{"id":2029,"date":"2011-10-17T00:00:46","date_gmt":"2011-10-16T22:00:46","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1660"},"modified":"2016-11-13T20:10:45","modified_gmt":"2016-11-13T19:10:45","slug":"tomajazz-recomienda-una-linea-de-bajo-scott-lafaro-en-cherokee-jazz-at-the-cellar-the-harold-land-quartet-1958","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-linea-de-bajo-scott-lafaro-en-cherokee-jazz-at-the-cellar-the-harold-land-quartet-1958\/","title":{"rendered":"Tomajazz recomienda&#8230; una l\u00ednea de bajo: Scott LaFaro en \u00abCherokee\u00bb (<i>Jazz At The Cellar 1958<\/i>&#8211; The Harold Land Quartet)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11734\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/The-Harold-Land-Quartet-Jazz-At-The-Cellar-Door-200x200.jpg\" alt=\"The Harold Land Quartet Jazz At The Cellar Door\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/The-Harold-Land-Quartet-Jazz-At-The-Cellar-Door-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/The-Harold-Land-Quartet-Jazz-At-The-Cellar-Door-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/The-Harold-Land-Quartet-Jazz-At-The-Cellar-Door-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/The-Harold-Land-Quartet-Jazz-At-The-Cellar-Door.jpg 380w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>The Cellar (Vancouver), noviembre de 1958. El <em>speaker<\/em> presenta a Harold Land, l\u00edder del cuarteto que actuar\u00e1 esa noche en el club canadiense. El bater\u00eda Lennie McBrowne marca unos golpes r\u00edtmicos rememorando a los indios americanos, Elmo Hope apoya con acordes al piano, el l\u00edder dibuja frases aqu\u00ed y all\u00e1; en 1&#8217;07\u00bb Land arranca la melod\u00eda de \u00abCherokee\u00bb, tema r\u00e1pido y despiadado como pocos, y el contrabajista Scott LaFaro marca un fren\u00e9tico pulso de <em>walking bass<\/em> a una velocidad endiablada (380 bpm \u2013<em>beats per minute<\/em> = notas negras por minuto\u2013, aproximadamente).<\/p>\n<p style=\"text-align: justify;\">Lo incre\u00edble no es que LaFaro aguante vivo y fresco durante casi dieciocho minutos, sino la calidad mel\u00f3dica de su trabajo. El bajista explora tesituras durante largo rato, combina arpegios y escalas con cromatismos sin abusar de ning\u00fan recurso, dialoga con la bater\u00eda y sustenta a los solistas como muy pocos ser\u00edan capaces. Su solo, continuaci\u00f3n de la l\u00ednea de bajo, impresiona por su virtuosismo y su lenguaje. Toda una lecci\u00f3n de contrabajo de jazz.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n<p><em>Jazz At The Cellar 1958<\/em> (The Harold Land Quartet), Lonehill Jazz 10291<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Cellar (Vancouver), noviembre de 1958. El speaker presenta a Harold Land, l\u00edder del cuarteto que actuar\u00e1 esa noche en el club canadiense. El bater\u00eda Lennie McBrowne marca unos golpes r\u00edtmicos rememorando a los indios americanos, Elmo Hope apoya con acordes al piano, el l\u00edder dibuja frases aqu\u00ed y all\u00e1;<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-linea-de-bajo-scott-lafaro-en-cherokee-jazz-at-the-cellar-the-harold-land-quartet-1958\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11734,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,9015,1295,1038,1273],"tags":[1322,5366,1560,1673,1780,1852,1930,2192,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2029","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-linea-de-bajo","category-solo","category-contenidos","category-tomajazz-recomienda","tag-1322","tag-adolphus-van-tenzing","tag-cherokee","tag-elmo-hope","tag-harold-land","tag-jazz-at-the-cellar","tag-lennie-mcbrowne","tag-scott-lafaro","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/The-Harold-Land-Quartet-Jazz-At-The-Cellar-Door.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2019,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-trompetista-dupree-bolton\/","url_meta":{"origin":2029,"position":0},"title":"Tomajazz recomienda\u2026 un trompetista: Dupree Bolton","author":"Adolphus van Tenzing","date":"22 julio, 2011","format":false,"excerpt":"La discograf\u00eda de este m\u00fasico se limita a dos discos: The Fox (1959), de Harold Land, y Katanga! 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