{"id":1999,"date":"2011-06-10T00:00:59","date_gmt":"2011-06-09T22:00:59","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1418"},"modified":"2016-11-13T20:10:59","modified_gmt":"2016-11-13T19:10:59","slug":"tomajazz-recomienda-un-tema-he-loved-him-madly-miles-davis-1974","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-he-loved-him-madly-miles-davis-1974\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cHe Loved Him Madly\u201d (Miles Davis, 1974)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-12480\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/miles-davis-Get-up-with-it-200x200.jpg\" alt=\"miles davis Get up with it\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/miles-davis-Get-up-with-it-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/miles-davis-Get-up-with-it-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/miles-davis-Get-up-with-it-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/miles-davis-Get-up-with-it.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Este es el homenaje, \u00edntimo, sentido y muy personal de Miles Davis a Duke Ellington, poco despu\u00e9s del fallecimiento de este \u00faltimo.<\/p>\n<p style=\"text-align: justify;\">Son 32 minutos de una m\u00fasica et\u00e9rea y hechizante, un largo crescendo en el que el protagonismo lo tienen el \u00f3rgano, la guitarra el\u00e9ctrica y la flauta de Dave Liebman.<\/p>\n<p style=\"text-align: justify;\">El recuerdo de un maestro a otro maestro.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n<p style=\"text-align: justify;\">En el doble CD Miles Davis: <em>Get Up With It<\/em> (Columbia Legacy 63970, 1970-74).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Este es el homenaje, \u00edntimo, sentido y muy personal de Miles Davis a Duke Ellington, poco despu\u00e9s del fallecimiento de este \u00faltimo. Son 32 minutos de una m\u00fasica et\u00e9rea y hechizante, un largo crescendo en el que el protagonismo lo tienen el \u00f3rgano, la guitarra el\u00e9ctrica y la flauta de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-he-loved-him-madly-miles-davis-1974\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":12480,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[1335,5366,1587,1627,6637,1936,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1999","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1335","tag-adolphus-van-tenzing","tag-columbia","tag-davis-miles","tag-duke-ellington","tag-liebman-dave","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/miles-davis-Get-up-with-it.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13535,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-soul-junction-the-red-garland-quintet-1957\/","url_meta":{"origin":1999,"position":0},"title":"Tomajazz recomienda\u2026 un CD: Soul Junction (The Red Garland Quintet, 1957)","author":"Adolphus van Tenzing","date":"29 septiembre, 2014","format":false,"excerpt":"Red Garland, el pianista boxeador, fue miembro destacado (qui\u00e9n no lo fue) del primer gran quinteto de Miles Davis. En este Soul Junction organiza una especie de spin-off del grupo del trompetista, del que conserva al contrabajista Paul Chambers y a un John Coltrane en plena ebullici\u00f3n, exactamente dos meses\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"soul_junction","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/soul_junction.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7428,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-programa-jazz-entre-amigos-1984-1991\/","url_meta":{"origin":1999,"position":1},"title":"Tomajazz recomienda\u2026 un programa: Jazz entre amigos (1984 &#8211; 1991)","author":"Tomajazz","date":"29 julio, 2013","format":false,"excerpt":"M\u00edtico programa de Televisi\u00f3n Espa\u00f1ola, presentado por Juan Claudio Cifuentes \"Cifu\" entre 1984 y 1991, llev\u00f3 el jazz semanalmente a la televisi\u00f3n cuando en Espa\u00f1a \u00fanicamente se dispon\u00edan de dos canales a nivel nacional. En ellos se programaron conciertos, documentales y entrevistas tanto con m\u00fasicos espa\u00f1oles como extranjeros. Lamentablemente la\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"jazz entre amigos","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/jazz-entre-amigos-300x240.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1914,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-reedicion-bitches-brew-legacy-edition-miles-davis-1970-reed-2010\/","url_meta":{"origin":1999,"position":2},"title":"Tomajazz recomienda\u2026 una reedici\u00f3n: Bitches Brew. Legacy Edition (Miles Davis, 1970. Reed. 2010)","author":"Adolphus van Tenzing","date":"25 octubre, 2010","format":false,"excerpt":"Las grandes discogr\u00e1ficas dan una vuelta de tuerca m\u00e1s al tema de las reediciones. En el a\u00f1o 1998 Sony public\u00f3 The Complete Bitches Brew. Una caja de cuatro CD en la que se supon\u00eda reedici\u00f3n definitiva de la m\u00edtica obra de Miles Davis.","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Miles Davis Bitches Brew Legacy Edition","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/10\/Miles-Davis-Bitches-Brew-Legacy-Edition-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":191,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-dos-temas-tunin-in-por-woody-herman-y-two-bass-hit-por-miles-davis\/","url_meta":{"origin":1999,"position":3},"title":"Tomajazz recomienda&#8230; dos temas: \u00abTunin&#8217; In\u00bb por Woody Herman y \u00abTwo Bass Hit\u00bb por Miles Davis","author":"Adolphus van Tenzing","date":"28 septiembre, 2009","format":false,"excerpt":"Adolphus van Tenzing recomienda los temas \"Two Bass HIt\" y \"Tunin' In\", que eran elementos imprescindibles del imprescindible (y a\u00f1orado) programa de televisi\u00f3n \"Jazz Entre Amigos\" que presentaba el a\u00f1orad\u00edsimo Cifu.","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/09\/Logotipo-Jazz-entre-amigos.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":13557,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-the-roy-haynes-trio-featuring-danilo-perez-john-patitucci-2000\/","url_meta":{"origin":1999,"position":4},"title":"Tomajazz recomienda\u2026 un CD: The Roy Haynes Trio featuring Danilo Perez &amp; John Patitucci (2000)","author":"Adolphus van Tenzing","date":"15 septiembre, 2014","format":false,"excerpt":"Pocos m\u00fasicos han surcado tantas y tan altas olas de la historia jazz\u00edstica como Roy Haynes. All\u00e1 por el cambio de siglo el veterano bater\u00eda decidi\u00f3 homenajear a algunos de los gigantes con los que comparti\u00f3 experiencias. Para ello organiz\u00f3 uno de los tr\u00edos m\u00e1s frescos que se han escuchado\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"roy_haynes","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/roy_haynes.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2049,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-nefertiti-miles-davis-1967\/","url_meta":{"origin":1999,"position":5},"title":"Tomajazz recomienda&#8230; un CD: Nefertiti (Miles Davis, 1967)","author":"Adolphus van Tenzing","date":"5 marzo, 2012","format":false,"excerpt":"El segundo gran quinteto de Miles Davis, el de los a\u00f1os sesenta, marc\u00f3 un punto de inflexi\u00f3n crucial en la m\u00fasica del trompetista y en la historia del jazz: los enfoques basados en el swing, be-bop, hard-bop y jazz modal dieron paso al crossover el\u00e9ctrico de In A Silent Way\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Miles_Davis_-_Nefertiti.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1999"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1999\/revisions"}],"predecessor-version":[{"id":12482,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1999\/revisions\/12482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/12480"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}