{"id":2002,"date":"2011-06-06T00:00:25","date_gmt":"2011-06-05T22:00:25","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1436"},"modified":"2016-11-13T20:11:00","modified_gmt":"2016-11-13T19:11:00","slug":"tomajazz-recomienda-un-tema-cherokee-por-joe-wilder","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-cherokee-por-joe-wilder\/","title":{"rendered":"Tomajazz recomienda… un tema: \u00abCherokee\u00bb (Joe Wilder, 1956)"},"content":{"rendered":"

\"JoeDesde que Charlie Parker lo reconvirtiera en \u00abKoko\u00bb, el \u00abCherokee\u00bb de Ray Noble se convirti\u00f3 en caballo de batalla del jazz de los a\u00f1os cuarenta y cincuenta, el tema que hab\u00eda que tocar a toda potencia y velocidad, sus y a ellos, y tonto el \u00faltimo.<\/p>\n

El recurso m\u00e1s evidente para devolver frescura al material m\u00e1s manido es llevar la contraria al planteamiento mayoritario. Eso es lo que hizo en su d\u00eda Joe Wilder en su sesi\u00f3n de enero de 1956 para Savoy, acompa\u00f1ado por la r\u00edtmica \u00abde la casa\u00bb, Hank Jones al piano, Wendell Marshall al contrabajo y Kenny Clarke a la bater\u00eda. En vez de empotrar el pie en el acelerador, el cuarteto logr\u00f3 un jovial tempo medio y Wilder, renunciando al estr\u00e9pito al que es tan dado su instrumento, bord\u00f3 un solo que ha pasado a los anales de la trompeta jazz\u00edstica.<\/p>\n

Para quienes no le conozcan, Wilder es un veterano de multitud de orquestas, Jimmie Lunceford, Dizzy Gillespie y Basie, entre ellas, un gran t\u00e9cnico de la trompeta y pionero entre los m\u00fasicos de sesi\u00f3n afroamericanos, que a sus 89 a\u00f1os sigue en activo.<\/p>\n

\u00a9 Adolphus van Tenzing<\/p>\n

\u00abCherokee\u00bb est\u00e1 disponible en el CD Wilder ‘N’ Wilder<\/em> (Savoy\/Denon SV-0131).<\/p>\n","protected":false},"excerpt":{"rendered":"

Desde que Charlie Parker lo reconvirtiera en \u00abKoko\u00bb, el \u00abCherokee\u00bb de Ray Noble se convirti\u00f3 en caballo de batalla del jazz de los a\u00f1os cuarenta y cincuenta, el tema que hab\u00eda que tocar a toda potencia y velocidad, sus y a ellos, y tonto el \u00faltimo. El recurso m\u00e1s evidenteContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":12409,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[1320,5366,7079,1560,1573,8142,8532,1879,8234,1973,2185,16099,77,16100,8236,2353],"class_list":["entry","author-adolphus-van-tenzing","post-2002","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1320","tag-adolphus-van-tenzing","tag-charlie-parker","tag-cherokee","tag-clarke-kenny","tag-hank-jones","tag-joe-wilder","tag-jones-hank","tag-kenny-clarke","tag-marshall-wendell","tag-savoy-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-wendell-marshall","tag-wilder-joe"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/Joe-Wilder-Cherokee.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28441,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-april-in-paris-1932-6\/","url_meta":{"origin":2002,"position":0},"title":"365 razones para amar el jazz: un tema. \u00abApril in Paris\u00bb (1932) [6]","author":"Tomajazz","date":"6 enero, 2017","format":false,"excerpt":"Un tema. \"April in Paris\" (1932) \u00a0M\u00fasica: Vernon Duke. Letra: E.Y. Harburg Seleccionado por Luis Escalante Ozalla Count Basie Orchestra. April in Paris (1956) Count Basie, Reunald Jones, Thad Jones, Joe Newman, Wendell Culley, Benny Powell, Henry Coker, Matthew Gee, Marshal Royal, Bill Graham, Frank Wess, Frank Foster, Charlie Fowlkes,\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1933,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-pretty-wild-and-with-strings-attached-wild-bill-davison-1956-y-1957\/","url_meta":{"origin":2002,"position":1},"title":"Tomajazz recomienda\u2026 un disco: \u00abPretty Wild\u00bb and \u00abWith Strings Attached\u00bb (Wild Bill Davison, 1956 y 1957)","author":"Adolphus van Tenzing","date":"24 diciembre, 2010","format":false,"excerpt":"Por Adolphus van Tenzing. 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Nacida en 1932, tras grabar algunos temas para Atlantic, en 1955 publicaba su primer disco (Ethel Ennis Sings Lullaby For Losers) acompa\u00f1ada por el pianista\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/ETHEL-ENNIS-The-Complete-1955-1958.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/ETHEL-ENNIS-The-Complete-1955-1958.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/ETHEL-ENNIS-The-Complete-1955-1958.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/ETHEL-ENNIS-The-Complete-1955-1958.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2057,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-2-3-4-shelly-manne-1994\/","url_meta":{"origin":2002,"position":4},"title":"Tomajazz recomienda… un CD: 2-3-4 (Shelly Manne, 1994)","author":"Adolphus van Tenzing","date":"7 mayo, 2012","format":false,"excerpt":"Casi 20 a\u00f1os despu\u00e9s de haber grabado un legendario \"The Man I Love\" (1943), Shelly Manne se re\u00fane con Coleman Hawkins de nuevo en formato de cuarteto. Hank Jones y George Duvivier completan un grupo que tuvo una noche m\u00e1gica delante de los micr\u00f3fonos. Todos est\u00e1n sobresalientes, y los momentos\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Shelly Manne 2-3-4","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/Shelly-Manne-2-3-4.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13549,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-someone-to-watch-over-me-donald-byrd-1955\/","url_meta":{"origin":2002,"position":5},"title":"Tomajazz recomienda\u2026 un tema: \u00abSomeone to Watch Over Me\u00bb (Donald Byrd, 1955)","author":"Adolphus van Tenzing","date":"22 diciembre, 2014","format":false,"excerpt":"Es dif\u00edcil interpretar un standard de George Gershwin sin que suene a gloria, m\u00e1xime si se trata de una balada tan intensa y emocionante como \"Someone to Watch Over Me\". 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