{"id":1981,"date":"2011-04-27T00:00:03","date_gmt":"2011-04-26T22:00:03","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1306"},"modified":"2016-11-13T20:11:07","modified_gmt":"2016-11-13T19:11:07","slug":"tomajazz-recomienda-un-cd-four-jazz-giants-earl-hines-1971","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-four-jazz-giants-earl-hines-1971\/","title":{"rendered":"Tomajazz recomienda\u2026 un CD: Four Jazz Giants (Earl Hines, 1971)"},"content":{"rendered":"<figure id=\"attachment_1307\" aria-describedby=\"caption-attachment-1307\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/hines_jazzgiants.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1307\" title=\"Earl Hines \u2013 Four Jazz Giants. Earl Hines. Solo Art. 1971\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/hines_jazzgiants.jpg\" alt=\"Earl Hines \u2013 Four Jazz Giants. Earl Hines. Solo Art. 1971\" width=\"150\" height=\"132\" \/><\/a><figcaption id=\"caption-attachment-1307\" class=\"wp-caption-text\">Earl Hines \u2013 Four Jazz Giants. Earl Hines. Solo Art. 1971<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Los d\u00edas 17 y 18 de julio de 1971, Earl Hines se encerr\u00f3 en los estudios de E.D. Nunn, propietario del sello Audiophile, en Saukville, Wisconsin.<\/p>\n<p style=\"text-align: justify;\">A piano solo, se enfrent\u00f3 a una cuidada selecci\u00f3n de los repertorios de W.C. Handy, Hoagy Carmichael y Louis Armstrong. El resultado son tres magn\u00edficos discos (<em>Hines Comes In Handy<\/em>, <em>Hines Does Hoagy<\/em> y <em>My Tribute To Louis<\/em>), reeditados en un doble CD por Solo Art, en los que Hines se explaya en extensas y audaces improvisaciones, cuyo punto \u00e1lgido es una versi\u00f3n de diez minutos de \u201cStardust\u201d.<\/p>\n<p style=\"text-align: justify;\">Earl Hines: <em>Four Jazz Giants<\/em> (Solo Art SACD 111\/112, 1971)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Los d\u00edas 17 y 18 de julio de 1971, Earl Hines se encerr\u00f3 en los estudios de E.D. Nunn, propietario del sello Audiophile, en Saukville, Wisconsin. A piano solo, se enfrent\u00f3 a una cuidada selecci\u00f3n de los repertorios de W.C. Handy, Hoagy Carmichael y Louis Armstrong. El resultado son tres<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-four-jazz-giants-earl-hines-1971\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,1273],"tags":[1333,1777,1808,1537,2221,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1981","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-tomajazz-recomienda","tag-1333","tag-handy-w-c","tag-hines-earl","tag-carmichael-hoagy","tag-solo-art","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":20829,"url":"https:\/\/tomajazz.com\/web\/earl-hines-james-p-johnson-lil-hardin-johnny-dodds-buster-bailey-la-odisea-de-la-musica-afroamericana-024-podcast\/","url_meta":{"origin":1981,"position":0},"title":"Earl Hines, James P. Johnson, Lil Hardin, Johnny Dodds, Buster Bailey. La Odisea de la M\u00fasica Afroamericana (024) [Podcast]","author":"Tomajazz","date":"16 noviembre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el jazz no son \u00fanicamente importantes las grandes figuras, sino otros muchos m\u00fasicos que no por menos conocidos no son merecedores\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":35972,"url":"https:\/\/tomajazz.com\/web\/hdo-376-diez-de-armstrong-i-podcast-2\/","url_meta":{"origin":1981,"position":1},"title":"HDO 386. Diez de Armstrong (II) [Podcast]","author":"Tomajazz","date":"7 abril, 2018","format":false,"excerpt":"Segunda entrega \"Diez de Armstrong\". En el programa diez temas grabados entre 1928 y 1931 entre los que se incluyen el hist\u00f3rico \"West End Blues\", \"St. James Infirmary\", \"St. Louis Blues\" o \"Weather Bird\" grabado a d\u00fao con Earl Hines.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong-Performs-Skeleton-in-the-Closet-.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1922,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-the-jazz-piano-1965\/","url_meta":{"origin":1981,"position":2},"title":"Tomajazz recomienda\u2026 un disco: The Jazz Piano (1965)","author":"Adolphus van Tenzing","date":"23 noviembre, 2010","format":false,"excerpt":"En el marco del II Festival de Jazz de Pittsburgh en 1965, George Wein decidi\u00f3 continuar los Jazz Piano Workshops que tan buenos resultados hab\u00edan dado en el Festival de Newport y en el Hunter College en Nueva York. El CD editado en 2007 por el prestigioso sello Mosaic recoge\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Piano Players","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Piano-Players.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":58978,"url":"https:\/\/tomajazz.com\/web\/jazzx5346-louis-armstrong-and-his-hot-five-west-end-blues-1928-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":1981,"position":3},"title":"JazzX5#346. Louis Armstrong and His Hot Five: \u00abWest End Blues\u00bb (1928) [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"27 noviembre, 2021","format":false,"excerpt":"En JazzX5 \"West End Blues\", un cl\u00e1sico de Louis Armstrond and His Hot Five, en la edici\u00f3n del fin de semana del 27 de noviembre. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#346. Louis Armstrond and His Hot Five: \u00abWest End Blues\u00bb (1928)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_346.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_346.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_346.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_346.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":39633,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-programa-de-television-jazz-casual-483\/","url_meta":{"origin":1981,"position":4},"title":"Razones para el jazz. Un programa de televisi\u00f3n: Jazz Casual [483]","author":"Tomajazz","date":"4 noviembre, 2018","format":false,"excerpt":"Un programa de televisi\u00f3n:\u00a0Jazz Casual. Entre 1961 y 1968 se emitieron 31 episodios de 30 minutos. Presentados por el cr\u00edtico Ralph J. Gleason, adem\u00e1s de la m\u00fasica de los grupos se incluyeron entrevistas con los m\u00fasicos. Algunos de los m\u00fasicos que pasaron por el programa fueron John Coltrane, Charles Lloyd,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Jazz-Casual.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":175,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-west-end-blues-louis-armstrong-1928\/","url_meta":{"origin":1981,"position":5},"title":"Tomajazz recomienda&#8230; un tema: \u00abWest End Blues\u00bb (Louis Armstrong, 1928)","author":"Adolphus van Tenzing","date":"10 agosto, 2009","format":"image","excerpt":"El pasado 28 de junio se celebr\u00f3 el 81\u00ba aniversario de la grabaci\u00f3n de \u201cWest End Blues\u201d por los Hot Five de Louis Armstrong, uno de los monumentos m\u00e1s importantes de la historia del jazz y, por qu\u00e9 no atreverse a decirlo, de la historia de la m\u00fasica del siglo\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Louis Armstrond and His Hot Five","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/Louis-Armstrong-Hot-Fives-And-Sevens.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1981"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1981\/revisions"}],"predecessor-version":[{"id":3798,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1981\/revisions\/3798"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}