{"id":20289,"date":"2015-10-17T10:45:46","date_gmt":"2015-10-17T08:45:46","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=20289"},"modified":"2016-11-13T21:50:09","modified_gmt":"2016-11-13T20:50:09","slug":"andy-t-nick-nixon-band-paul-san-martin-zac-harmon-blues-en-hdo-20-audioblog","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/andy-t-nick-nixon-band-paul-san-martin-zac-harmon-blues-en-hdo-20-audioblog\/","title":{"rendered":"Andy T Nick Nixon Band &#8211; Paul San Mart\u00edn &#8211; Zac Harmon: Blues en HDO (0020) [Audioblog]"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20305\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151014_003-600x337.jpg\" alt=\"WP_20151014_003\" width=\"600\" height=\"337\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151014_003-600x337.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151014_003-150x84.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151014_003-200x112.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151014_003-98x55.jpg 98w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><br \/>\n<iframe loading=\"lazy\" id=\"audio_8991688\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"http:\/\/www.ivoox.com\/player_ej_8991688_4_1.html?c1=2200ff\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\nEn <strong>HDO<\/strong> cumplimos veinte entregas, y con tal motivo, cambiamos de estilo alej\u00e1ndonos (aunque no demasiado) del jazz y adentr\u00e1ndonos en el blues. Del tir\u00f3n suenan unos cuantos temas de tres propuestas de blues que merecen ser escuchadas con atenci\u00f3n. <em>Paul&#8217;s Mood<\/em>\u00a0(Gaztelupeko Hotsak) enfrenta al pianista y cantante (en ambas facetas cumple con creces) <strong>Paul San Mart\u00edn\u00a0<\/strong>a unos cuantos cl\u00e1sicos del blues, del soul, del jazz de New Orleans&#8230; saliendo triunfante del envite. <em>Right Man, Right Now<\/em>\u00a0(Blind Pig Records distr. Karonte) del guitarrista y cantante <strong>Zac Harmon<\/strong> es un disco de blues con un toque moderno, pero sobre todo con buenas canciones y buenos acompa\u00f1antes. Finalmente <strong>Numbers Man<\/strong> (Blind Pig Records distr. Karonte) es un gran disco de blues en el que los temas (unas composiciones que enganchan desde la primera escucha), beben de distintas fuentes: <em>boogie<\/em>, <em>rock&#8217;n&#8217;roll<\/em>, <em>rhythm&#8217;n&#8217;blues<\/em>. El disco es una grat\u00edsima sorpresa, que puede servir como una fant\u00e1stica pasarela a los escuchantes curiosos con ganas de introducirse en el extenso mundo del blues.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2015<\/p>\n<p style=\"text-align: justify;\"><strong>HDO (Hablando de o\u00eddas)<\/strong> es un audioblog presentado, editado y producido por <strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><strong>Los temas, las grabaciones, los titulares<\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Andy-T-Nick-Nixon-Band_Numbers-Man_Blind-Pig-Records.jpg\" alt=\"Andy T Nick Nixon Band_Numbers Man_Blind Pig Records\" width=\"200\" height=\"200\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Zac-Harmon__Right-Man-Right-Now_Blind-Pig-Records.jpg\" alt=\"Zac Harmon__Right Man Right Now_Blind Pig Records\" width=\"200\" height=\"200\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Paul-San-Martin_Pauls-Mood_Gaztelupeko-Hotsak-e1445068577747.jpg\" alt=\"Paul San Martin_Paul&#039;s Mood_Gaztelupeko Hotsak\" width=\"222\" height=\"200\" title=\"\"><\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abPaul&#8217;s Mood\u00bb, \u00abSkid Row\u00bb, \u00abDown the Road Apiece\u00bb, \u00abBorn With the Blues\u00bb. <strong>Paul San Mart\u00edn<\/strong>. <em>Paul&#8217;s Mood<\/em> (Gaztelupeko Hotsak, 2015)<\/li>\n<li style=\"text-align: justify;\">\u00abRaising Hell\u00bb, \u00abHump In Your Back\u00bb, \u00abI&#8217;m Bad Like Jesse James\u00bb. <strong>Zac Harmon<\/strong>. <em>Right Man Right Now<\/em> (Blind Pig Records distr. Karonte, 2015)<\/li>\n<li style=\"text-align: justify;\">\u00abShut the Front Door\u00bb, \u00abDevil&#8217;s Wife\u00bb, \u00abTall Drink of Water\u00bb, \u00abBlue Monday\u00bb, \u00abBe Somebody Some Day\u00bb, \u00abWhat Went Wrong\u00bb. <strong>Andy T &#8211; Nick Nixon Band<\/strong>. <em>Numbers Man<\/em> (Blind Pig Records distr. Karonte, 2015)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>En HDO cumplimos veinte entregas, y con tal motivo, cambiamos de estilo alej\u00e1ndonos (aunque no demasiado) del jazz y adentr\u00e1ndonos en el blues. Del tir\u00f3n suenan unos cuantos temas de tres propuestas de blues que merecen ser escuchadas con atenci\u00f3n. Paul&#8217;s Mood\u00a0(Gaztelupeko Hotsak) enfrenta al pianista y cantante (en ambas<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/andy-t-nick-nixon-band-paul-san-martin-zac-harmon-blues-en-hdo-20-audioblog\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":20305,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,13298,17149,12814,15518,1038],"tags":[14119,13370,14120,11617,13300,13299,15712,15713,15714,13,12415,15295,15278,960,1892,15710,31,14117,12818,15310,15709,15711,16099,77,16100,14118],"class_list":["entry","author-pachi","post-20289","post","type-post","status-publish","format-audio","has-post-thumbnail","category-pachi-tapiz","category-hablando-de-oidas-hdo","category-t02-2015-16","category-podcast","category-sonidos","category-contenidos","tag-andy-t-nick-nixon-band","tag-audioblog","tag-blind-pig-records","tag-gaztelupeko-hotsak","tag-hablando-de-oidas","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jose-francisco-tapiz","tag-karonte","tag-la-actualidad-del-jazz-en-espana","tag-pachi-tapiz","tag-paul-san-martin","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-zac-harmon"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151014_003.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":72552,"url":"https:\/\/tomajazz.com\/web\/paul-san-martin-jazzx5\/","url_meta":{"origin":20289,"position":0},"title":"\u00abWhat Can I Do\u00bb [Paul San Mart\u00edn: A French Session (Gaztelupeko Hotsak &#8211; Big Spoon Records, 2023)] Por Pachi Tapiz. JazzX5 #578 [Minipodcast de jazz]","author":"Tomajazz","date":"25 marzo, 2023","format":false,"excerpt":"En JazzX5 #578 suena una versi\u00f3n del tema \"What Can I Do\" de Charles \"Hungry\" Williams que aparece en la grabaci\u00f3n de Paul San Mart\u00edn, A French Session (Gaztelupeko Hotsak - Big Spoon Records, 2023). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"What Can I Do [Paul San Mart\u00edn: A French Session (Gaztelupeko Hotsak &#8211; Big Spoon Records, 2023)] Por Pachi Tapiz. JazzX5 #578 [Minipodcast de jazz] - Tomajazz 9.0 -","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/03\/JazzX5-0578.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/03\/JazzX5-0578.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/03\/JazzX5-0578.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/03\/JazzX5-0578.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30249,"url":"https:\/\/tomajazz.com\/web\/hdo-264-cuatro-trios-duot-andy-moor-trio-heinz-hebert-risser-duboc-perraud-grid-podcast\/","url_meta":{"origin":20289,"position":1},"title":"HDO 264. Cuatro tr\u00edos. Duot &#038; Andy Moor, Trio Heinz Hebert, Risser &#8211; Duboc &#8211; Perraud, GRID [Podcast]","author":"Tomajazz","date":"21 abril, 2017","format":false,"excerpt":"En la entrega 264 de HDO del 21 de abril de 2017, suenan cuatro grabaciones en formato de tr\u00edo.\u00a0Food (Repetidor, 2017)\u00a0de\u00a0Duot (Albert Cirera - Ram\u00f2n Prats) & Andy Moor; The Willisau Concert (Intakt, 2017) del Trio Heinz Hebert (Dominic Landolt, Ramon Landolt, Mario\u00a0H\u00e4nni); En Corps Generation (Dark Tree, 2017) de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Duot-Andy-Moor_Food_Repetidor_2017.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Duot-Andy-Moor_Food_Repetidor_2017.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Duot-Andy-Moor_Food_Repetidor_2017.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30277,"url":"https:\/\/tomajazz.com\/web\/hdo-265-barry-guy-feliz-70-cumpleanos-podcast\/","url_meta":{"origin":20289,"position":2},"title":"HDO 265. Barry Guy: \u00a1feliz 70 cumplea\u00f1os! [Podcast]","author":"Tomajazz","date":"22 abril, 2017","format":false,"excerpt":"El 22 de abril de 2017 el contrabajista y compositor Barry Guy cumple 70 a\u00f1os. En HDO celebramos su aniversario dedic\u00e1ndole la entrega 265. A lo largo de algo m\u00e1s de una hora escuchamos m\u00fasica de parte de sus grabaciones en el sello\u00a0Intakt en distintos formatos:\u00a0The Blue Shroud\u00a0(The Blue Shroud\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/IMG_5634_BARRYGUYJAZZALUZ2012SOLO_conmarco.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31891,"url":"https:\/\/tomajazz.com\/web\/hdo-300-anthony-braxton-standards-quartet-ii-podcast-abs-v\/","url_meta":{"origin":20289,"position":3},"title":"HDO 300. Anthony Braxton Standards (Quartet) II [Podcast] [ABS V]","author":"Tomajazz","date":"23 agosto, 2017","format":false,"excerpt":"En la carrera de\u00a0Anthony Braxton aparecen, adem\u00e1s de proyectos centrados en figuras concretas del jazz (tal y como escuch\u00e1bamos en la entrega anterior de HDO), otros cuyo fin es la recreaci\u00f3n de standards. De entre las varias grabaciones dedicadas a este fin, son especialmente recomendables los tres CD cu\u00e1druples publicados\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":29288,"url":"https:\/\/tomajazz.com\/web\/hdo-237-novespain-2017-iii-mikel-gaztelurrutia-pere-soto-pep-lluis-guardiola-seidagasa-pedro-martinez-maestre-psycic-equalizer-nevermind-trio-threejay-podcast\/","url_meta":{"origin":20289,"position":4},"title":"HDO 237. NoveSpain 2017 III: Mikel Gaztelurrutia, Pere Soto &#8211; Pep Lluis Guardiola, Seidagasa + Pedro Mart\u00ednez Maestre, Psychic Equalizer, Nevermind Trio, Threejay [Podcast]","author":"Tomajazz","date":"14 febrero, 2017","format":false,"excerpt":"Media docena de novedades nacionales en la entrega 237 de HDO.\u00a0Walk de\u00a0Mikel Gaztelurrutia (Rock - CD Records, 2016);\u00a0Pere Soto - Pep Lluis Guardiola fusi\u00f3 y su grabaci\u00f3n hom\u00f3nima (Ars Harmonica, 2016); Omnisciencia de\u00a0Seidagasa + Pedro Mart\u00ednez Maestre; The Lonely Traveller\u00a0de\u00a0Psychic Equalizer; onena heltzear dago\u00a0(Errabal Jazz, 2017) de\u00a0Nevermind Trio; Our Voint\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/HDO_logo_2017-01_ok.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/HDO_logo_2017-01_ok.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/HDO_logo_2017-01_ok.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":26971,"url":"https:\/\/tomajazz.com\/web\/hdo-180-redux-podcast\/","url_meta":{"origin":20289,"position":5},"title":"HDO 180 Redux [Podcast]","author":"Tomajazz","date":"18 octubre, 2016","format":false,"excerpt":"Un breve adelanto de HDO 180 en el que escucharemos tres grabaciones recientes en las que la composici\u00f3n y la conducci\u00f3n son plataformas (o no) para la improvisaci\u00f3n. Sonar\u00e1n m\u00fasicas de Wadada Leo Smith, Barry Guy Blue Shroud Band y Rova::Orkestrova homenajeando a Butch Morris. En breve, la versi\u00f3n completa\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=20289"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20289\/revisions"}],"predecessor-version":[{"id":20321,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20289\/revisions\/20321"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/20305"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=20289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=20289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=20289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}