{"id":1976,"date":"2011-04-13T00:00:56","date_gmt":"2011-04-12T22:00:56","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1288"},"modified":"2017-11-01T11:39:48","modified_gmt":"2017-11-01T10:39:48","slug":"tomajazz-recomienda-un-cd-blues-for-dracula-philly-joe-jones-1958","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-blues-for-dracula-philly-joe-jones-1958\/","title":{"rendered":"Tomajazz recomienda&#8230; un CD: Blues For Dracula (Philly Joe Jones, 1958)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-33001 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/Philly-Joe-Jones_Blues-For-Dracula-200x197.jpg\" alt=\"\" width=\"200\" height=\"197\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/Philly-Joe-Jones_Blues-For-Dracula-200x197.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/Philly-Joe-Jones_Blues-For-Dracula-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/Philly-Joe-Jones_Blues-For-Dracula-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/Philly-Joe-Jones_Blues-For-Dracula.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Bater\u00eda del primer gran quinteto de Miles Davis, Philly Joe Jones (\u00abPhiladelphia Joseph Jones\u00bb) fue criticado por su estilo rotundo y contundente, pudiendo consider\u00e1rsele un adelantado a su tiempo.<\/p>\n<p style=\"text-align: justify;\">En esta su primera grabaci\u00f3n como l\u00edder (1958) Jones se muestra decididamente exc\u00e9ntrico, tanto en la divertida imagen de portada como en el contenido musical. Si bien la interpretaci\u00f3n en todo el vinilo muestra desenfado, el tema que le da t\u00edtulo llega a resultar histri\u00f3nico, con el propio Jones imitando con voz cavernosa al propio Dr\u00e1cula sobre la interpretaci\u00f3n de sus compa\u00f1eros (Johnny Griffin al tenor, Nat Adderley a la corneta, Julian Priester al tromb\u00f3n, Tommy Flanagan al piano y Jimmy Garrison al contrabajo).<\/p>\n<p style=\"text-align: justify;\">En lo estrictamente musical cabe destacar la labor de Griffin y Adderley y el buen hacer del grupo en el \u00abTune Up\u00bb de Miles Davis.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2011<\/p>\n<p>Philly Joe Jones &#8211; <em>Blues For Dracula<\/em> (Riverside\/OJC 230)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bater\u00eda del primer gran quinteto de Miles Davis, Philly Joe Jones (\u00abPhiladelphia Joseph Jones\u00bb) fue criticado por su estilo rotundo y contundente, pudiendo consider\u00e1rsele un adelantado a su tiempo. En esta su primera grabaci\u00f3n como l\u00edder (1958) Jones se muestra decididamente exc\u00e9ntrico, tanto en la divertida imagen de portada como<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-blues-for-dracula-philly-joe-jones-1958\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":33001,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,15517,1273],"tags":[1322,1382,1704,1726,1755,1881,2109,2138,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1976","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-textos","category-tomajazz-recomienda","tag-1322","tag-adderley-nat","tag-flanagan-tommy","tag-garrison-jimmy","tag-griffin-johnny","tag-jones-philly-joe","tag-priester-julian","tag-riverside","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/Philly-Joe-Jones_Blues-For-Dracula.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2070,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-cool-struttin-sonny-clark-1958\/","url_meta":{"origin":1976,"position":0},"title":"Tomajazz recomienda&#8230; un CD: Cool Struttin&#8217; (Sonny Clark, 1958)","author":"Adolphus van Tenzing","date":"17 septiembre, 2012","format":false,"excerpt":"Una de tantas joyas del cat\u00e1logo de Blue Note, una de tantas grabadas en el estudio de Rudy Van Gelder (el original de Hackensack, Nueva Jersey), este Cool Struttin' emergi\u00f3 de una sesi\u00f3n fresca y descarada, llena de swing, lenguaje y expresi\u00f3n personal. 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Quinta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Sonny Clark, Jackie McLean,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Sonny-Clark_Cool_Struttin_Blue-Note-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28894,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-im-old-fashioned-33\/","url_meta":{"origin":1976,"position":2},"title":"365 razones para amar el jazz: un tema. \u00abI&#8217;m Old Fashioned\u00bb [33]","author":"Tomajazz","date":"2 febrero, 2017","format":false,"excerpt":"Un tema.\u00a0\"I'm Old Fashioned\". M\u00fasica: Jerome Kern. Letra: Johnny Mercer. 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