{"id":1984,"date":"2011-05-04T00:00:41","date_gmt":"2011-05-03T22:00:41","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1335"},"modified":"2016-11-13T20:11:06","modified_gmt":"2016-11-13T19:11:06","slug":"tomajazz-recomienda-una-pelicula-mobetter-blues-spike-lee-1990","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-pelicula-mobetter-blues-spike-lee-1990\/","title":{"rendered":"Tomajazz recomienda… una pel\u00edcula: Mo’Better Blues (Spike Lee, 1990)"},"content":{"rendered":"

 <\/p>\n

\"<\/a>
Mo'Better Blues. Spike Lee. 1990<\/figcaption><\/figure>\n

Alice, la viuda de John Coltrane, impidi\u00f3 que se titulara A Love Supreme<\/em>. No obstante la referencia a dicha obra maestra es continua en un filme <\/em>que trata de aspectos como la amistad, el amor, la familia y, en definitiva, la posici\u00f3n a ocupar en la vida.<\/p>\n

Todo ello en una Nueva York afro-americana de principios de los noventa, bajo la peculiar visi\u00f3n del siempre pol\u00e9mico Spike Lee y rebosante de jazz, a cargo del trompetista Terence Blanchard y su excelente quinteto (Branford Marsalis, Kenny Kirkland, Robert Hurst y Jeff \u00abTain\u00bb Watts). Las impecables interpretaciones de Denzel Washington y Wesley Snipes, la realizaci\u00f3n colorista de Lee y la intensidad de la m\u00fasica se funden con la tensi\u00f3n del drama en una obra redonda. Versi\u00f3n original imprescindible.<\/p>\n

Spike Lee. Mo’Better Blues<\/em>. 1990, 40 Acres and a Mule Filmworks \/ Universal<\/p>\n","protected":false},"excerpt":{"rendered":"

  Alice, la viuda de John Coltrane, impidi\u00f3 que se titulara A Love Supreme. No obstante la referencia a dicha obra maestra es continua en un filme que trata de aspectos como la amistad, el amor, la familia y, en definitiva, la posici\u00f3n a ocupar en la vida. Todo elloContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1287,1273],"tags":[1350,1370,1483,1833,1905,1929,1971,16099,77,16100,2335],"class_list":["entry","author-adolphus-van-tenzing","post-1984","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-pelicula","category-tomajazz-recomienda","tag-1350","tag-40-acres-and-a-mule-filmworks","tag-blanchard-terence","tag-hurst-robert","tag-kitkland-kenny","tag-lee-spike","tag-marsalis-branford","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-watts-jeff-tain"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":36664,"url":"https:\/\/tomajazz.com\/web\/blues-clarence-gatemouth-brown-john-lee-hooker-blues-en-los-anos-40-y-50-viii-la-odisea-de-la-musica-afroamericana-145-podcast\/","url_meta":{"origin":1984,"position":0},"title":"Blues: Clarence \u00abGatemouth\u00bb Brown, John Lee Hooker. Blues en los a\u00f1os 40 y 50 (VIII). La Odisea de la M\u00fasica Afroamericana (146) [Podcast]","author":"Tomajazz","date":"14 mayo, 2018","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Contin\u00faa el especial dedicado al blues en los a\u00f1os 40 y\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1936,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-spike-hughes-and-his-negro-orchestra-1933\/","url_meta":{"origin":1984,"position":1},"title":"Tomajazz recomienda\u2026 un disco: Spike Hughes And His Negro Orchestra \u2013 1933","author":"Adolphus van Tenzing","date":"31 diciembre, 2010","format":false,"excerpt":"En abril y mayo de 1933, el cr\u00edtico y compositor de m\u00fasica cl\u00e1sica ingl\u00e9s Spike Hughes reuni\u00f3 a algunos de los m\u00e1s destacados m\u00fasicos de jazz de la \u00e9poca, en tres sesiones que pasaron a la historia. En los catorce temas grabados, en su mayor parte compuestos por Hughes, hay\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Spike Hughes And His Negro Orchestra","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Spike-Hughes-And-His-Negro-Orchestra-200x198.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":36668,"url":"https:\/\/tomajazz.com\/web\/instantzz-terence-blanchard-the-e-collective-37e-festival-jazz-terrassa-nova-jazz-cava-terrassa-barcelona-2018-03-15-galeria-fotografica\/","url_meta":{"origin":1984,"position":2},"title":"INSTANTZZ: Terence Blanchard & The E-Collective (37\u00e8 Festival Jazz Terrassa, Nova Jazz Cava, Terrassa -Barcelona-. 2018-03-15) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"14 mayo, 2018","format":false,"excerpt":"Fecha: Jueves, 15 de marzo de 2018 Lugar: Nova Jazz Cava (Terrassa -Barcelona-) Grupo: Terence Blanchard & The E-Collective Terence Blanchard, trompeta y teclado Charles Altura, guitarra Fabian Almazan, piano y teclados David \u201cDJ\u201d Ginyard, bajo Oscar Seaton, bater\u00eda Tomajazz:\u00a0\u00a9\u00a0Joan Cort\u00e8s, 2018","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/10_TrncBlnchrdCllctv-%C2%A9Joan-Cort%C3%A8s_15mr%C3%A718_37FJT_NJC_Trrss.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/10_TrncBlnchrdCllctv-%C2%A9Joan-Cort%C3%A8s_15mr%C3%A718_37FJT_NJC_Trrss.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/10_TrncBlnchrdCllctv-%C2%A9Joan-Cort%C3%A8s_15mr%C3%A718_37FJT_NJC_Trrss.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":34471,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-crystal-stair-donald-harrison-y-terence-blanchard-368\/","url_meta":{"origin":1984,"position":3},"title":"Razones para el jazz: un disco. Crystal Stair (Donald Harrison y Terence Blanchard) [368]","author":"Tomajazz","date":"6 enero, 2018","format":false,"excerpt":"Un disco. Harrison \/ Blanchard: Crystal Stair (Columbia, 1987) Seleccionado por\u00a0Juanma Castro Medina Con Donald Harrison, Terence Blanchard, Cyrus Chestnut, Reginald Veal, Carl Allen","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Harrison-Blanchard_Crystal-Stair.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Harrison-Blanchard_Crystal-Stair.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Harrison-Blanchard_Crystal-Stair.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":25179,"url":"https:\/\/tomajazz.com\/web\/hdo-137-cantantes-gregory-porter-simin-tander-con-tord-gustavsen-y-kurt-elling-con-branford-marsalis-quartet-3x3-02-podcast\/","url_meta":{"origin":1984,"position":4},"title":"HDO 137. Cantantes: Gregory Porter, Simin Tander (con Tord Gustavsen) y Kurt Elling (con Branford Marsalis Quartet). 3X3 (02) [Podcast]","author":"Tomajazz","date":"28 junio, 2016","format":false,"excerpt":"En\u00a0HDO\u00a0tres propuestas con cantantes: Gregory Porter con\u00a0Take Me To The Alley (Blue Note, 2016);\u00a0Simin Tander\u00a0junto a\u00a0Tord Gustavsen\u00a0(y\u00a0Jarle Vespestad) en\u00a0What Was Said\u00a0(ECM, 2016);\u00a0Kurt Elling junto al\u00a0Branford Marsalis Quartet\u00a0en\u00a0Upward Spiral\u00a0(Okeh, 2016). \u00a9 Pachi Tapiz, 2016 HDO\u00a0(Hablando de o\u00eddas) es un\u00a0podcast\u00a0editado, presentado, producido, \u00a0y que est\u00e1 a punto de cumplir un a\u00f1o de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/03_Gregory-Porter_Take-Me-To-The-Alley_Blue-Note_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/03_Gregory-Porter_Take-Me-To-The-Alley_Blue-Note_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/03_Gregory-Porter_Take-Me-To-The-Alley_Blue-Note_2016.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":15181,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-reconstruccion-sebastian-chames-2013\/","url_meta":{"origin":1984,"position":5},"title":"Tomajazz recomienda… un CD: Reconstrucci\u00f3n (Sebasti\u00e1n Chames, 2013)","author":"Adolphus van Tenzing","date":"10 noviembre, 2014","format":false,"excerpt":"Tanto buscar fuera cuando a veces la calidad est\u00e1 en casa. Madrile\u00f1o de adopci\u00f3n, el pianista argentino Sebasti\u00e1n Chames cruz\u00f3 el charco hace unos meses para grabar un discazo de\u00a0hard-bopcon algunos de los mejores m\u00fasicos de la escena neoyorquina. Utilizando la formaci\u00f3n cl\u00e1sica de quinteto con trompeta y saxo (en\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"sebastian chames recosntruccion","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/sebastian-chames-recosntruccion-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1984"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1984\/revisions"}],"predecessor-version":[{"id":3795,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1984\/revisions\/3795"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}