{"id":20094,"date":"2015-10-09T10:45:15","date_gmt":"2015-10-09T08:45:15","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=20094"},"modified":"2016-11-13T16:30:12","modified_gmt":"2016-11-13T15:30:12","slug":"22eme-jazz-a-junas-ii-julio-de-2015-arles-junas-francia","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/22eme-jazz-a-junas-ii-julio-de-2015-arles-junas-francia\/","title":{"rendered":"22\u00e8me Jazz \u00c0 Junas (II) (Julio de 2015. Arles, Junas, Francia)"},"content":{"rendered":"<ul>\n<li><strong>Fecha:<\/strong> 22 y 23 de julio de 2015<\/li>\n<li><strong>Grupos:\u00a0<\/strong>\n<ul>\n<li><strong>Donkey Monkey<\/strong><br \/>\nFecha: Mi\u00e9rcoles, 22 de julio de 2015<br \/>\nLugar: Temple<br \/>\nComponentes:<br \/>\nEve Risser, piano, percusi\u00f3n y voz<br \/>\nYuho Oshima, bater\u00eda y voz<\/li>\n<li><strong>Pansasanel Big Cities<\/strong><br \/>\nFecha: Mi\u00e9rcoles, 22 de julio de 2015<br \/>\nLugar: Carri\u00e8res<br \/>\nComponentes:<br \/>\nG\u00e9rard Pansanel, guitarras<br \/>\nR\u00e9mi Ploton, teclados<br \/>\nPatrice H\u00e9ral, bater\u00eda y electr\u00f3nica<\/li>\n<li><strong>Sly &amp; Robbie Meet Nils Petter Molvaer<br \/>\n<\/strong>Fecha: Mi\u00e9rcoles, 22 de julio de 2015<br \/>\nLugar: Carri\u00e8res<br \/>\nComponentes:<br \/>\nSly Dunbar, bater\u00eda<br \/>\nRobbie Shakespeare, bajo y voz<br \/>\nNils Petter Molvaer, trompeta y electr\u00f3nica<br \/>\nEivind Aarset, guitarra y electr\u00f3nica<br \/>\nVladislav Delay, teclados y samplers.<\/li>\n<li><strong>Palomar Trio<\/strong><br \/>\nFecha: Jueves, 23 de julio de 2015<br \/>\nLugar: Temple<br \/>\nComponentes:<br \/>\nDaniel Malavergne, tuba<br \/>\nPatrick Vaillant, mandolina<br \/>\nFr\u00e9d\u00e9rick Cavallin, bater\u00eda<\/li>\n<li><strong>Tingvall Trio<\/strong><br \/>\nFecha: Jueves, 23 de julio de 2015<br \/>\nLugar: Carri\u00e8res<br \/>\nComponentes:<br \/>\nMartin Tingvall, piano<br \/>\nOmar Rodr\u00edguez Calvo, contrabajo<br \/>\nJ\u00fcrgen Spiegel, bater\u00eda<\/li>\n<li><strong>Laars Danielsson Group Invite Mathias Eick<\/strong><br \/>\nFecha: Jueves, 23 de julio de 2015<br \/>\nLugar: Carri\u00e8res<br \/>\nComponentes:<br \/>\nLaars Danielsson, contrabajo y violonchelo<br \/>\nMathias Eick, trompeta<br \/>\nJonas \u00d6sthlom, piano<br \/>\nJohn Parricelli, guitarra<br \/>\nMagnus Ostr\u00f6hm, bater\u00eda<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Comentario:<\/p>\n<p style=\"text-align: justify;\">Para esta nueva edici\u00f3n, la vig\u00e9simo segunda, Junas se herman\u00f3 con la poblaci\u00f3n de Vauvert, de la que est\u00e1 separada unos veinte kil\u00f3metros por la transitada A9. Como resultado ampli\u00f3 el n\u00famero de d\u00edas, con el consiguiente incremento de conciertos. Del 17 al 18 de julio en Vauvert y del 22 al 25 en Junas. En la jornada de clausura el director del festival anunci\u00f3 que para el pr\u00f3ximo a\u00f1o piensan mantener la propuesta.<\/p>\n<p style=\"text-align: justify;\">El mi\u00e9rcoles 22 de julio se inici\u00f3 nuestro particular encuentro con el festival, en el Temple, a las 18:00, con una temperatura m\u00e1s digna del horno de una panader\u00eda a pleno rendimiento que de una sala de conciertos.<\/p>\n<p style=\"text-align: justify;\">La joven Eve Risser tuvo unas palabras de recuerdo para el reci\u00e9n fallecido John Taylor. Taylor hab\u00eda actuado en el mismo espacio hac\u00eda justo dos a\u00f1os. Un momento de aquella actuaci\u00f3n, a d\u00fao con St\u00e9phane Kerecki, quedaba reflejada en una de las fotograf\u00edas de gran formato de la exposici\u00f3n dispuesta en el Temple.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20095\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/01_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-600x399.jpg\" alt=\"01_Dnky Mnky (\u00a9Joan Cort\u00e8s)_22jul15_Tmpl_22JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/01_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/01_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/01_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/01_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/01_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/01_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">La actuaci\u00f3n Taylor-Kerecki, por nuestra parte, la pudimos disfrutar en Avignon al d\u00eda siguiente de haber actuado en Junas. Poco antes, el ocho de junio de 2013, Taylor hab\u00eda ofrecido un exquisito concierto en Granollers, muy posiblemente uno de sus \u00faltimos conciertos, por no decir el \u00faltimo, realizados en el estado espa\u00f1ol.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20096\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/02_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-600x399.jpg\" alt=\"02_Dnky Mnky (\u00a9Joan Cort\u00e8s)_22jul15_Tmpl_22JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/02_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/02_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/02_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/02_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/02_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/02_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Donkey Monkey nos ofreci\u00f3 un itinerario ecl\u00e9ctico, entre composiciones e improvisaciones. Temas propios como \u201cHanakana\u201d (que da nombre al trabajo discogr\u00e1fico del 2011), \u201cNejire\u201d o \u201cBlues Nippon\u201d, se entrelazaron con \u201cCan\u00b4t get my motor to start\u201d de Carla Bley o un peque\u00f1o tributo a Gy\u00f6rgi Ligeti.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20097\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/03_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-600x399.jpg\" alt=\"03_Dnky Mnky (\u00a9Joan Cort\u00e8s)_22jul15_Tmpl_22JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/03_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/03_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/03_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/03_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/03_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/03_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Result\u00f3 un concierto desigual, con un trabajo percusivo demasiado similar a lo largo de toda la actuaci\u00f3n y con una Risser, con cara de ni\u00f1a traviesa, que se encontraba igual de c\u00f3moda en la interpretaci\u00f3n de un blues, que discurriendo por Ligeti, como por los senderos m\u00e1s <em>free<\/em>, todo interpretado con elegancia y gusto, alternando las t\u00e9cnicas cl\u00e1sicas con las extendidas.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20098\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/04_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-600x399.jpg\" alt=\"04_Dnky Mnky (\u00a9Joan Cort\u00e8s)_22jul15_Tmpl_22JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/04_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/04_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/04_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/04_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/04_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/04_Dnky-Mnky-\u00a9Joan-Cort\u00e8s_22jul15_Tmpl_22JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">No pudieron disponer de los componentes electr\u00f3nicos que normalmente utilizan en sus actuaciones. Remarcar que la temperatura reinante no facilit\u00f3, m\u00e1s bien todo lo contrario, ni el adecuado desarrollo por parte de las dos int\u00e9rpretes, ni la recepci\u00f3n m\u00e1s aconsejable por parte del p\u00fablico.<\/p>\n<p style=\"text-align: justify;\">Posteriormente nos desplazamos hasta el singular y remarcable espacio de las \u201cCarri\u00e8res\u201d \u2013antiguas canteras-, un espacio irregular, de paredes laminadas y suelo ligeramente desnivelado, con un peque\u00f1o escenario plenamente integrado.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20099\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/05_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-399x600.jpg\" alt=\"05_Grrd Pnsnl Bg Cts (\u00a9Joan Cort\u00e8s)_22jul15_Crrrs_22JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/05_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/05_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/05_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/05_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">A las 21:00, se present\u00f3 la propuesta \u201cBig cities\u201d del tr\u00edo del guitarrista G\u00e9rard Pansanel, un viaje personal por distintas metr\u00f3polis a lo largo de las tres \u00faltimas d\u00e9cadas, \u201cHelsinki\u201d, \u201cBarcelona\u201d, \u201cLos \u00c1ngeles\u201d, \u201cDakar\u201d, \u2026<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20100\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/06_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-399x600.jpg\" alt=\"06_Grrd Pnsnl Bg Cts (\u00a9Joan Cort\u00e8s)_22jul15_Crrrs_22JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/06_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/06_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/06_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/06_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Devino un trabajo con din\u00e1micas desiguales, especialmente por el frenes\u00ed hiperactivo del baterista percusionista, con interesantes aportaciones del pianista as\u00ed como del l\u00edder de la formaci\u00f3n.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20101\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/07_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-399x600.jpg\" alt=\"07_Grrd Pnsnl Bg Cts (\u00a9Joan Cort\u00e8s)_22jul15_Crrrs_22JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/07_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/07_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/07_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/07_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Justo hab\u00eda transcurrido media hora cuando empez\u00f3 a descargar una t\u00edpica lluvia veraniega, por suerte, mucho menos activa que las dos de la edici\u00f3n anterior, pero que oblig\u00f3 a suspender, moment\u00e1neamente, la actuaci\u00f3n y cubrir con gran rapidez todo el material del escenario, mientras rest\u00e1bamos pendientes de los deseables cambios atmosf\u00e9ricos que evitaran la posible suspensi\u00f3n de la velada.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20102\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/08_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-399x600.jpg\" alt=\"08_Grrd Pnsnl Bg Cts (\u00a9Joan Cort\u00e8s)_22jul15_Crrrs_22JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/08_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/08_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/08_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/08_Grrd-Pnsnl-Bg-Cts-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_22JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Unos tres cuartos de hora despu\u00e9s, con el agua literalmente evaporada del escenario, se reanud\u00f3 el concierto, pero desgraciadamente para los m\u00fasicos se hab\u00eda roto el hilo conductor.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20103\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/09_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-399x600.jpg\" alt=\"09_Sl &amp; Rbb mt Nls Ptr Mlvr (\u00a9Joan Cort\u00e8s)_22jul15_Crrrs_JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/09_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/09_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/09_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/09_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">La segunda parte, una vez superados los pormenores t\u00e9cnicos, qued\u00e1ndonos con un escenario de dise\u00f1o casi playero, con tres carpas cubriendo la mayor parte del escenario, se present\u00f3 un trabajo h\u00edbrido, con algunos resultados excelentes.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20104\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/10_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-399x600.jpg\" alt=\"10_Sl &amp; Rbb mt Nls Ptr Mlvr (\u00a9Joan Cort\u00e8s)_22jul15_Crrrs_JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/10_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/10_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/10_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/10_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Por un lado la secci\u00f3n r\u00edtmica de Bob Marley, Sly &amp; Robbie, machacona, repetitiva, aunque contundente, y por el otro lado, el tr\u00edo n\u00f3rdico formado por Vladislav Delay, electr\u00f3nica variada, el trompetista Nils Petter Molvaer y el imperturbable Eivind Aarset a la guitarra, pedales y botones.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20105\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/11_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-399x600.jpg\" alt=\"11_Sl &amp; Rbb mt Nls Ptr Mlvr (\u00a9Joan Cort\u00e8s)_22jul15_Crrrs_JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/11_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/11_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/11_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/11_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Atm\u00f3sferas psicod\u00e9licas, ambientes nebulosos, sonoridades envolventes de gran calado, con un Molvaer remarcable y un Aarset, a gusto de uno, un poco comedido (en la memoria, dando vueltas, el recuerdo del excelente concierto de estos dos \u00faltimos con la percusionista Marilyn Mazur en Girona en 2011).<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20106\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/12_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-399x600.jpg\" alt=\"12_Sl &amp; Rbb mt Nls Ptr Mlvr (\u00a9Joan Cort\u00e8s)_22jul15_Crrrs_JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/12_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/12_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/12_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/12_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Nos sobraron, especialmente, los numeritos finales del contrabajista que rompi\u00f3 la interesante propuesta ofrecida hasta el momento. Fueron de agradecer los ritmos org\u00e1nicos, preferibles a los pregrabados, aunque una mayor variaci\u00f3n hubiera sido mucho m\u00e1s estimulante y a su vez hubiesen mejorado la propuesta, sin dejar de preguntarnos qu\u00e9 nos podr\u00eda haber deparado una actuaci\u00f3n \u00fanicamente con los tres n\u00f3rdicos.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20107\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/13_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-399x600.jpg\" alt=\"13_Sl &amp; Rbb mt Nls Ptr Mlvr (\u00a9Joan Cort\u00e8s)_22jul15_Crrrs_JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/13_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/13_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/13_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/13_Sl-Rbb-mt-Nls-Ptr-Mlvr-\u00a9Joan-Cort\u00e8s_22jul15_Crrrs_JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">A las 18:00 del d\u00eda siguiente, el jueves 23, en el Temple (recinto que acoge los conciertos gratuitos), estaba anunciado la actuaci\u00f3n de un \u201cpower tr\u00edo de serie B\u201d, y a tenor de los resultados se podr\u00eda formular un viva para dicha serie.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20108\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/14_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-600x399.jpg\" alt=\"14_Plmr Tr (\u00a9Joan Cort\u00e8s)_23jul15_Tmpl_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/14_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/14_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/14_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/14_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/14_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/14_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Palomar Trio se convirti\u00f3 en una de las peque\u00f1as joyas del festival, con su propuesta sin \u00ednfulas, coherente y honesta, con sus dosis de iron\u00eda. El nombre del grupo proviene del libro hom\u00f3nimo de Italo Calvino, que a su vez lo tom\u00f3 del observatorio astron\u00f3mico californiano, Mount Palomar.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20125\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/15_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-600x399.jpg\" alt=\"15_Plmr Tr  (\u00a9Joan Cort\u00e8s)_23jul15_Tmpl_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/15_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/15_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/15_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/15_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/15_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/15_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Un tejido jazz\u00edstico con m\u00fasicas populares y sus correspondientes improvisaciones. Tres gatos maduros que conocen bien sus herramientas \u2013mandolina, tuba y bater\u00eda- y a su vez desarrollan interesantes y sugerentes relatos. Una formaci\u00f3n at\u00edpica de resultado compacto.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20109\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/16_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-600x399.jpg\" alt=\"16_Plmr Tr (\u00a9Joan Cort\u00e8s)_23jul15_Tmpl_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/16_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/16_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/16_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/16_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/16_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/16_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">En Junas ofrecieron uno de sus primeros conciertos, si no el primero, de su andadura. Un trabajo para disfrutar especialmente en espacios reducidos \u2013cavas de jazz, teatros de peque\u00f1o aforo- y pr\u00f3ximos.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20110\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/17_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-600x399.jpg\" alt=\"17_Plmr Tr (\u00a9Joan Cort\u00e8s)_23jul15_Tmpl_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/17_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/17_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/17_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/17_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/17_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/17_Plmr-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Tmpl_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p>A las 21:00, en las Carri\u00e8res (espacio que alberga los conciertos de pago), fue el turno de Tingvall trio, formaci\u00f3n que cuenta con seis trabajos discogr\u00e1ficos, el primero <em>Skagerrak<\/em> de 2006 y el \u00faltimo <em>Beat<\/em> de 2014, todos publicados por Skip Records. Una formaci\u00f3n con m\u00e1s de nueve a\u00f1os de andadura.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20111\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/18_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-600x399.jpg\" alt=\"18_Tngvll Tr (\u00a9Joan Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/18_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/18_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/18_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/18_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/18_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/18_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Un tr\u00edo perfectamente conjuntado, que funciona como un todo org\u00e1nico. Con un jazz mel\u00f3dico, de querencia escandinava, conjugado con trazas r\u00edtmicas bien musculadas, algunas de ellas con claras evidencias caribe\u00f1as.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20112\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/19_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-399x600.jpg\" alt=\"19_Tngvll Tr (\u00a9Joan Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/19_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/19_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/19_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/19_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Tambi\u00e9n deambularon por nebulosas cercanas a EST \u2013en su versi\u00f3n m\u00e1s ac\u00fastica-.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20113\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/20_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-600x399.jpg\" alt=\"20_Tngvll Tr (\u00a9Joan Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/20_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/20_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/20_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/20_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/20_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/20_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Un tr\u00edo formado por un pianista sueco, un bater\u00eda alem\u00e1n y un contrabajista cubano. Este \u00faltimo, Omar Rodr\u00edguez, nos sorprendi\u00f3 especialmente, por su sonido amplio y limpio, as\u00ed como por su destacado fraseo.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20114\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-600x399.jpg\" alt=\"21_Tngvll Tr (\u00a9Joan Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Cerr\u00f3 la jornada el contrabajista, violoncelista y compositor Lars Danielsson, que present\u00f3 su \u00faltimo proyecto, <em>Liberetto II<\/em> (Act\/2014), con pr\u00e1cticamente la misma formaci\u00f3n con la que materializ\u00f3 el disco, con el \u00fanico cambio del pianista.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20115\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/22_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-399x600.jpg\" alt=\"22_Lrs Dnlssn Grp (\u00a9Joan Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/22_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/22_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/22_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/22_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">El lugar de Tigran Hamasyan lo ocup\u00f3 el pianista Jonas \u00d6stholm, el cual nos llam\u00f3 especialmente la atenci\u00f3n por su concepci\u00f3n a\u00e9rea y su juego con los silencios.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20116\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/23_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-600x399.jpg\" alt=\"23_Lrs Dnlssn Grp (\u00a9Joan Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/23_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/23_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/23_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/23_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/23_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/23_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Danielsson cont\u00f3 con uno de los invitados de la grabaci\u00f3n, el trompetista noruego, Mathias Eick, que a lo largo del festival lo escuchar\u00edamos en otros tres proyectos.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20126\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/24_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-399x600.jpg\" alt=\"24_Lrs Dnlssn Grp (\u00a9Joan  Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/24_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/24_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/24_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/24_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Un grupo de ejecuci\u00f3n impecable, con una calidad manifiesta en el dominio instrumental. A la guitarra John Parricelli y Magnus \u00d6str\u00f6m a la bater\u00eda. Un trabajo pulcro y mesurado, con unas composiciones mel\u00f3dicas cant\u00e1biles, entre la m\u00fasica popular, la banda sonora y pasajes pr\u00f3ximos a lo que se denomin\u00f3 \u201cnew age\u201d, algunos de ellos de resultado demasiado meloso.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20117\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/25_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-600x399.jpg\" alt=\"25_Lrs Dnlssn Grp (\u00a9Joan Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/25_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/25_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/25_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/25_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/25_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/25_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Estuvieron, a gusto de uno, demasiado pendientes de las partituras originales, movi\u00e9ndose por algunas coordenadas demasiado previsibles y a su vez faltos de una mayor frescura.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20118\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/26_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-600x399.jpg\" alt=\"26_Lrs Dnlssn Grp (\u00a9Joan Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/26_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/26_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/26_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/26_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/26_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/26_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: justify;\">Destacar\u00eda, ya avanzado el concierto, el tema de mayor duraci\u00f3n, donde se introdujeron por par\u00e1metros m\u00e1s abiertos y mucho menos pendientes de su \u201cbelleza\u201d. Un tema iniciado en las cercan\u00edas del <em>free<\/em> para ir derivando hac\u00eda senderos estructurados, compactos y musculados, con din\u00e1micas de un jazz m\u00e1s contempor\u00e1neo sin dulcificaciones.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20119\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/27_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-399x600.jpg\" alt=\"27_Lrs Dnlssn Grp (\u00a9Joan Cort\u00e8s)_23jul15_Crrrs_JzzJns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/27_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/27_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/27_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/27_Lrs-Dnlssn-Grp-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9 Joan Cort\u00e8s, 2015<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Para esta nueva edici\u00f3n, la vig\u00e9simo segunda, Junas se herman\u00f3 con la poblaci\u00f3n de Vauvert, de la que est\u00e1 separada unos veinte kil\u00f3metros por la transitada A9. Como resultado ampli\u00f3 el n\u00famero de d\u00edas, con el consiguiente incremento de conciertos. Del 17 al 18 de julio en Vauvert y del 22 al 25 en Junas. En la jornada de clausura el director del festival anunci\u00f3 que para el pr\u00f3ximo a\u00f1o piensan mantener la propuesta.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/22eme-jazz-a-junas-ii-julio-de-2015-arles-junas-francia\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":20114,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,1038],"tags":[13926,14041,14028,14037,14043,14031,7119,1041,11183,14046,5074,14045,14044,14047,5072,11187,6967,14040,14030,14033,14042,14032,14036,14039,14034,14035,5071,16099,16100,14038,14029],"class_list":["entry","author-pachi","has-excerpt","post-20094","post","type-post","status-publish","format-image","has-post-thumbnail","category-joan-cortes","category-conciertos","category-contenidos","tag-22eme-jazz-a-junas","tag-daniel-malavergne","tag-donkey-monkey-eve-risser","tag-eivind-aarset","tag-frederick-cavallin","tag-gerard-pansanel","tag-jazz-a-junas","tag-joan-cortes","tag-john-parricelli","tag-jonas-osthlom","tag-jurgen-spiegel","tag-laars-danielsson","tag-laars-danielsson-group-invite-mathias-eick","tag-magnus-ostrohm","tag-martin-tingvall","tag-mathias-eick","tag-nils-petter-molvaer","tag-palomar-trio","tag-pansasanel-big-cities","tag-patrice-heral","tag-patrick-vaillant","tag-remi-ploton","tag-robbie-shakespeare","tag-sly-robbie","tag-sly-robbie-meet-nils-petter-molvaer","tag-sly-dunbar","tag-tingvall-trio","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-vladislav-delay","tag-yuho-oshima"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-\u00a9Joan-Cort\u00e8s_23jul15_Crrrs_JzzJns.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":78609,"url":"https:\/\/tomajazz.com\/web\/basile-rahola-lars-danielsson-nils-petter-molvaer-junas-2023\/","url_meta":{"origin":20094,"position":0},"title":"Basile Rahola 4t \/ Lars Danielsson \u201cLiberetto\u201d\u00a0\/ Nils Petter Molvaer \u201cKhmer\u201d (30\u00e8 Jazz \u00e0 Junas 2023 \/ Temple et Carri\u00e8res, 2023-07-21. Junas, Occitanie -France-) [V\/VI] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"21 septiembre, 2023","format":false,"excerpt":"Basile Rahola 4t \/ Lars Danielsson \/ Nils Petter Molvaer actuaron en el 30\u00e8 Jazz \u00e0 Junas 2023, el 21 de julio de 2023. Joan Cort\u00e8s retrata a los grupos en INSTANTZZ.","rel":"","context":"En \u00abEspecial 30 Jazz \u00e0 Junas 2023\u00bb","block_context":{"text":"Especial 30 Jazz \u00e0 Junas 2023","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/30-jazz-a-junas-2023\/"},"img":{"alt_text":"Basile Rahola 4t \/ Lars Danielsson \u201cLiberetto\u201d\u00a0\/ Nils Petter Molvaer \u201cKhmer\u201d (30\u00e8 Jazz \u00e0 Junas 2023 \/ Temple et Carri\u00e8res, 2023-07-21. Junas, Occitanie -France-) [V\/VI] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz 9.0 - Basile Rahola 4t \/ Lars Danielsson \/ Nils Petter Molvaer actuaron en el 30\u00e8 Jazz \u00e0 Junas 2023, el 21 de julio de 2023. 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Carri\u00e8res, Junas -Occitanie\/France-) [2] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"9 septiembre, 2024","format":false,"excerpt":"Dieter Ilg Trio \/ Tingvall Trio \/ Triosence actuaron en el 31\u00e8me Jazz \u00e0 Junas 2024, entre el 17 y el 19 de julio de 2024. Joan Cort\u00e8s los retrata en INSTANTZZ","rel":"","context":"En \u00ab31\u00e8me Jazz \u00e0 Junas 2024\u00bb","block_context":{"text":"31\u00e8me Jazz \u00e0 Junas 2024","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/31eme-jazz-a-junas-2024\/"},"img":{"alt_text":"Dieter Ilg Trio \/ Tingvall Trio \/ Triosence (31\u00e8me Jazz \u00e0 Junas 2024 \/ 2024-07-17, 18 y 19. 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Lugar: Centro Cultural Fern\u00e1n G\u00f3mez. Madrid. 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