{"id":1988,"date":"2011-05-18T00:00:28","date_gmt":"2011-05-17T22:00:28","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1354"},"modified":"2016-11-13T20:11:04","modified_gmt":"2016-11-13T19:11:04","slug":"tomajazz-recomienda-un-tema-mood-indigo-kenny-davern-2007","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-mood-indigo-kenny-davern-2007\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cMood Indigo\u201d (Kenny Davern, 2007)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-12488\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Kenny-Davern-Dick-Wellstood-200x198.jpg\" alt=\"Kenny Davern Dick Wellstood\" width=\"200\" height=\"198\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Kenny-Davern-Dick-Wellstood-200x198.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Kenny-Davern-Dick-Wellstood-150x148.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Kenny-Davern-Dick-Wellstood-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Kenny-Davern-Dick-Wellstood.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>En un concierto a d\u00fao con el pianista Dick Wellstood grabado en el Vineyard Theatre de Nueva York, el clarinetista Kenny Davern se atreve en solitario con el cl\u00e1sico <em>ellingtoniano<\/em>.<\/p>\n<p style=\"text-align: justify;\">La tensi\u00f3n contenida, los espacios, el cambio del registro alto al registro grave del clarinete, el inusual fraseo y los inesperados giros en el mejor estilo de Pee Wee Russell mantienen en vilo al oyente y convierten la nada f\u00e1cil audici\u00f3n en una gratificante experiencia.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n<p style=\"text-align: justify;\">Disponible en Kenny Davern &#8211; Dick Wellstood: <em>Never In A Million Years<\/em> (Challenge CHR 70019)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En un concierto a d\u00fao con el pianista Dick Wellstood grabado en el Vineyard Theatre de Nueva York, el clarinetista Kenny Davern se atreve en solitario con el cl\u00e1sico ellingtoniano. La tensi\u00f3n contenida, los espacios, el cambio del registro alto al registro grave del clarinete, el inusual fraseo y los<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-mood-indigo-kenny-davern-2007\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":12488,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[925,5366,1550,1622,9444,6637,9445,2087,16099,77,16100,2345],"class_list":["entry","author-adolphus-van-tenzing","post-1988","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-925","tag-adolphus-van-tenzing","tag-challenge","tag-davern-kenny","tag-dick-wellstood","tag-duke-ellington","tag-kenny-davern","tag-pee-wee-russell","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-wellstood-dick"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Kenny-Davern-Dick-Wellstood.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":275,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-hi-fi-salute-to-bunny-de-ruby-braff-1957\/","url_meta":{"origin":1988,"position":0},"title":"Tomajazz recomienda\u2026 un disco: Hi-Fi Salute To Bunny (Ruby Braff, 1957)","author":"Adolphus van Tenzing","date":"3 noviembre, 2009","format":false,"excerpt":"Hi-Fi Salute To Bunny es la aportaci\u00f3n de Adolphus van Tenzing en Tomajazz Recomienda...","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Ruby Braff Hi-Fi Salute To Bunny","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/11\/Ruby-Braff_Hi-Fi-Salute-to-Bunny.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1964,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-le-lac-des-cygnes-olivier-lancelot-1999\/","url_meta":{"origin":1988,"position":1},"title":"Tomajazz recomienda\u2026 un tema: \u201cLe Lac Des Cygnes\u201d (Olivier Lancelot, 1999)","author":"Adolphus van Tenzing","date":"9 marzo, 2011","format":false,"excerpt":"El \u00fanico disco editado a nombre del pianista franc\u00e9s Olivier Lancelot se grab\u00f3 en junio de 1999 en el club \u201cLe M\u00e9tronome\u201d de la peque\u00f1a localidad francesa de Rozay-en-Brie. Grabado en tr\u00edo (piano, clarinete y percusi\u00f3n), el CD recoge una versi\u00f3n stride a piano solo de El Lago De Los\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cLe Lac Des Cygnes\u201d. Olivier Lancelot. Lancelot Et Ses Chevaliers","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/02\/OlivierLancelot-LeLacDesCygnes-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1967,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-musico-antti-sarpila\/","url_meta":{"origin":1988,"position":2},"title":"Tomajazz recomienda\u2026 un m\u00fasico: Antti Sarpila","author":"Adolphus van Tenzing","date":"23 marzo, 2011","format":false,"excerpt":"El clarinetista y saxofonista tenor y soprano Antti Sarpila es la prueba viviente de que a\u00fan en los lugares m\u00e1s g\u00e9lidos del planeta puede hacerse buen hot jazz. Nacido en Helsinki en 1964, Sarpila estudi\u00f3 con Bob Wilber -quien a su vez hab\u00eda estudiado con el maestro Sidney Bechet-, continuando\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Swing Is Here. Allan Vach\u00e9 & Antti Sarpila","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/02\/AllanVachAnttiSarpilla-SwingIsHere.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1996,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-tonk-dick-hyman-1992\/","url_meta":{"origin":1988,"position":3},"title":"Tomajazz recomienda\u2026 un tema: \u201cTonk\u201d (Dick Hyman, 1992)","author":"Adolphus van Tenzing","date":"1 junio, 2011","format":false,"excerpt":"En un magn\u00edfico disco en el que el camale\u00f3nico pianista y compositor Dick Hyman homenajea a Duke Ellington, brilla con luz propia su versi\u00f3n de \u201cTonk\u201d. Esta pieza fue creada por Billy Strayhorn y Duke Ellington para ser tocada en fiestas privadas, a modo de diversi\u00f3n... y como d\u00fao de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dick Hyman Plays Duke Ellington","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/Dick-Hyman-Plays-Duke-Ellington-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2034,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-gnu-high-kenny-wheeler-1975\/","url_meta":{"origin":1988,"position":4},"title":"Tomajazz recomienda&#8230; un disco: Gnu High (Kenny Wheeler, 1975)","author":"Adolphus van Tenzing","date":"28 noviembre, 2011","format":false,"excerpt":"Hay varios motivos que puedan llevar a recomendar Gnu High de Kenny Wheeler. El primero pudiera ser escuchar a Keith Jarrett en un grupo en el que no ejerce de l\u00edder o co-l\u00edder. El segundo motivo podr\u00edan ser los acompa\u00f1antes de Wheeler: Jarrett, y tambi\u00e9n Dave Holland y Jack DeJohnette.\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Kenny Wheeler Gnu High","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/11\/Kenny-Wheeler-Gnu-High-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2025,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-angel-song-kenny-wheeler-1997\/","url_meta":{"origin":1988,"position":5},"title":"Tomajazz recomienda&#8230; un CD: Angel Song de Kenny Wheeler (1997)","author":"Adolphus van Tenzing","date":"22 agosto, 2011","format":false,"excerpt":"Fiel a la tradici\u00f3n del sello ECM, el trompetista canadiense Kenny Wheeler conforma paisajes sonoros de dulce escucha en este disco de 1997, donde la ausencia de bater\u00eda u otro instrumento percusivo sugiere espacio y libertad. Con Lee Konitz al saxo alto, Dave Holland al contrabajo y Bill Frisell haciendo\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/Kenny-Wheeler_Angel_Song.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1988"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1988\/revisions"}],"predecessor-version":[{"id":12489,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1988\/revisions\/12489"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/12488"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}