{"id":1991,"date":"2011-05-25T00:00:40","date_gmt":"2011-05-24T22:00:40","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1384"},"modified":"2016-11-13T20:11:02","modified_gmt":"2016-11-13T19:11:02","slug":"tomajazz-recomienda-un-cd-let-me-tell-you-bout-it-leo-parker-1961","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-let-me-tell-you-bout-it-leo-parker-1961\/","title":{"rendered":"Tomajazz recomienda\u2026 un CD: Let Me Tell You \u2018Bout It (Leo Parker, 1961)"},"content":{"rendered":"<p style=\"text-align: justify;\">&nbsp;<\/p>\n<figure id=\"attachment_1385\" aria-describedby=\"caption-attachment-1385\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/05\/leoparker.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1385\" title=\"Let Me Tell You \u2018Bout It. Leo Parker. 1961\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/05\/leoparker.jpg\" alt=\"Let Me Tell You \u2018Bout It. Leo Parker. 1961\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-1385\" class=\"wp-caption-text\">Let Me Tell You \u2018Bout It. Leo Parker. 1961<\/figcaption><\/figure>\n<p>De la ristra de discos que public\u00f3 Blue Note en la vena del <em>bebop <\/em>aderezado de <em>soul<\/em>, <em>funk<\/em>, <em>g\u00f3spel <\/em>o <em>rhythm and blues<\/em> (Stanley Turrentine, Lou Donaldson, Jimmy Smith y otros muchos) hoy recomendamos uno de los m\u00e1s desconocidos y tal vez de los mejores.<\/p>\n<p style=\"text-align: justify;\">Leo Parker, saxo bar\u00edtono que toc\u00f3 con las orquestas de Billy Eckstine, Dizzy Gillespie y Benny Carter, nos ofrece un disco lleno de fuerza, que retrata perfectamente una \u00e9poca y un estilo del jazz que, pese a grabarse hace 47 a\u00f1os, no suena en absoluto pasado de moda.<\/p>\n<p style=\"text-align: justify;\">Leo Parker:\u00a0<em>Let Me Tell You \u2018Bout It<\/em> (Blue Note 0946 3 11491 2 2, grabado 1961)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; De la ristra de discos que public\u00f3 Blue Note en la vena del bebop aderezado de soul, funk, g\u00f3spel o rhythm and blues (Stanley Turrentine, Lou Donaldson, Jimmy Smith y otros muchos) hoy recomendamos uno de los m\u00e1s desconocidos y tal vez de los mejores. Leo Parker, saxo bar\u00edtono<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-let-me-tell-you-bout-it-leo-parker-1961\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17860,1278,1273],"tags":[1325,1487,2075,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1991","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-tomajazz-recomienda","tag-1325","tag-blue-note","tag-parker-leo","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29923,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-musico-a-descubrir-leo-parker-88\/","url_meta":{"origin":1991,"position":0},"title":"365 razones para amar el jazz: un m\u00fasico a descubrir. Leo Parker [88]","author":"Tomajazz","date":"29 marzo, 2017","format":false,"excerpt":"Un m\u00fasico a descubrir: Leo Parker (en, por ejemplo, Let Me Tell You \u2018Bout It-Blue Note, 1961) Seleccionado por\u00a0Diego S\u00e1nchez Cascado Con\u00a0Leo Parker, John Burks, Bill Swindell, Yusef Salim, Stan Conover, Purnell Rice \u00a0","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Leo-Parker_Let-Me-Tell-You-Bout-It_Blue-Note-1961.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2047,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-homenaje-amina-claudine-myers-salutes-bessie-smith-1980\/","url_meta":{"origin":1991,"position":1},"title":"Tomajazz recomienda&#8230; un homenaje: Amina Claudine Myers Salutes Bessie Smith (1980)","author":"Adolphus van Tenzing","date":"12 marzo, 2012","format":false,"excerpt":"En 1980 Amina Claudine Myers grababa en Leo Records su segundo disco titulado Amina Claudine Myers Salutes Bessie Smith. La pianista y cantante estaba acompa\u00f1ada por Cecil McBee y Jimmy Lovelace con los que compon\u00eda un disco que estaba lleno de sonidos que homenajeaban a la emperatriz del blues en\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Amina-Claudine-Myers-Salutes-Bessie-Smith.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5922,"url":"https:\/\/tomajazz.com\/web\/perelman-shipp-parker-cleaver-serendipity-leo-records-2013\/","url_meta":{"origin":1991,"position":2},"title":"Perelman &#8211; Shipp &#8211; Parker &#8211; Cleaver: Serendipity (Leo Records, 2013)","author":"Tomajazz","date":"7 mayo, 2013","format":false,"excerpt":"Ejemplo de afortunada casualidad musical es el encuentro entre el saxofonista Ivo Perelman, el pianista Matthew Shipp, el contrabajista William Parker y el baterista Gerald Cleaver publicado por Leo Records con el t\u00edtulo de Serendipity. Perelman ten\u00eda pensado grabar en tr\u00edo con Shipp y Cleaver (algo que de hecho realiz\u00f3\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/serendipity.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1902,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-mona-lisa-leo-parker-1950\/","url_meta":{"origin":1991,"position":3},"title":"Tomajazz recomienda\u2026 un tema: \u201cMona Lisa\u201d (Leo Parker, 1950)","author":"Adolphus van Tenzing","date":"1 octubre, 2010","format":false,"excerpt":"En julio de 1950, el saxofonista bar\u00edtono Leo Parker, acompa\u00f1ado de una r\u00edtmica de ensue\u00f1o (Al Haig, Oscar Pettiford, Max Roach), grab\u00f3 cinco temas para Prestige. En \u201cMona Lisa\u201d, Parker demuestra que el jazz no es s\u00f3lo improvisaci\u00f3n. A lo largo de sus dos chorus, separados por un interludio de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\"Mona Lisa\". Leo Parker. Prestige First Sessions","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/09\/63-leoparker-monalisa.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1927,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-soul-station-hank-mobley\/","url_meta":{"origin":1991,"position":4},"title":"Tomajazz recomienda&#8230; un CD: Soul Station (Hank Mobley, 1960)","author":"Adolphus van Tenzing","date":"6 diciembre, 2010","format":false,"excerpt":"Algunos solo le conocen por su breve etapa en el quinteto de Miles Davis (lleg\u00f3 a actuar con el trompetista en el m\u00edtico concierto de 1961 en el Carnegie Hall), para otros es uno de los grandes tenores de toda la historia del jazz. Su nombre: Hank Mobley y, posiblemente,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Hank Mobley - Soul Station","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/recomienda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":98060,"url":"https:\/\/tomajazz.com\/web\/vijay-iyer-wadada-leo-smith-defiant-life-2025\/","url_meta":{"origin":1991,"position":5},"title":"Vijay Iyer &#038; Wadada Leo Smith: Defiant Life (ECM, 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"24 agosto, 2025","format":false,"excerpt":"Defiant Life, el nuevo \u00e1lbum de Vijay Iyer y Wadada Leo Smith para ECM, es una poderosa meditaci\u00f3n musical sobre la resistencia, la espiritualidad y la condici\u00f3n humana. Una obra que fusiona jazz contempor\u00e1neo, improvisaci\u00f3n libre y compromiso pol\u00edtico. Pachi Tapiz repasa la grabaci\u00f3n.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Vijay Iyer & Wadada Leo Smith: Defiant Life (ECM, 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/08\/Vijay-Iyer-Wadada-Leo-Smith-Defiant-Life-ECM-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/08\/Vijay-Iyer-Wadada-Leo-Smith-Defiant-Life-ECM-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/08\/Vijay-Iyer-Wadada-Leo-Smith-Defiant-Life-ECM-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/08\/Vijay-Iyer-Wadada-Leo-Smith-Defiant-Life-ECM-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1991"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1991\/revisions"}],"predecessor-version":[{"id":3786,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1991\/revisions\/3786"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}