{"id":2015,"date":"2011-08-15T00:00:21","date_gmt":"2011-08-14T22:00:21","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1452"},"modified":"2016-11-13T20:10:50","modified_gmt":"2016-11-13T19:10:50","slug":"tomajazz-recomienda-un-tema-o-raggedy-man-por-howard-johnson","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-o-raggedy-man-por-howard-johnson\/","title":{"rendered":"Tomajazz recomienda… un tema: \u00abO Raggedy Man\u00bb (Howard Johnson, 1998)"},"content":{"rendered":"
\"\"
Howard Johnson & Gravity - Right Now<\/figcaption><\/figure>\n

Una de las virtudes de la m\u00fasica de jazz es que no hay convenci\u00f3n que valga. Por mucho que abunden los quintetos de saxo-trompeta-piano-bajo-bater\u00eda, no hay regla que proh\u00edba nada.<\/p>\n

Por este motivo, no debe sorprender que un int\u00e9rprete de tuba como Howard Johnson haya podido tener una carrera con un protagonismo mayor del que cabr\u00eda esperar para el bajo de los cobres. Despu\u00e9s de sus inicios profesionales con Mingus o Gil Evans, Johnson lleva ya unos a\u00f1os publicando discos a su nombre. En plena bonanza de los noventa, public\u00f3 Right Now!<\/em> al frente de su conjunto Gravity y con la colaboraci\u00f3n de Taj Mahal. El disco es todo \u00e9l un disfrute, m\u00fasica con fundamento y fuerte inclinaci\u00f3n hacia el blues<\/em>, y se cierra con un \u00abO Raggedy Man\u00bb que, sobre su atm\u00f3sfera discotequera y cierto aire al tema de la pel\u00edcula Bullitt, presenta a un Johnson soberano con el saxo bar\u00edtono, acompa\u00f1ado por una secci\u00f3n de \u00a1cinco tubas!<\/p>\n

Disponible en el \u00e1lbum Howard Johnson & Gravity: Right Now!<\/em> (Verve\/PolyGram 537 801-2)<\/p>\n

Esc\u00fachalo en ListenGo<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Una de las virtudes de la m\u00fasica de jazz es que no hay convenci\u00f3n que valga. Por mucho que abunden los quintetos de saxo-trompeta-piano-bajo-bater\u00eda, no hay regla que proh\u00edba nada. Por este motivo, no debe sorprender que un int\u00e9rprete de tuba como Howard Johnson haya podido tener una carrera conContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1872,16099,77,16100,2316],"class_list":["entry","author-adolphus-van-tenzing","post-2015","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-johnson-howard","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-verve"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":21510,"url":"https:\/\/tomajazz.com\/web\/el-blues-en-los-anos-30-robert-johnson-georgia-white-victoria-spivey-rosetta-tharpe-la-odisea-de-la-musica-afroamericana-030-podcast\/","url_meta":{"origin":2015,"position":0},"title":"El Blues en los a\u00f1os 30: Robert Johnson, Georgia White, Victoria Spivey, Rosetta Tharpe. 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