{"id":1994,"date":"2011-05-23T00:00:16","date_gmt":"2011-05-22T22:00:16","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1401"},"modified":"2016-11-13T20:11:03","modified_gmt":"2016-11-13T19:11:03","slug":"tomajazz-recomienda-un-tema-truth-is-marchin-in-orange-then-blue-1992","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-truth-is-marchin-in-orange-then-blue-1992\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema \u201cTruth Is Marchin\u2019 In\u201d (Orange Then Blue, 1992)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-13950\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Orange-Then-Blue_While-You-Were-Out_1992-200x196.jpg\" alt=\"Orange Then Blue_While You Were Out_1992\" width=\"200\" height=\"196\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Orange-Then-Blue_While-You-Were-Out_1992-200x196.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Orange-Then-Blue_While-You-Were-Out_1992-150x147.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Orange-Then-Blue_While-You-Were-Out_1992-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Orange-Then-Blue_While-You-Were-Out_1992.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una<em> big band<\/em> de, por aquel entonces, j\u00f3venes leones \u2013Dave Douglas, Matt Darriau, Cuong Vu\u2013\u2026 se atreve con uno de los himnos del cancionero de Albert Ayler.<\/p>\n<p style=\"text-align: justify;\">Y el resultado es m\u00e1s que satisfactorio: respetuoso con el original, pero sin pasarse y, sobre todo, con esa carga emotiva propia de la m\u00fasica de Ayler. Con arreglos de Chris Speed y solos del propio Speed y Dave Ballou.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2011<\/p>\n<p>En el doble cd <em>While You Were Out<\/em> (GM 3028).<\/p>\n<p>Original de Albert Ayler disponible en, entre otras grabaciones, <em>Live in Greenwich Village<\/em> (Impulse! 22732).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una big band de, por aquel entonces, j\u00f3venes leones \u2013Dave Douglas, Matt Darriau, Cuong Vu\u2013\u2026 se atreve con uno de los himnos del cancionero de Albert Ayler. Y el resultado es m\u00e1s que satisfactorio: respetuoso con el original, pero sin pasarse y, sobre todo, con esa carga emotiva propia de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-truth-is-marchin-in-orange-then-blue-1992\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":13950,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1274,1273],"tags":[1352,5366,5322,5404,1443,873,1739,9378,2232,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1994","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-version","category-tomajazz-recomienda","tag-1352","tag-adolphus-van-tenzing","tag-albert-ayler","tag-cuong-vu","tag-ballou-dave","tag-dave-douglas","tag-gm","tag-matt-darriau","tag-speed-chris","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Orange-Then-Blue_While-You-Were-Out_1992.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1930,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-ghosts-second-variation-albert-ayler-trio-1964\/","url_meta":{"origin":1994,"position":0},"title":"Tomajazz recomienda&#8230; un tema \u00abGhosts: Second Variation\u00bb (Albert Ayler Trio, 1964)","author":"Adolphus van Tenzing","date":"29 noviembre, 2010","format":false,"excerpt":"En estos d\u00edas en que se cumple el 40\u00ba aniversario del enigm\u00e1tico fallecimiento de Albert Ayler (el 25 de noviembre de 1970 su cuerpo aparec\u00eda flotando en las aguas del East River neoyorkino), no me puedo resistir a recomendar encarecidamente \"Gosts: Second Variation\", el tema que cerraba la cara B\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Albert-Ayler-Trio_Spiritual-Unity_esp_1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2055,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-aylers-wings-giorgio-gaslini-1991\/","url_meta":{"origin":1994,"position":1},"title":"Tomajazz recomienda&#8230; un CD: Ayler&#8217;s Wings (Giorgio Gaslini, 1991)","author":"Adolphus van Tenzing","date":"16 abril, 2012","format":false,"excerpt":"\u00bfSe pueden hacer versiones de Albert Ayler a piano solo, que suenen muy mel\u00f3dicas y con reminiscencias de los compositores rom\u00e1nticos? Giorgio Gaslini lo demuestra en esta peque\u00f1a joya que es Ayler's Wings. \u00a9 Adolphus van Tenzing Giorgio Gaslini. Ayler's Wings (Soul Note - CD 121270)","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Giorgio-Gaslini-Ayler_s-Wings.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2748,"url":"https:\/\/tomajazz.com\/web\/hoy-no-puedo-dejar-de-escuchar-new-ghosts-albert-ayler-1968\/","url_meta":{"origin":1994,"position":2},"title":"Hoy no puedo dejar de escuchar&#8230; &quot;New Ghosts&quot; (Albert Ayler, 1968)","author":"Tomajazz","date":"1 diciembre, 2010","format":false,"excerpt":"Espoleado por la recomendaci\u00f3n de Adolphus van Tenzing en Tomajazz Recomienda\u00a0he vuelto compulsivamente a la versi\u00f3n que Albert Ayler hizo del tema \"Ghosts\" en su disco New Grass (Impulse!) cuatro a\u00f1os despu\u00e9s de grabarlo en Spiritual Unity (ESP). Aunque este disco est\u00e1 entre los menos celebrados del saxofonista, ya que\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1951,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-voices-gary-peacock-1971\/","url_meta":{"origin":1994,"position":3},"title":"Tomajazz recomienda\u2026 un disco: Voices (Gary Peacock, 1971)","author":"Adolphus van Tenzing","date":"4 febrero, 2011","format":false,"excerpt":"Voices es un disco asombroso. Asombroso por su m\u00fasica. Arte en estado puro que te agarra con las primeras notas de \u201cIshi\u201d y que no te suelta hasta el \u00faltimo instante de \u201cAe.Ay.\u201d Asombroso tambi\u00e9n por los m\u00fasicos que all\u00ed aparecen. Gary Peacock: un contrabajista que tiene un historial impresionante\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1920,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-pure-cuong-vu-2000\/","url_meta":{"origin":1994,"position":4},"title":"Tomajazz recomienda\u2026 un disco: Pure (Cuong Vu, 2000)","author":"Adolphus van Tenzing","date":"15 noviembre, 2010","format":false,"excerpt":"Pese a la instrumentaci\u00f3n \u2013trompeta, bajo y bater\u00eda\u2013, este es un \u201cpower trio\u201d de jazz experimental que muestra asimismo claras inclinaciones rockeras. La mayor\u00eda de las (extensas) composiciones se inician de forma tranquila, entre susurros, para subir progresivamente en intensidad. El tr\u00edo ofrece un magn\u00edfico ejemplo de c\u00f3mo jugar a\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Cuong Vu. Pure","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/11\/cuong-vu_pure.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12400,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-bojan-z-la-musica-como-psicoterapia-por-alberto-marina-castillo\/","url_meta":{"origin":1994,"position":5},"title":"Tomajazz recupera&#8230; Bojan Z: la m\u00fasica como psicoterapia, por Alberto Marina Castillo","author":"Tomajazz","date":"28 mayo, 2014","format":false,"excerpt":"Alberto Marina Casta\u00f1o: \u00bfQu\u00e9 opina del acercamiento de m\u00fasicos de jazz americanos como Dave Douglas o Brad Shepik a la tradici\u00f3n musical balc\u00e1nica? Bojan Z: Me gusta lo que hacen. Para m\u00ed es como si todos los saxofonistas de Andaluc\u00eda trataran de tocar como Michael Brecker. \u00bfPor qu\u00e9 no habr\u00eda\u2026","rel":"","context":"En \u00ab*_Sergio Cabanillas\u00bb","block_context":{"text":"*_Sergio Cabanillas","link":"https:\/\/tomajazz.com\/web\/category\/sergio-cabanillas\/"},"img":{"alt_text":"Bojan Z 14 de noviembre de 2004 Club de m\u00fasica y jazz, San Juan Evangelista. Madrid, Espa\u00f1a \u00a9 Sergio Cabanillas, 2004","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/bojan_z_johnny_2004_bojan.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1994"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1994\/revisions"}],"predecessor-version":[{"id":13951,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1994\/revisions\/13951"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13950"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}