{"id":2017,"date":"2011-07-20T00:00:23","date_gmt":"2011-07-19T22:00:23","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1531"},"modified":"2016-11-13T20:10:52","modified_gmt":"2016-11-13T19:10:52","slug":"tomajazz-recomienda-un-tema-keen-and-peachy-woody-herman-orchestra-1947","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-keen-and-peachy-woody-herman-orchestra-1947\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u00abKeen and Peachy\u00bb (Woody Herman Orchestra, 1947)"},"content":{"rendered":"

\"WoodyRodeado por un elenco de futuras estrellas, Herman grab\u00f3 esta variaci\u00f3n de \u00abFine and Dandy\u00bb en la segunda sesi\u00f3n de su \u00absegundo reba\u00f1o\u00bb.<\/p>\n

Este tema, a pesar de no estar entre lo m\u00e1s logrado del repertorio de Herman, presenta varios atractivos: por un lado, el arreglo de Shorty Rogers, con un exc\u00e9ntrico segundo chorus <\/em>en el que los vientos marcan un ritmo ternario sobre el 4\/4 del tema y los saxos emiten comentarios extempor\u00e1neos, y, por otro, los solos de Stan Getz, Zoot Sims, Earl Swope, Serge Chaloff y Ernie Royal (los tres saxofonistas casi p\u00faberes pero ya inconfundibles).<\/p>\n

No obstante, la estrella del tema es el bater\u00eda, Don Lamond, que realiza una exhibici\u00f3n de swing<\/em>, dirigiendo la banda con puntuaciones diversas pero siempre oportunas, especialmente en el citado segundo chorus<\/em>. Una lecci\u00f3n magistral de bater\u00eda de big band<\/em>.<\/p>\n

\u00a9 Adolphus van Tenzing<\/p>\n

Disponible en:
\nWoody Herman & His Orchestra:
\n– Blowin’ Up a Storm<\/em>(503280 2)
\n– This is Jazz, Vol. 24<\/em> (CK 65040)
\n– The Complete Recordings of Woody Herman and His Orchestra & Woodchoppers (1945-1947)<\/em> (Mosaic MD7-223).<\/p>\n","protected":false},"excerpt":{"rendered":"

Rodeado por un elenco de futuras estrellas, Herman grab\u00f3 esta variaci\u00f3n de \u00abFine and Dandy\u00bb en la segunda sesi\u00f3n de su \u00absegundo reba\u00f1o\u00bb. Este tema, a pesar de no estar entre lo m\u00e1s logrado del repertorio de Herman, presenta varios atractivos: por un lado, el arreglo de Shorty Rogers, conContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11603,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[1312,5366,1551,1587,1731,1803,1919,2025,2154,2167,2260,16099,77,16100,2365,8165],"class_list":["entry","author-adolphus-van-tenzing","post-2017","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1312","tag-adolphus-van-tenzing","tag-chaloff-serge","tag-columbia","tag-getz-stan","tag-herman-woody","tag-lamond-don","tag-mosaic","tag-rogers-shorty","tag-royal-ernie","tag-swope-earl","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-woody-herman-and-his-orchestra","tag-zoot-sims"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/07\/Woody-Herman-Blowin-Up-A-Storm.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10028,"url":"https:\/\/tomajazz.com\/web\/stan-getz-hecho-y-olvidado-articulo-por-juanma-castro-medina\/","url_meta":{"origin":2017,"position":0},"title":"Stan Getz: hecho y olvidado. Art\u00edculo por Juanma Castro Medina","author":"Tomajazz","date":"23 enero, 2014","format":false,"excerpt":"\u201cHecho y olvidado\u201d, esta expresi\u00f3n extra\u00edda de una entrevista realizada al saxo tenor Stan Getz, nos sirve para dar nombre al solo hist\u00f3rico que recordamos hoy, un importante jal\u00f3n en la escalada del estilo cool y un verdadero espaldarazo para la carrera del joven saxofonista.\u00a0 Y es que, cuando le\u2026","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"\u00edndice","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/%C3%ADndice-200x202.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":47202,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-xiv-shorty-rogers-y-ii-stan-getz-i-la-odisea-de-la-musica-afroamericana-214-podcast\/","url_meta":{"origin":2017,"position":1},"title":"Cool Jazz (XIV): Shorty Rogers (y II) – Stan Getz (I). 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En el cap\u00edtulo 195 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Gene-Ammons_Boss-Tenor.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":47069,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-xiii-paul-desmond-y-ii-shorty-rogers-la-odisea-de-la-musica-afroamericana-213-podcast\/","url_meta":{"origin":2017,"position":3},"title":"Cool Jazz (XIII): Paul Desmond (y II) – Shorty Rogers (I). La Odisea de la M\u00fasica Afroamericana (213) [Podcast]","author":"Tomajazz","date":"11 noviembre, 2019","format":false,"excerpt":"Contin\u00faa el repaso de Luis Escalante Ozalla en La Odisea de la M\u00fasica Afroamericana del movimiento Cool Jazz. 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