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":51338,"url":"https:\/\/tomajazz.com\/web\/miles-davis-v-third-stream-i-la-odisea-de-la-musica-afroamericana-249-podcast-de-jazz\/","url_meta":{"origin":19721,"position":5},"title":"Miles Davis (V) &#8211; Third Stream (I). La Odisea de la M\u00fasica Afroamericana (249) [Podcast de Jazz]","author":"Tomajazz","date":"3 agosto, 2020","format":false,"excerpt":"Con el cap\u00edtulo 249 de La Odisea de la M\u00fasica Afroamericana de\u00a0Luis Escalante Ozalla finaliza el repaso a la carrera de Miles Davis y comienza el repaso al movimiento Third Stream. Adem\u00e1s de centrarse en figuras como The Modern Jazz Quartet, se hace un breve repaso a este movimiento, presente\u2026","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/The-Modern-Jazz-Quartet.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/19721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=19721"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/19721\/revisions"}],"predecessor-version":[{"id":19728,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/19721\/revisions\/19728"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/19722"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=19721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=19721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=19721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}