{"id":2003,"date":"2011-07-11T00:00:21","date_gmt":"2011-07-10T22:00:21","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1442"},"modified":"2016-11-13T20:10:54","modified_gmt":"2016-11-13T19:10:54","slug":"tomajazz-recomienda-un-tema-a-time-for-love-por-red-rodney","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-a-time-for-love-por-red-rodney\/","title":{"rendered":"Tomajazz recomienda… un tema: \u00abA Time for Love\u00bb por Red Rodney"},"content":{"rendered":"
\"\"
Red Rodney - Live at the Village Vanguard<\/figcaption><\/figure>\n

El trompetista Red Rodney fue uno de esos afortunados supervivientes de los primeros a\u00f1os del bebop y, despu\u00e9s de una azarosa vida atado a sus adicciones con alg\u00fan episodio espectacular de estafa, resurgi\u00f3 en los a\u00f1os ochenta en mejor forma que nunca.<\/p>\n

Al principio de ese decenio grab\u00f3 un disco en directo en la catedral que es el Village Vanguard acompa\u00f1ado por su quinteto habitual, con el tan prodigioso como desconocido Ira Sullivan. Con Sullivan al fiscorno y Rodney con sordina Harmon, el grupo nos ofrece una versi\u00f3n del standard de Johnny Mandel sencilla, sin pretensiones y tremendamente conmovedora.<\/p>\n

Originalmente grabado para el sello Muse, \u00abA Time for Love\u00bb est\u00e1 disponible en el ced\u00e9 Live at the Village Vanguard<\/em> (32Jazz 32167), y como descarga en mp3 (Savoy Jazz).<\/p>\n

Escucha \u00abA Time for Love\u00bb en Spotify<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

El trompetista Red Rodney fue uno de esos afortunados supervivientes de los primeros a\u00f1os del bebop y, despu\u00e9s de una azarosa vida atado a sus adicciones con alg\u00fan episodio espectacular de estafa, resurgi\u00f3 en los a\u00f1os ochenta en mejor forma que nunca. Al principio de ese decenio grab\u00f3 un discoContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1369,2153,2185,2252,16099,77,16100,2319],"class_list":["entry","author-adolphus-van-tenzing","post-2003","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-32jazz","tag-rodney-red","tag-savoy-jazz","tag-sullivan-ira","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-village-vanguard"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":60176,"url":"https:\/\/tomajazz.com\/web\/jazzx5393-rodney-jordan-christian-fabian-my-one-and-only-love-conversations-spice-rack-records-2022-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2003,"position":0},"title":"JazzX5#393. Rodney Jordan – Christian Fabian: \u201cMy One and Only Love\u201d [Conversations (Spice Rack Records, 2022)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"13 enero, 2022","format":false,"excerpt":"En JazzX5 suena la versi\u00f3n que Rodney Jordan - Christian Fabian realizan \u201cMy One and Only Love\u201d en Conversations (Spice Rack Records, 2022)] JazzX5 es un Minipodcast de jazz de Pachi Tapiz","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#393. 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Rodney Whitaker: When We Find Ourselves Alone [54]","author":"Tomajazz","date":"23 febrero, 2017","format":false,"excerpt":"Un disco. Rodney Whitaker: WhenWe Find Ourselves Alone (Mack Avenue, 2014) Seleccionado por\u00a0Juanma Castro Medina. Con Rockelle Fortin, Antonio Hart, Bruce Barth, Rodney Whitaker, Greg Hutchinson.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Rodney-Whitaker_When-We-Find-Ourselves-Alone_Mack-Avenue_2014.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2285,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-butterfly-mcqueen-rodney-king-song-for-lenny-bruce-the-boo-radleys-1993-0126-09072012\/","url_meta":{"origin":2003,"position":2},"title":"Who the Fuck?: \u201cButterfly McQueen \/ Rodney King (Song for Lenny Bruce)\u201d (The Boo Radleys, 1993) [0126, 09\/07\/2012]","author":"Tomajazz","date":"8 julio, 2012","format":false,"excerpt":"\u201cButterfly McQueen \/ Rodney King (Song for Lenny Bruce)\u201d The Boo RadleysGiant StepsCreation (1993)","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-eLp3a_x8eWs\/T-6-eq8oGOI\/AAAAAAAAE8Y\/Xill93FaqP0\/s200\/220px-Giant_Steps_boo_radleys.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8356,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-blues-honky-tonk-mack-avenue-superband-2013\/","url_meta":{"origin":2003,"position":3},"title":"Tomajazz recomienda… un blues: \u00abHonky Tonk\u00bb (Mack Avenue Superband, 2013)","author":"Tomajazz","date":"7 octubre, 2013","format":false,"excerpt":"La versi\u00f3n de \"Honky Tonk\" de Wild Bill Doggett, interpretada por la Mack Avenue Superband, es el excelente colof\u00f3n al CD Live At The Detroit Jazz Festival 2012. Esto no quiere decir que el resto del CD resulte carente de inter\u00e9s. En absoluto. Hasta llegar a este punto se pasa\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Mack-Avenue-SuperBand-Live-From-The-Detroit-Jazz-Festival-2012.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32327,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-village-vanguard-264\/","url_meta":{"origin":2003,"position":4},"title":"365 razones para amar el jazz: un club de jazz. Village Vanguard [264]","author":"Tomajazz","date":"21 septiembre, 2017","format":false,"excerpt":"Un club de jazz.\u00a0 Village Vanguard. Greenwich Village. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda del blog\u00a0https:\/\/jazzyoutoo.wordpress.com de Jos\u00e9 Melo","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":35660,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-charlie-haden-quartet-west-398\/","url_meta":{"origin":2003,"position":5},"title":"Razones para el jazz: Charlie Haden Quartet West [398]","author":"Tomajazz","date":"17 marzo, 2018","format":false,"excerpt":"Un grupo: Charlie Haden Quartet West Un cuarteto creado en el 1977 por el contrabajista Charlie Haden que cont\u00f3 desde sus inicios con el saxofonista Ernie Watts y el pianista Alan Broadbent. A lo largo de su dilatada trayectoria en la\u00a0 bater\u00eda estuvieron Billy Higins, Larance Marable y Rodney Green.\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Joan-Cortes_17_Chrl-Hdn-Qrtt-Wst-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Joan-Cortes_17_Chrl-Hdn-Qrtt-Wst-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Joan-Cortes_17_Chrl-Hdn-Qrtt-Wst-.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2003"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2003\/revisions"}],"predecessor-version":[{"id":3766,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2003\/revisions\/3766"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}