{"id":1997,"date":"2011-06-03T00:00:40","date_gmt":"2011-06-02T22:00:40","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1410"},"modified":"2016-11-13T20:11:01","modified_gmt":"2016-11-13T19:11:01","slug":"tomajazz-recomienda-un-disco-streams-of-consciousness-max-roach-y-abdullah-ibrahim","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-streams-of-consciousness-max-roach-y-abdullah-ibrahim\/","title":{"rendered":"Tomajazz recomienda\u2026 un disco: Streams of Consciousness (Max Roach y Abdullah Ibrahim)"},"content":{"rendered":"<figure id=\"attachment_1413\" aria-describedby=\"caption-attachment-1413\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/06\/streamsofconsciousness.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1413\" title=\"Streams of Consciousness. Max Roach - Abdullah Ibrahim\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/06\/streamsofconsciousness.jpg\" alt=\"Streams of Consciousness. Max Roach - Abdullah Ibrahim\" width=\"150\" height=\"146\" \/><\/a><figcaption id=\"caption-attachment-1413\" class=\"wp-caption-text\">Streams of Consciousness. Max Roach - Abdullah Ibrahim<\/figcaption><\/figure>\n<p>A finales de los ochenta, Max Roach public\u00f3 varios discos a d\u00fao con sopladores (Shepp y Braxton) y con pianistas (Cecil Taylor y Abdullah Ibrahim), todos ellos m\u00e1s que recomendables.<\/p>\n<p>El d\u00fao con Ibrahim destaca por una sorprendente comprensi\u00f3n mutua entre ambos, muy diferente del \u201cenfrentamiento\u201d musical al que se sometieron Taylor y Roach. Sorprendente, porque al parecer Roach e Ibrahim se conocieron en el estudio el mismo d\u00eda de la grabaci\u00f3n de este disco. Se trata de un di\u00e1logo entre caballeros que descubren poco a poco sus respectivos or\u00edgenes \u2013uno surafricano, otro estadounidense-, los elementos comunes y la m\u00fasica que los ha alimentado. Ibrahim propone melod\u00edas africanas, pinceladas de g\u00f3spel y algunos toques percusivos, para volver siempre a la melod\u00eda. Roach, por su parte, despliega toda la maestr\u00eda del que ha sido uno de los mejores bater\u00edas del jazz, siempre abierto a nuevos horizontes.<\/p>\n<p>Max Roach y Abdullah Ibrahim, <em>Streams of Consciousness<\/em>, grabado en 1977 y reeditado en 2003 por Piadrum (Piadrum-0301).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A finales de los ochenta, Max Roach public\u00f3 varios discos a d\u00fao con sopladores (Shepp y Braxton) y con pianistas (Cecil Taylor y Abdullah Ibrahim), todos ellos m\u00e1s que recomendables. El d\u00fao con Ibrahim destaca por una sorprendente comprensi\u00f3n mutua entre ambos, muy diferente del \u201cenfrentamiento\u201d musical al que se<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-streams-of-consciousness-max-roach-y-abdullah-ibrahim\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17860,1278,1273],"tags":[1338,1837,2098,2140,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1997","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-tomajazz-recomienda","tag-1338","tag-ibrahim-abdullah","tag-piadrum","tag-roach-max","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1997"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1997\/revisions"}],"predecessor-version":[{"id":3782,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1997\/revisions\/3782"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}