{"id":19768,"date":"2015-09-28T10:30:07","date_gmt":"2015-09-28T08:30:07","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=19768"},"modified":"2016-11-13T19:05:33","modified_gmt":"2016-11-13T18:05:33","slug":"tomajazz-recomienda-una-frase-johnny-griffin-en-rhythm-a-ning-1958","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-frase-johnny-griffin-en-rhythm-a-ning-1958\/","title":{"rendered":"Tomajazz recomienda&#8230; una frase: Johnny Griffin en \u00abRhythm-a-ning\u00bb (1958)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-19874\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Thelonious-In-Action-200x200.jpg\" alt=\"Thelonious In Action\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Thelonious-In-Action-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Thelonious-In-Action-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Thelonious-In-Action-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Thelonious-In-Action-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Thelonious-In-Action.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>La cita es un recurso privilegiado dentro del imaginario de la improvisaci\u00f3n jazz\u00edstica. Saber incluir en un tema una referencia a otro es todo un arte. Muchos abusan de \u00e9l, combinando c\u00e9lebres motivos de otras composiciones aprendidos de memoria con fraseos originales poco pulidos. Otros citan con demasiada obviedad, incluyendo en el solo de un <i>blues <\/i>la melod\u00eda de otro <i>blues <\/i>escrito, adem\u00e1s, en el mismo tono. La brillantez llega cuando un <i>jazzman <\/i>es capaz de descontextualizar una secuencia de notas por completo, extray\u00e9ndola de su entorno inicial, y haci\u00e9ndola funcionar como parte de la improvisaci\u00f3n que est\u00e1 tejiendo en ese momento, sin repeticiones y apelando a la sorpresa del respetable. Eso es exactamente lo que consigui\u00f3 el saxofonista Johnny Griffin al final de su solo sobre el <i>rhythm changes<\/i>(tema basado en la secuencia arm\u00f3nica de \u00abI Got Rhythm\u00bb) \u00abRhythm-a-ning\u00bb. A las \u00f3rdenes de Thelonious Monk, compositor de la pieza y l\u00edder de la sesi\u00f3n, Griffin acaba su solo bopero y encendido citando ni m\u00e1s ni menos que la marcha nupcial de Mendelssohn, para j\u00fabilo de los espectadores que presenciaban al cuarteto en el neoyorquino Spot Cafe. Qu\u00e9 bien que se grab\u00f3 y ahora somos nosotros los que podemos sorprendernos.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2015<\/p>\n<p style=\"text-align: justify;\">Thelonious Monk Quartet with Johnny Griffin:\u00a0<i>Thelonious in Action<\/i> (Riverside 103-2)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La cita es un recurso privilegiado dentro del imaginario de la improvisaci\u00f3n jazz\u00edstica. Saber incluir en un tema una referencia a otro es todo un arte. Muchos abusan de \u00e9l, combinando c\u00e9lebres motivos de otras composiciones aprendidos de memoria con fraseos originales poco pulidos. Otros citan con demasiada obviedad, incluyendo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-frase-johnny-griffin-en-rhythm-a-ning-1958\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":19874,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1038,1273],"tags":[5366,8888,2138,13872,5083,16099,16100],"class_list":["entry","author-pachi","post-19768","post","type-post","status-publish","format-image","has-post-thumbnail","category-adolphus-van-tenzing","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-johnny-griffin","tag-riverside","tag-spot-cafe","tag-thelonious-monk","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Thelonious-In-Action.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1976,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-blues-for-dracula-philly-joe-jones-1958\/","url_meta":{"origin":19768,"position":0},"title":"Tomajazz recomienda&#8230; un CD: Blues For Dracula (Philly Joe Jones, 1958)","author":"Adolphus van Tenzing","date":"13 abril, 2011","format":false,"excerpt":"Bater\u00eda del primer gran quinteto de Miles Davis, Philly Joe Jones (\"Philadelphia Joseph Jones\") fue criticado por su estilo rotundo y contundente, pudiendo consider\u00e1rsele un adelantado a su tiempo. En esta su primera grabaci\u00f3n como l\u00edder (1958) Jones se muestra decididamente exc\u00e9ntrico, tanto en la divertida imagen de portada como\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/Philly-Joe-Jones_Blues-For-Dracula.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32998,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-blues-for-harvey-johnny-griffin-quartet-305\/","url_meta":{"origin":19768,"position":1},"title":"365 razones para amar el jazz: un disco. Blues For Harvey (Johnny Griffin Quartet) [306]","author":"Tomajazz","date":"2 noviembre, 2017","format":false,"excerpt":"Un disco. Johnny Griffin Quartet:\u00a0Blues For Harvey\u00a0(SteepleChase. 1973) Seleccionado por Juanma Castro Medina Con Johnny Griffin, Kenny Drew, Mads Vinding, Ed Thigpen","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Johnny-Griffin-Quartet_Blues-For-Harvey.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2030,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-version-speak-low-kevin-eubanks-1994\/","url_meta":{"origin":19768,"position":2},"title":"Tomajazz recomienda&#8230; una versi\u00f3n: \u00abSpeak Low\u00bb (Kevin Eubanks, 1994)","author":"Adolphus van Tenzing","date":"31 octubre, 2011","format":false,"excerpt":"Aunque Kevin Eubanks ha tenido el dudoso honor de aparecer en la colecci\u00f3n \u201cLas portadas m\u00e1s horrorosas de la historia del jazz\u201d es un magn\u00edfico guitarrista. Su versi\u00f3n de \u201cSpeak Low\u201d publicada en Live At Bradley\u2019s tiene genuino sabor a club. Tanto por el local en el que se grab\u00f3\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/Kevin-Eubanks-Live-At-Bradleys.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":47859,"url":"https:\/\/tomajazz.com\/web\/jazzx5150-johnny-griffin-eddie-lockjaw-davis-quintet-blues-up-and-down-ow-live-at-the-penthouse-minipodcast\/","url_meta":{"origin":19768,"position":3},"title":"JazzX5#150. Johnny Griffin \/ Eddie \u201cLockjaw\u201d Davis Quintet: Blues Up and Down (Ow! Live at The Penthouse) [Minipodcast]","author":"Tomajazz","date":"18 diciembre, 2019","format":false,"excerpt":"JazzX5 llega a su entrega n\u00famero 150. En el podcast diario de Pachi Tapiz suena el tema \"Blues Up and Down\" del Johnny Griffin \/ Eddie \u201cLockjaw\u201d Davis Quintet que aparece en la grabaci\u00f3n reci\u00e9n publicada Ow! Live at The Penthouse (Reel to Real Recordings). Hard-bop de primera con Johnny\u2026","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_150.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_150.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_150.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_150.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1950,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-maiden-voyage-herbie-hancock-1965\/","url_meta":{"origin":19768,"position":4},"title":"Tomajazz recomienda\u2026 un disco: Maiden Voyage (Herbie Hancock, 1965)","author":"Adolphus van Tenzing","date":"2 febrero, 2011","format":false,"excerpt":"Si Kind Of Blue de Miles Davis acerc\u00f3 el jazz modal a la primera l\u00ednea de combate, Herbie Hancock afinar\u00eda sus formas pocos a\u00f1os despu\u00e9s en Maiden Voyage, una colecci\u00f3n de originales del pianista en el que la ausencia de cambios arm\u00f3nicos fomentaba el uso de espacios entre los solistas\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Maiden_Voyage_(Hancock)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Maiden_Voyage_Hancock-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2044,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-fats-navarro-en-wail-bud-powell-1949\/","url_meta":{"origin":19768,"position":5},"title":"Tomajazz recomienda&#8230; un solo: Fats Navarro en \u00abWail\u00bb (Bud Powell), 1949","author":"Adolphus van Tenzing","date":"6 febrero, 2012","format":false,"excerpt":"Un solo coro. Veintiocho segundos. No se necesita m\u00e1s si se sabe qu\u00e9 decir y c\u00f3mo decirlo. \"Wail\" es un r\u00e1pido rhythm changes (tema de estructura arm\u00f3nica similar al \"I Got Rhythm\" de George Gershwin) en mi bemol, todo un quebradero de cabeza para muchos improvisadores. En esta sesi\u00f3n a\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/albumcoverAmazingBudPowellVolume1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/19768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=19768"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/19768\/revisions"}],"predecessor-version":[{"id":19876,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/19768\/revisions\/19876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/19874"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=19768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=19768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=19768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}