{"id":2016,"date":"2011-09-19T00:00:14","date_gmt":"2011-09-18T22:00:14","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1489"},"modified":"2016-11-13T20:10:47","modified_gmt":"2016-11-13T19:10:47","slug":"tomajazz-recomienda-un-tema-move-por-stan-getz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-move-por-stan-getz\/","title":{"rendered":"Tomajazz recomienda… un tema: \u00abMove\u00bb (Stan Getz, 1951)"},"content":{"rendered":"
\"\"
Stan Getz - The Complete Roost Recordings<\/figcaption><\/figure>\n

En el jazz, como en todas las facetas de la vida, el pasado queda distorsionado, y sus personajes, atados a un perfil muy concreto. Quiz\u00e1s duele m\u00e1s que eso ocurra en el jazz, campo de expresi\u00f3n art\u00edstica presuntamente libre de prejuicios.<\/p>\n

Si ignorasen el t\u00edtulo de esta entrada, escuchasen la m\u00fasica y les dijese que ese saxo tenor acababa de darle la alternativa a Horace Silver, ep\u00edtome de la negritud del hard bop<\/em>, m\u00e1s de uno se sorprender\u00eda cuando supieran que hablamos de Stan Getz, el tenor blanco de las baladas, la bossa nova<\/em> y uno de los \u00abcomerciales\u00bb del jazz. Getz fue eso, pero tambi\u00e9n un tremendo saxofonista en todos los sentidos, admirado por propios, extra\u00f1os y por San Juan Coltrane, quien lleg\u00f3 a decir que \u00absi pudi\u00e9ramos, todos sonar\u00edamos como Getz\u00bb.<\/p>\n

En esta grabaci\u00f3n de 1951, en directo, Getz y su legendario quinteto con Jimmy Raney atacan el cl\u00e1sico \u00abMove\u00bb a toda velocidad, con su t\u00edpico contrapunto en el tema y una r\u00edtmica de lujo \u2013Al Haig al piano\u2013 con el malogrado Tiny Kahn haciendo algo hoy muy infrecuente: limitarse a tocar swing<\/em> en 4\/4 a toda m\u00e1quina durante 6 minutos. Quien fuera el del \u00abyahoooo!\u00bb del final del solo de bater\u00eda, expres\u00f3 perfectamente la excitaci\u00f3n de la que eran capaces estos j\u00f3venes.<\/p>\n

\u00abMove\u00bb est\u00e1 disponible en multitud de reediciones. Recomendado, el triple ced\u00e9, Stan Getz – The Complete Roost Recordings<\/em> (Roost\/Blue Note\/EMI 7243 8 59622 2 6), y se puede escuchar en:<\/p>\n

– Spotify<\/a>,
\n– MySpace<\/a>, y
\n– YouTube<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

En el jazz, como en todas las facetas de la vida, el pasado queda distorsionado, y sus personajes, atados a un perfil muy concreto. Quiz\u00e1s duele m\u00e1s que eso ocurra en el jazz, campo de expresi\u00f3n art\u00edstica presuntamente libre de prejuicios. Si ignorasen el t\u00edtulo de esta entrada, escuchasen laContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1315,1487,1731,1767,1891,2116,2159,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2016","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-1315","tag-blue-note","tag-getz-stan","tag-haig-al","tag-kahn-tiny","tag-raney-jimmy","tag-roost","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1958,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-moonlight-in-vermont-por-johnny-smith\/","url_meta":{"origin":2016,"position":0},"title":"Tomajazz recomienda… un tema: \u00abMoonlight in Vermont\u00bb por Johnny Smith","author":"Adolphus van Tenzing","date":"31 enero, 2011","format":false,"excerpt":"Johnny Smith pertenece a una estirpe de guitarristas que tuvieron su base en Nueva York en los a\u00f1os cincuenta, grandes t\u00e9cnicos, fiables, y capaces de acercarse al jazz sin grandes pretensiones art\u00edsticas pero con mucho oficio. 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