freejazz<\/em>, rock y psicodelia nunca superada.<\/p>\nLos dos autores del libro, los italianos Enrico Merlin y Veniero Rizzardi, ofrecen el fruto de una investigaci\u00f3n de enorme rigor, con un nivel de detalle y de contextualizaci\u00f3n al que Ashley Kahn no llega en ninguna de sus obras. Y lo que Merlin y Rizzardi consiguen plasmar perfectamente es la importancia capital del papel del productor Teo Macero en el resultado final del disco, es decir, en conseguir hacer de Bitches Brew<\/em> una obra maestra.<\/p>\nBitches Brew – G\u00e9nesis de la obra maestra de Miles Davis<\/em> est\u00e1 publicado en Espa\u00f1a por Global Rhythm Press, en una edici\u00f3n muy cuidada con profusi\u00f3n de documentos gr\u00e1ficos (y con una muy buena traducci\u00f3n a cargo de Lourdes Bassols).<\/p>\n\u00a9 Adolphus van Tenzing<\/p>\n
*Ambos publicados en Espa\u00f1a por Alba Editorial, al igual que la obra dedicada al sello Impulse!, del mismo autor.<\/p>\n","protected":false},"excerpt":{"rendered":"
Tras los dos vol\u00famenes a cargo de Ashley Kahn dedicados a A Love Supreme y Kind of Blue*, hete aqu\u00ed otro libro que aborda en exclusiva otro de los discos indiscutibles (y, en este caso, tambi\u00e9n muy discutidos) de la historia del jazz: Bitches Brew, ese doble grabado en 1969Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11692,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1283,3,1038,1273],"tags":[5366,9000,9002,2004,2272,16099,77,16100,9001],"class_list":["entry","author-adolphus-van-tenzing","post-2039","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-libro","category-libros","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-enrico-merlin","tag-global-rhythm-press","tag-miles-davis","tag-teo-macero","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-veniero-rizzardi"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Merlin-Rizzardi-Bitches-Brew-Genesis-de-la-obra-maestra-de-miles-davis.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1914,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-reedicion-bitches-brew-legacy-edition-miles-davis-1970-reed-2010\/","url_meta":{"origin":2039,"position":0},"title":"Tomajazz recomienda\u2026 una reedici\u00f3n: Bitches Brew. Legacy Edition (Miles Davis, 1970. Reed. 2010)","author":"Adolphus van Tenzing","date":"25 octubre, 2010","format":false,"excerpt":"Las grandes discogr\u00e1ficas dan una vuelta de tuerca m\u00e1s al tema de las reediciones. En el a\u00f1o 1998 Sony public\u00f3 The Complete Bitches Brew. Una caja de cuatro CD en la que se supon\u00eda reedici\u00f3n definitiva de la m\u00edtica obra de Miles Davis.","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Miles Davis Bitches Brew Legacy Edition","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/10\/Miles-Davis-Bitches-Brew-Legacy-Edition-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2049,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-nefertiti-miles-davis-1967\/","url_meta":{"origin":2039,"position":1},"title":"Tomajazz recomienda… un CD: Nefertiti (Miles Davis, 1967)","author":"Adolphus van Tenzing","date":"5 marzo, 2012","format":false,"excerpt":"El segundo gran quinteto de Miles Davis, el de los a\u00f1os sesenta, marc\u00f3 un punto de inflexi\u00f3n crucial en la m\u00fasica del trompetista y en la historia del jazz: los enfoques basados en el swing, be-bop, hard-bop y jazz modal dieron paso al crossover el\u00e9ctrico de In A Silent Way\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Miles_Davis_-_Nefertiti.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1349,"url":"https:\/\/tomajazz.com\/web\/miles-beyond-paul-tingen-billboard-books-2001\/","url_meta":{"origin":2039,"position":2},"title":"MILES BEYOND. Paul Tingen. Billboard Books (2001)","author":"Autor1","date":"19 mayo, 2011","format":false,"excerpt":"\u00a0 MILES BEYOND. The Electric Explorations of Miles Davis, 1967-1991. Autor: Paul Tingen Editorial: Billboard Books (2001) ISBN: 0-8230-8360-8 Idioma: ingl\u00e9s El mito sigue creciendo y el an\u00e1lisis de su obra se especializa m\u00e1s y m\u00e1s. Cuando no parece que quede mucho por escribir sobre la carrera de Miles Davis,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/miles_beyond1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28886,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-miles-davis-bitches-brew-1970-31\/","url_meta":{"origin":2039,"position":3},"title":"365 razones para amar el jazz: un disco. Miles Davis: Bitches Brew (1970) [31]","author":"Tomajazz","date":"31 enero, 2017","format":false,"excerpt":"Un disco. Miles Davis:\u00a0Bitches Brew\u00a0(CBS, 1970) Seleccionado por Juan Antonio Serrano Cervantes. Con\u00a0Miles Davis, Dave Holland, Harvey Brooks, Bennie Maupin, Don Alias, Jack DeJohnette, Lenny White, John McLaughlin, Chick Corea, Joe Zawinul , Larry Young, Jim Riley, Wayne Shorter,","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Miles-Davis_Bitches-Brew_Columbia_1969-e1485115659121.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":51237,"url":"https:\/\/tomajazz.com\/web\/miles-davis-iv-la-odisea-de-la-musica-afroamericana-248-podcast-de-jazz\/","url_meta":{"origin":2039,"position":4},"title":"Miles Davis (IV). La Odisea de la M\u00fasica Afroamericana (248) [Podcast de Jazz]","author":"Tomajazz","date":"27 julio, 2020","format":false,"excerpt":"Miles Davis y su carrera en los a\u00f1os 60 es el eje en torno al que se centra el programa 248 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13248,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-concierto-miles-davis-quintet-paris-21-de-marzo-de-1960\/","url_meta":{"origin":2039,"position":5},"title":"Tomajazz recomienda… un concierto: Miles Davis Quintet (Paris, 21 de marzo de 1960)","author":"Tomajazz","date":"28 julio, 2014","format":false,"excerpt":"\u00bfA qui\u00e9n no le habr\u00eda gustado haber presenciado los dos pases de la actuaci\u00f3n del Miles Davis Quintet en el Teatro Olympia de Paris el lunes 21 de marzo de 1960?\u00a0\u00c9ste es uno de los conciertos m\u00e1s c\u00e9lebres de la trayectoria de John Coltrane. A lo largo de sus intervenciones\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Miles Davis Live In Paris 1960","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Miles-Davis-Live-In-Paris-1960-200x170.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2039"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2039\/revisions"}],"predecessor-version":[{"id":11694,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2039\/revisions\/11694"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11692"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Merlin](\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/01\/thumb_1100_1346_acabado69571.jpg\" "\\"\\"")
<\/a>Tras los dos vol\u00famenes a cargo de Ashley Kahn dedicados a A Love Supreme<\/em> y Kind of Blue<\/em>*, hete aqu\u00ed otro libro que aborda en exclusiva otro de los discos indiscutibles (y, en este caso, tambi\u00e9n muy discutidos) de la historia del jazz: Bitches Brew<\/em>, ese doble grabado en 1969 en el que Miles Davis volvi\u00f3 a reinventarse, ofreciendo una mezcla de freejazz<\/em>, rock y psicodelia nunca superada.<\/p>\n